One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Joannie hadn’t been on a date in seven years when Johnny invites Joannie and her daughter to dinner. His house is beautiful, his son is sweet, and their first kiss is, well, it’s not the best, but Joannie could convince herself it was nice enough. But when Joannie’s childhood crush, a summer-camp fling turned famous billionaire, crash-lands his hot-air balloon in Johnny’s swimming pool, Joannie dives in.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Jake Whyte is living on her own in an old farmhouse on a craggy British island, a place of ceaseless rain and battering wind. Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wants it to be. But every few nights something - or someone - picks off one of the sheep and sounds a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, and rumors of an obscure, formidable beast.

From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove Karen Russell comes a gripping dust bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the dust bowl drought, but beneath its own violent histories.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve seen before.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

Rosie Lachlan wants nothing more than to find The One. A year after she was dumped in her wedding dress, she’s working at her parents’ bridal salon, anxious for a happy ending that can’t come soon enough. After receiving a life-saving heart transplant, Rosie knows her health is precious and precarious. She suspects her heart donor is Daphne Thorne, the wife of local celebrity author Morgan Thorne, who she begins messaging via an anonymous service called DonorConnect, ostensibly to learn more about Daphne. But Rosie has a secret.

The London suburb of Croydon, 1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor. One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist.

Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay, and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

When Nadia Amin, a witty and bighearted PhD, publishes an article on deradicalization, everything changes. The United Nations comes calling with an opportunity to put her theory into practice and lead a rehabilitation program for women caught in the crosshairs of harmful ideology. And why not? Abandoned by her mother and devastated by unrequited love, she leaps at the chance.

Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz–just sixty years old and, to her knowledge, vigorous and healthy–collapsed and died on a Washington, D. C. sidewalk.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

In a place and time unknown, two elderly sisters live in a walled garden, secluded from the outside world. Evelyn and Lily have only ever known each other. What was before the garden, they have forgotten; what lies beyond it, they do not know. Each day is spent in languid service to their home: tending the bees, planting the crops, and dutifully following the instructions of the almanac written by their mother. So when a nameless boy is found hiding in the boarded house at the center of their isolated grounds, their once solitary lives are irrevocably disrupted.

Jake Whyte is living on her own in an old farmhouse on a craggy British island, a place of ceaseless rain and battering wind. Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wants it to be. But every few nights something - or someone - picks off one of the sheep and sounds a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, and rumors of an obscure, formidable beast.

Three years after losing her teenage daughter, with her marriage on the brink of unraveling, Barbara needs a break—time away, time alone, time to process. The lake house is perfect. It's quiet, remote, picturesque, and best of all, she has the whole place to herself. Barbara's weekend getaway takes a terrifying detour when a young woman emerges from the woods, screaming for help. She's been abducted. Her deranged captor is in close pursuit. Barbara will need all her courage and cunning if they're both to survive the nightmare headed their way.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

Naema, an elderly princess dedicated to her pet causes, is in a bind: struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor the author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize, and she’s reduced to begging the ancient award winner to find some attendees at the last minute. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best friends.

The moor is a difficult place for a young woman to grow up in the eighteenth century, and life for Hettie Gale is no different. Abused by her father and abandoned by her family, she builds a new life for herself and her young son. But when she’s assaulted by men who lie about the encounter and accuse her of a heinous crime, Hettie is sentenced to death. In the present day, Alice receives news that her cousin has gone missing from her cottage on the moor, where Alice spent many of her childhood summers. Wanting to help find Fleur, she heads to the village.

Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar. An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic newspaper columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers.

The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets. Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

Maya and Natasha are twin sisters born in the midst of the Siege of Leningrad in 1941 and immediately abandoned by their mother, a prima ballerina at the Kirov Ballet who would rather die than not dance. Taken in by their mother’s best friend at the Kirov, the girls are raised to be dancers themselves. The Vaganova Ballet Academy—and the totalitarian Soviet regime—is the only world they know. In 1958, now seniors at the Vaganova at the height of the Cold War, all Maya and Natasha and their classmates want is to dance with the Kirov, and to join the company on its tour to America next year.

In the secluded village of Reeth, the Hawthorn family has found their new home, a place shrouded in mystery and dark secrets. The recent murder that took place there has left the house within their budget, but is there a higher price they still have to pay? On the first night in their new home, Gerald Hawthorn unwittingly releases a Haglard, a sinister creature from local folklore with malevolent intentions. This insidious creature has the power to mimic voices and sounds, tormenting its victims to breaking point before going in for the kill.

A year ago Sophie Wickham stumbled into the isolated Lancashire village of Withered Hill, naked, alone and with no memory of who she is. Surrounded by a thick ring of woodland, its inhabitants seem to be of another world, drenched in pagan, folklorish traditions. As Sophie struggles to regain the memories of her life from before, she quickly realises she is a prisoner after multiple failed escape attempts. But is it the locals who keep her trapped, with smiles on their faces, or something else, lurking in the woods?

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

“The kid was objectively a tiny worm, even worse, a worm with my nose.” Welcome to Sarah Hoover’s unflinching take on motherhood and its expectations in which the beatific narrative women have been fed—one of immediate connection to your child followed by a joyful path of maternal discovery—turns out to be not quite true. In The Motherload, Hoover provides a candid, funny, and sobering look at the journey women undertake as expectant mothers and wives from the early days of pregnancy through labor and beyond.