Who hasn’t wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you’ve probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this “Poison Ivy League” college—its location unknown to even those who study there—is where you might find yourself the practice target of a classmate.

Twenty-one-year-old Tanner Quimby needs a place to live. Preferably one where she can continue sitting around in sweatpants and playing video games nineteen hours a day. Since she has no credit or money to speak of, her options are limited, so when an opportunity to work as a live-in caregiver for an elderly woman falls into her lap, she takes it. The two start off their living arrangement happily ignoring each other until Tanner starts to notice things—weird things.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

In this gripping prequel to the blockbuster best seller and Reese Witherspoon Book Club pick The Last Mrs. Parrish, listeners will discover exactly how Amber Patterson transformed from small-town girl to master manipulator - after all, practice makes perfect.

Meg Langslow's summer is not going swimmingly. In her small Virginia hometown, she's the maid of honor at the nuptials of three loved ones - each of whom has dumped the planning in her hands. One bride is set on including a Native American herbal purification ceremony while another wants live peacocks on the lawn. But when an offensive newcomer, who hints at skeletons in the guests' closets, is found dead under suspicious circumstances, level-headed Meg's to-do list extends from flower arrangements and bridal registries to catching a killer - before the next event is her own funeral.

Meteorologist Zoe Parker put Everlasting in her rearview mirror as soon as she had her college degree in hand. But when Sapphire, her eccentric great-aunt, takes a tumble down the stairs in her lighthouse home, Zoe returns to the tiny fishing hamlet to look after her. Zoe has barely crossed the county line when strange things start happening with the weather, and she discovers Sapphire’s fall was no accident. Someone is searching the lighthouse but Sapphire has no idea what they’re looking for.

The village of Badger's Drift is the essence of tranquillity. But when resident and well-loved spinster Miss Simpson takes a stroll in the nearby woods, she stumbles across something she was never meant to see, and there's only one way to keep her quiet. Miss Simpson's death is not suspicious, say the villagers. But Miss Lucy Bellringer refuses to rest: her friend has been murdered. She is sure of it.

He used to be on the bomb squad, but it's not until he transfers out that Chris Mankowski really begins juggling with dynamite. Rape and revenge are just the tip of the iceberg in a twisty tale that brings Detroit's denizens to life - and occasional death - in all their seedy glory. Electrifying, explosive, and unexpected, this is Elmore Leonard at his suspenseful best.

See Jane smile. Thirty-nine-year-old Jane Osborne appears to the world like she has a charmed life. Her daughter attends private school. Jane chairs the PTA. Even her marriage to Dan, the handsome, prominent surgeon, is blissfully happy. Her universe is stable, and her future is fixed...just like that smile. Because it’s all a ruse. Unbeknownst to anyone, after eighteen years of marriage, Dan’s revealed that he’s been living a double life and is in love with a man. But for the sake of his career, Jane must keep that secret, secret.

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan.

My name is Alphonse Malloy, and I see everything. From a simple glance, I know your hobbies, what you ate for breakfast, how well you slept, and whether or not your wife is secretly seeing the high school biology teacher when you're not around. I can't explain how or why I get these feelings, only that I know they're true. All the little secrets you're too afraid to tell. Sometimes, that means helping people. Other times, it means staring down the barrel of a loaded gun. I wish I could tell you I was using this ability for good.

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone’s on to her - Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger.

FBI agent and former military codebreaker Daniela “Dani” Vega witnesses a murder on a Manhattan sidewalk. The victim is chief of staff for a powerful New York senator. The assassin turned informant is Gustavo Toro. His code: hit the target and don’t ask questions. When Dani suspects a complex conspiracy, the only way to take down the mastermind is from the inside, forcing her to partner with Toro. Together they must infiltrate the inner circle at a remote facility. Except it’s a trap. For all of them.

Three Chicago women have been found strangled, embalmed, and posed as if still alive. Doubting the findings of the local PD’s profiler, the FBI calls on forensic psychologist Zoe Bentley to investigate. Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules.

Judith Potts is 77 years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper. One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local vicar.

Ernest Cunningham is back for the next installment in this bestselling series! Nothing is quite what it seems in this spin on the classic bank heist, with more suspects, more puzzles, and more danger than Ernest's ever faced before—perfect for fans of Richard Osman and Anthony Horowitz.

Producer Jack Quick knows how to frame a story. So says Curtis Wade, the subject of Jack's new true crime docuseries, convicted of a young woman's murder four years prior. In the eyes of Jack's viewers, flimsy evidence and police bias influenced the final verdict...even though, off screen, Jack himself has his doubts. But when the series finale is wildly successful, a retrial sees Curtis walk free. And then another victim turns up dead.

At 26, apprentice baker Mia West has her entire life planned out: a Craftsman cottage in Seattle, a job baking at the Butter Emporium, and her first love - her boyfriend, Ethan - by her side. But when Ethan declares he “needs some space”, Mia’s carefully planned future crumbles. Feeling adrift, Mia joins her vivacious housemate Rosie on a humanitarian trip around the world funded by a reclusive billionaire.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.

Seven strangers are invited to compete to win a clifftop mansion. The rules are simple: each contestant must have at least one hand in contact with one part of the house at all times. The last one to take their hand off, wins the house.

Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.

Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.

Nina and Simon are the perfect couple. Young, fun and deeply in love. Until they leave for a weekend at his family’s cabin in Vermont, and only Simon comes home.

She used to work for the US government, but very few people ever knew that. An expert in her field, she was one of the darkest secrets of an agency so clandestine it doesn't even have a name. And when they decided she was a liability, they came for her without warning. Now she rarely stays in the same place or uses the same name for long. They've killed the only other person she trusted, but something she knows still poses a threat. They want her dead, and soon.

Maeve Fanning is a first-generation Irish immigrant born and raised among the poor, industrious Italian families of Boston's North End by her widowed mother. Clever, capable, and as headstrong as her red hair suggests, she's determined to better herself despite the overwhelming hardships of the Great Depression. However, Maeve also has a dangerous fondness for strange men and bootleg gin - a rebellious appetite that soon finds her spiraling downward, leading a double life.

For fans of the compulsive psychological suspense of Ruth Ware and Tana French, a mother daughter story—one running from a horrible truth, and the other fighting to reveal it—that twists and turns in shocking ways, from the internationally bestselling author of The Scholar and The Ruin.

Fifteen years after the events of Black Water Rising, Jay Porter is struggling to cope with catastrophic changes in his personal life and the disintegration of his environmental law practice. His victory against Cole Oil is still the crown jewel of his career, even if he hasn't yet seen a dime thanks to appeals. But time has taken its toll. Tired and restless, he's ready to quit.

Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, DC, this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.

Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.

Cassie Andrews works in a New York City bookshop, shelving books, making coffee for customers, and living an unassuming, ordinary life. Until the day one of her favorite customers—a lonely yet charming old man—dies right in front of her. Cassie is devastated. She always loved his stories, and now she has nothing to remember him by. Nothing but the last book he was reading. But this is no ordinary book… It is the Book of Doors. Inscribed with enigmatic words and mysterious drawings, it promises Cassie that any door is every door. You just need to know how to open them.