Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town.

It's not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.

Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes at will. She stands next to children's bed for nights on end. Everybody knows that her eyes may never be opened or the consequences will be too terrible to bear.

“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories — she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome.

Once there was a mermaid called Amelia who could never be content in the sea, a mermaid who longed to know all the world and all its wonders, and so she came to live on land. Once there was a man called P. T. Barnum, a man who longed to make his fortune by selling the wondrous and miraculous, and there is nothing more miraculous than a real mermaid. Amelia agrees to play the mermaid for Barnum and walk among men in their world, believing she can leave anytime she likes. But Barnum has never given up a money-making scheme in his life, and he's determined to hold on to his mermaid.

In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls that echo the screams of the poor souls inside. In the hospital, there is a woman. Her hair, once blond, hangs in tangles down her back. She doesn't remember why she's in such a terrible place. Just a tea party long ago, and long ears, and blood.

On an island lives a boy called Peter and his band of merry lost boys, young forever. That is unless they get sick or killed by pirates or eaten by crocodiles or unless - inexplicably - they grow old. For some of them do grow old, and nobody knows why. One of these boys is called Jamie, and he was the first boy that Peter ever brought to the island. Jamie's lived there for longer than he can remember, and it's not all fun and games.

When people go missing in the sleepy town of Smith’s Hollow, the only clue to their fate comes when a teenager starts having terrifying visions, in a chilling horror novel from national best-selling author Christina Henry.

Mattie can't remember a time before she and William lived alone on a mountain together. She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they’re not alone after all. There’s something in the woods that wasn’t there before, something that makes strange cries in the night, something with sharp teeth and claws. When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Once, there were four worlds, nestled like pages in a book, each pulsing with fantastical power and connected by a single city: London. Until the magic grew too fast and forced the worlds to seal the doors between them in a desperate gamble to protect their own. The few magicians who could still open the doors grew more rare as time passed and now, only three Antari are known in recent memory—Kell Maresh of Red London, Delilah Bard of Grey London, and Holland Vosijk, of White London.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

Marcus grew up believing his father killed his mother—then blamed it on the boogeyman under the bed. Always leave the lights on, his father warned, or the boogeyman will get you. Marcus still heeds the superstition, especially when he invites his new girlfriend over. Is Marcus haunted by a creature or has he just inherited his father’s murderous delusions? The night will tell.

When Ichabod Crane arrives in the spooky little village of Sleepy Hollow as the new schoolmaster, Katrina Van Tassel is instantly drawn to him. Through their shared love of books and music, they form a friendship that quickly develops into romance. When romance gives way to passion, Ichabod and Katrina embark on a secret love affair, sneaking away into the woods after dark to be together - all while praying they do not catch sight of Sleepy Hollow’s legendary Headless Horseman. That is until Ichabod suddenly disappears, leaving Katrina alone and in a perilous position.

Asher Todd comes to live with the mysterious Morwood family as a governess to their children. Asher knows little about being a governess but she is skilled in botany and herbcraft, and perhaps more than that. And she has secrets of her own, dark and terrible—and Morwood is a house that eats secrets. With a monstrous revenge in mind, Asher plans to make it choke. However, she becomes fond of her charges, of the people of the Tarn, and she begins to wonder if she will be able to execute her plan—and who will suffer most if she does.

Orphaned as a young child, Mirin O'Malley has been brought up by her grandparents on their isolated, rambling estate Hob's Hallow. Long ago her family prospered due to a deal struck with the mer, the terrifying creatures who live in the depths of the sea: safety for their merchant ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and their fortunes have suffered as a result. When Mirin's grandfather dies, her grandmother puts in train a plan to restore their glory - but at the price of Mirin's freedom.

Children have always disappeared under the right conditions - slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere...else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she's back. The things she's experienced...they change a person. The children under Miss West's care understand all too well. And each of them is seeking a way back to their own fantasy world.

When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this moving, subversive debut novel that reimagines Norse mythology. Angrboda’s story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

When her adorable baby brother is replaced by an ugly, ill-tempered changeling, Mollie is determined to find the so-called Kinde Folke who took baby Thomas, return the changeling she calls Guest, and make them give Thomas back. Natural and magical obstacles and her own reckless temperament make her journey arduous and full of dangers, and a plot rich in surprises and twists makes this book a must-listen for Mary Downing Hahn’s fans.

Blessed with a magic she doesn’t understand, Ukrah must find her way in a world that doesn’t always embrace her and her gifts. Accompanied by a talking bird and a strange young man who took her in, she must find the legendary dragon rider who saved the world from the Blight. Can Ukrah escape from those who would enslave her, or worse, and find the only person who can help her realize her destiny?

Below Forsaken Mountain, a plot is being hatched to overthrow the tyrant king of Trollus, and Marc is the right-hand man of its leader. His involvement is information more than one troll would kill to possess, which is why he must keep it a secret from everyone, even the girl he loves. After accidentally ruining her sister's chance to become queen, Pénélope is given one last opportunity by her father, the Duke d'Angoulême, to make herself useful: she must find proof that the boy she's in love with is conspiring against the crown.

Eighteen-year-old Liobhan is a powerful singer and an expert whistle player. Her brother has a voice to melt the hardest heart, and is a rare talent on the harp. But Liobhan's burning ambition is to join the elite warrior band on Swan Island. She and her brother train there to compete for places, and find themselves joining a mission while still candidates. Their unusual blend of skills makes them ideal for this particular job, which requires going undercover as traveling minstrels. For Swan Island trains both warriors and spies.

