There is something very wrong in the Arnolds' new home. And that something is stalking their daughter. Originally released several chapters at a time on the podcast Ghosts in the Burbs, Lilith is a tale of demonic possession, motherhood, and isolation.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

A recurrent, unidentifiable noise in her apartment. A memo to her boss that's replaced by obscene insults. Amanda - a successful architect in a happy marriage - finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.

Amy Foster considers herself lucky. After she left the city and went full minivan, she found her place quickly with neighbors Liz, Jess, and Melissa, together snarking the “Mom Mafia” from the outskirts of the PTA mom crowd. So, one night during their monthly wine get-together, the newfound crew concocts a plan for a clubhouse She Shed in Liz’s backyard—the perfect space for just them, no spouses or kids allowed.

The lives of the Barretts, a normal suburban New England family, are torn apart when 14-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession.

In the summer of 1994, psychologist Daniel Hill buys a rustic farmhouse nestled in the rolling hills of West Virginia. Along with his wife and teenage daughter, the family uproots their lives in Ohio and moves south. They are initially seduced by the natural beauty of the country setting. That soon changes when they discover a hidden room in the basement with a well, boarded shut and adorned with crucifixes. Local legends about the previous owner being an exorcist come to light, but by then, all Hell has broken loose.

After striking out on her own as a teen mom, Madi Price is forced to return to her hometown of Brandywine, Virginia, with her seventeen-year-old daughter. With nothing to her name, she scrapes together a living as a palm reader at the local farmers market. It’s there that she connects with old high school flame Henry McCabe, now a reclusive local fisherman whose infant son, Skyler, went missing five years ago. Everyone in town is sure Skyler is dead, but when Madi reads Henry’s palm, she’s haunted by strange and disturbing visions that suggest otherwise.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

Some art takes on a life of its own. A beautiful house. A loving family. Two kids, a dog, and a tenure-track professorship teaching art at the local university. Dan Rineheart is living the dream. But all dreams must end. When an anonymous painting arrives at the university, Dan is tasked with uncovering the artist. No title. No name. No signature or frame. It’s a disturbing work of grotesque perfection. A work of art...that changes with each viewing. So begins the nightmare. Where painted clocks tick-tock in the dark hours before dawn.

Demonstrating once again her gift for spellbinding storytelling, Anne Rice makes real for us a great dynasty of four centuries of witches - a family given to poetry and incest, murder and philosophy, a family that over the ages is itself haunted by a powerful, dangerous, and seductive being called Lasher who haunts the Mayfair women. Moving in time from today's New Orleans and San Francisco to long-ago Amsterdam and the France of Louis XIV, from the coffee plantations of Port-au-Prince to Civil War New Orleans and back to today, Anne Rice has spun a mesmerizing tale.

Melanie Turner has made quite a name for herself remodeling historic houses in the San Francisco Bay Area. But now her reputation may be on the line. At her newest project, a run-down Pacific Heights mansion, Mel is visited by the ghost of a colleague who recently met a bad end with power tools. Mel hopes that by nailing the killer, she can rid herself of the ghostly presence of the murdered man - and not end up a construction casualty herself....

Thriller scribe Sophie Katz is as hard-boiled as a woman who drinks Grande Caramel Brownie Frappuccionos can be. So Sophie knows it's not paranoia, or post-divorce, living-alone-again jitters, when she becomes convinced that a crazed reader is sneaking into her apartment to reenact scenes from her books. The police, however, can't tell a good plot from an unmarked grave.

In New York Times best-selling author Wendy Corsi Staub's electrifying new thriller, a mother races to save her daughter before her darkest nightmare comes true. Sacred Sisters Catholic girls' school has hardly changed since Jen Archer was a student. Jen hoped her older daughter would thrive here. Instead, shy and studious Carley becomes the target of vicious bullies. But the real danger at Sacred Sisters goes much deeper.