Powerful and compelling, this high-stakes, feminist reimagining of Little Red Riding Hood is perfect for fans of Stephanie Garber and Meagan Spooner.

Claudio Bianchi has lived alone for many years on a hillside in Southern Italy's scenic Calabria. Set in his ways and suspicious of outsiders, Claudio has always resisted change, preferring farming and writing poetry. But one chilly morning, as though from a dream, an impossible visitor appears at the farm. When Claudio comes to her aid, an act of kindness throws his world into chaos. Suddenly he must stave off inquisitive onlookers, invasive media, and even more sinister influences.

Evoking Beyoncé’s Lemonade for a teen audience, these authors who are truly Octavia Butler’s heirs have woven worlds to create a stunning narrative that puts Black women and gender-nonconforming individuals at its center. A Phoenix First Must Burn will take you on a journey from folktales retold to futuristic societies and everything in between. Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters through which you cannot help but see yourself reflected.

Penguin presents the unabridged, downloadable, audiobook edition of The Ballad of Sir Benfro: Dreamwalker, the first installment in the new fantasy series from JD Oswald, read by Wayne Forester. Miles from the great cities of the Twin Kingdoms, a young boy called Errol tries to find his way in the world. He's an outsider, and no one, not even himself, has any knowledge of his true lineage. Deep in the forest, Benfro, the young male dragon begins his training in the subtle arts.

Elfland is an intimate, sensual novel of people—both human and Aetherial—caught between duty and desire. It is a story of families, and of Rose Fox, a woman born to magic but tormented by her place in her adopted world.Led by Auberon Fox, a group of Aetherials—call them the Fair Folk, if you will—live among us, indistinguishable from humans. Every seven years, on the Night of the Summer Stars, Lawrence Wilder, the Gatekeeper, throws open all gates to the Other World. But this time, something has gone wrong.

Uncertain of the past, Aerin-sol, daughter of King Arlbeth, decides to forge her own future by challenging the lashing tongues of the dragon’s fire. Aerin’s proficiency as "the Dragon-slayer" sets her on a quest for the stolen Crown of Damar, believed to be in the hands of rebellious northerners who threaten to destroy the Damarian people and their home forever.

A farmhouse is being reproduced a dozen times, with slight variations, throughout a valley. Three small graves have been dug in the front garden, the middle one lying empty. A woman in a wheelchair sorts through boxes while her husband clambers around the old demolished buildings, wondering where the animals have gone. A young woman – called ‘the barren one’ behind her back – dreams of love, while an ageing headmaster contemplates the end of his life.

When people go missing in the sleepy town of Smith’s Hollow, the only clue to their fate comes when a teenager starts having terrifying visions, in a chilling horror novel from national best-selling author Christina Henry.

Once there was a mermaid called Amelia who could never be content in the sea, a mermaid who longed to know all the world and all its wonders, and so she came to live on land. Once there was a man called P. T. Barnum, a man who longed to make his fortune by selling the wondrous and miraculous, and there is nothing more miraculous than a real mermaid. Amelia agrees to play the mermaid for Barnum and walk among men in their world, believing she can leave anytime she likes. But Barnum has never given up a money-making scheme in his life, and he's determined to hold on to his mermaid.

On an island lives a boy called Peter and his band of merry lost boys, young forever. That is unless they get sick or killed by pirates or eaten by crocodiles or unless - inexplicably - they grow old. For some of them do grow old, and nobody knows why. One of these boys is called Jamie, and he was the first boy that Peter ever brought to the island. Jamie's lived there for longer than he can remember, and it's not all fun and games.

In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls that echo the screams of the poor souls inside. In the hospital, there is a woman. Her hair, once blond, hangs in tangles down her back. She doesn't remember why she's in such a terrible place. Just a tea party long ago, and long ears, and blood.

It's not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.

As an Agent of Death, Madeline Black is responsible for escorting the souls of the dearly departed to the afterlife. It's a 24/7 job with a lousy benefits package. Maddy's position may come with magical powers and an impressive wingspan, but it doesn't pay the bills. And then there are her infuriating boss, tenant woes, and a cranky, popcorn-loving gargoyle to contend with. Things start looking up, though, when tall, dark, and handsome Gabriel Angeloscuro agrees to rent the empty apartment in Maddy's building

Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers… Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is sure that something about this trip is very, very wrong.

Harry Adams has always loved horror movies, so it’s not a total coincidence that she took the job cleaning house for movie director Javier Castillo. His forbidding graystone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes, as well as glittering awards from his career making films that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

The two-hundredth anniversary of the Headless Horseman's legendary haunting of Sleepy Hollow is approaching, but Kat van Tassel wants nothing to do with the town's superstitious celebrations. As a descendant of the original Katrina van Tassel, Kat knows she's expected to fulfill her ancestor's legacy by someday marrying her longtime boyfriend and running the prestigious family estate. But Kat dreams of a life outside Sleepy Hollow.

Ever since Edgar Allan Poe looted a family's ignoble secret history for his classic story "The Fall of the House of Usher", living in the shadow of that sick dynasty has been an inescapable scourge for generations of Usher descendants. But not for horror novelist Rix Usher. Years ago he fled the isolated family estate of Usherland in the menacing North Carolina hills to pursue his writing career. He promised never to return. But his father's impending death has brought Rix back home to assume the role of Usher patriarch - and face his worst fears.

Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town.