In a remote, heavily wooded area near the Berkshires of Massachusetts, Rachel Lorant died on her birthday. But she didn't die alone. That night, her four sorority sisters make a solemn, trembling pledge. They will never reveal what has just happened in those woods - ever. Instead, they will take their terrible secret to their graves.

At the end of a long winter in well-to-do Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town's prestigious university campus. No one knows who the baby is or how her body ended up out there. But there is no shortage of opinions.

Liz McGinnis never imagined herself living in a luxurious gated community like The Palms. Ever since she and her family moved in, she's felt like an outsider amongst the Stepford-like wives and their obnoxiously spoiled children. Still, she's determined to make it work - if not for herself, then for her husband, Phil, who landed them this lavish home in the first place, and for her daughter, Danielle, who's about to enter high school.

For years Maggie Sheets has been an invisible hand in the glittering homes of wealthy New York City clients, scrubbing, dusting, mopping, and doing all she can to keep her head above water as a single mother. Everything changes when a former employer dies, leaving Maggie a staggering inheritance - a house in Sag Harbor. The catch? It comes with an inhabitant: the deceased's 82-year old mother, Edith.

M.J., her partner Gilley, and their client, the wealthy, de-lish Dr. Steven Sable, are at his family's lodge, where his grandfather allegedly jumped to his death from the roof-although Sable says it was foul play. But the patriarch's isn't the only ghost around. The place is lousy with souls, all with something to get off their ghoulish chests. Now M.J. will have to quell the clamor-and listen for a voice with the answers...

When Opal Sullivan walks out on an abusive husband after 15 years, she has only her dreams in her pocket. Her new beginning starts in a graceful but dilapidated house. Like Opal, the house is worn-out and somewhat beaten up, but it still stands proudly and deserves a second chance. Opal opens her doors - and her heart - to a parade of unforgettable characters. It is one of these people who helps Opal understand a funny thing about life: You can't move forward if you keep looking back.

"Dear Libby, It occurs to me that you and your two children have been living with your mother for - Dear Lord! - two whole years, and I'm writing to see if you'd like to be rescued." The letter comes out of the blue, and just in time for Libby Moran, who - after the sudden death of her husband, Danny - went to stay with her hypercritical mother. Now her crazy Aunt Jean has offered Libby an escape: a job and a place to live on her farm in the Texas Hill Country.

Our love story is simple. I met a gorgeous woman. We fell in love. We had kids. We moved to the suburbs. We told each other our biggest dreams and our darkest secrets. And then we got bored. We look like a normal couple. We're your neighbors, the parents of your kid's friend, the acquaintances with whom you keep meaning to get dinner. We all have our secrets to keeping a marriage alive. Ours just happens to be getting away with murder.

When an old friend gets in touch, Sarah Havenant discovers that there are two Facebook profiles in her name. One is hers. The other she has never seen. But everything in it is accurate. Photos of her friends, her husband, her kids. Photos from the day before. Photos of her new kitchen. Photos taken inside her house. And this is just the beginning. Because whoever has set up the second profile has been waiting for Sarah to find it. And now that she has, her life will no longer be her own....

On his first night in his new home, Warren spies two figures in the grass outside; when he screws up the nerve to confront them, they disappear. The next day he encounters ghosts of a different kind: In the face of the teenage girl he meets at a comics convention, he sees the mingled features of his white father and his black mother, both now dead. The girl is his daughter, and she thinks she's white.

While his successful wife goes off to her law office each day, Simon Connolly takes care of their kids, Jake and Laney. Now that they are in high school, the angst-ridden father should feel more relaxed, but he doesn't. He's seen the statistics, read the headlines. And now, his darkest fear is coming true. There has been a shooting at school.

Teresa "Toots" Amelia Loudenberry has crammed a great deal of living - not to mention eight much-loved husbands - into her varied and rewarding life. Newly single, Toots is ready to taste life again, and fate has just handed her the perfect opportunity.