Cult favorite Tony Vigorito invokes a kind of chaos theory in Nine Kinds of Naked that gleefully turns any expectation of time, space, or plot on its head.

Sissy Hankshaw, an almost flawlessly beautiful small-town girl with big-time dreams, hitchhikes her way into your heart, your hopes, and your sleeping bag in Tom Robbins's magical, funny, and most famous novel. Follow Sissy's amazing odyssey from Virginia to chic Manhattan to the Dakota Badlands, where FBI agents, cowgirls, and ecstatic whooping cranes explode in a deliciously drawn-out climax.

Professor Blip Korterly is arrested, his friend Dr. Flake Fountain is drafted into a shadow-government research project to develop the ultimate biological weapon, and an accidental outbreak turns into a merry-hearted, babble-inducing apocalypse that will either destroy humankind or take it to the next step in evolution.

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.

Imagine this: When the stock market crashes on the Thursday before Easter, you — an ambitious, although ineffectual and not entirely ethical young broker — are convinced that you're facing the Weekend from Hell. Before the market reopens on Monday, you must scramble and scheme to cover your butt, but there's no way you can anticipate the baffling disappearance of a 300-pound psychic, the fall from grace of a born-again monkey, or the intrusion in your life of a tattooed stranger intent on blowing your mind and most of your fuses.

San Francisco, 1947. Bartender Sammy “Two Toes” Tiffin and the rest of the Cookie’s Coffee Irregulars—a ragtag bunch of working mugs last seen in Noir—are on the hustle: they’re trying to open a driving school; shanghai an abusive Swedish stevedore; get Mable, the local madam, and her girls to a Christmas party at the State Hospital without alerting the overzealous head of the S.F.P.D. vice squad.

Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more (except maybe "Maggie," Mary of Magdalan) and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why?

Internationally best-selling novelist and American icon Tom Robbins delivers the long-awaited tale of his wild life and times, both at home and around the globe. The grandchild of Baptist preachers, Robbins would become over the course of half a century a poet-interruptus, an air force weatherman, a radio DJ, an art-critic-turned-psychedelic-journeyman, a world-famous novelist, and a counter-culture hero, leading a life as unlikely, magical, and bizarre as those of his quixotic characters.

In 1986, before Michael Lewis became the best-selling author of The Big Short, Moneyball, and Flash Boys, he landed a job at Salomon Brothers, one of Wall Street’s premier investment firms. During the next three years, Lewis rose from callow trainee to New York- and London-based bond salesman, raking in millions for the firm and cashing in on a modern-day gold rush. Liar’s Poker is the culmination of those heady, frenzied years - a behind-the-scenes look at a unique and turbulent time in American business.

In a prosperous yet gruesomely violent near future, superhero vigilantes battle thugs whose heads are full of supervillain fantasies. The peace is kept by a team of smooth, well-dressed negotiators called The Men in Fancy Suits. Meanwhile a young girl is caught in the middle and thinks the whole thing is ridiculous. Zoey, a recent college graduate with a worthless degree, makes a reluctant trip into the city after hearing that her estranged con artist father died in a mysterious yet spectacular way.

Jesse Braddock is trapped in a tiny cabin deep in the Everglades with her infant daughter and her ex-boyfriend, a wannabe reality TV star who turned out to be a lot prettier on the outside than on the inside. Broke and desperate for a way out, Jesse stumbles across a long-lost treasure, which could solve all her problems—if she can figure out how to keep it. The problem is some very bad men are also looking for the treasure, and they know Jesse has it.

A striking red-head, 20-something Jody is attacked and transformed into a vampire while walking home one night in downtown San Francisco. Befriending 19-year-old Tommy, Jody tries to understand her new undead life, but trouble finds her when the cops start suspecting Tommy of being a local bloodsucking serial killer.

Dylan, who began working on the book in 2010, offers his insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. And while ostensibly about music, they are really meditations on the human condition.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

On a cold winter's night, just shy of his 17th birthday, William Wilde became an orphan. It was a simple car accident that claimed the lives of his family. Eight months later, at the start of his senior year of high school, a beautiful, mysterious girl enters William's life. Captivating and confident, she holds secrets about William's heritage, secrets of which he himself is unaware: rare magic flows in William's veins.

Meet Captain James Benjamin Hook, a witty, educated Restoration-era privateer cursed to play villain to a pack of malicious little boys in a pointless war that never ends. But everything changes when Stella Parrish, a forbidden grown woman, dreams her way to the Neverland in defiance of Pan's rules. From the glamour of the Fairy Revels to the secret ceremonies of the First Tribes to the mysterious underwater temple beneath the Mermaid Lagoon, the magical forces of the Neverland open up for Stella as they never have for Hook.

In this world, sixteen-year-old Charlotte and her fellow refugees have scraped out an existence on the edge of Britain’s industrial empire. Though they live by the skin of their teeth, they have their health (at least when they can find enough food and avoid the Imperial Labor Gatherers) and each other. When a new exile with no memory of his escape or even his own name seeks shelter in their camp he brings new dangers with him and secrets about the terrible future that awaits all those who have struggled has to live free of the bonds of the empire’s Machineworks.

For over 3,000 years, the Faeregine dynasty has ruled Impyrium. But the family's magic has been fading, and with it their power over the empire. Whether it's treachery from a rival house, the demon Lirlanders, or rebel forces, many believe the Faeregines are ripe to fall. Hazel, the youngest member of the royal family, is happy to leave ruling to her sisters so that she can study her magic. But the empress has other plans for her granddaughter, dark and dangerous plans to exploit Hazel's talents and rekindle the Faeregine mystique.

Dr. Warthrop is a scientist who tracks and studies real-life monsters. Assisted by his 12-year-old apprentice, Will Henry, Dr. Warthrop discovers a pod of Anthropophagi and launches a hunt to destroy the foul beasts.

The Imperial Merchant Ship Chathrand is the last of her kind. Six hundred years old, the secrets of her construction long forgotten, the massive vessel dwarfs every other sailing craft in the world. It is a palace with sails, a floating outpost of the Empire of Arqual. And it is on its most vital mission yet: to deliver a young woman whose marriage will seal the peace between Arqual and its mortal enemy, the secretive Mzithrin Empire.

He is plainly too young and too inexperienced for the mission, but on the advice of her aged adviser Natoum, and with her husband off at war, the queen reluctantly assigns the task of delivery to...Madrenga. Accompanied only by a runt of a pony and a scrap of a pup, he sets off to transport the royal message to its destination. No matter what it might take. But things are not always what they seem. Heroes are sometimes made of the strangest stuff, and love is to be found in the most unexpected places...if one doesn’t die while treading the lethal path.

Wallie Smith can feel the pain. He goes to the hospital, remembers the doctors and the commotion, but when he wakes up it all seems like a dream. However, if that was a dream how do you explain waking up in another body and in another world? Little Wallie finds himself in the physique of a barbarian swordsman, accompanied by both an eccentric priest babbling about the Goddess and a voluptuous slave girl. Is this a rude awakening or a dream come true?

Ferius Parfax has a simple plan: Kill every last inhabitant of the spell-gifted nation that destroyed her people, starting with the man who murdered her parents. Killing mages is a difficult and dangerous business, of course, but when she meets the inimitable and extraordinary Durrall Brown, she discovers that physical strength is not the only way to defeat evil of all kinds. So Ferius undertakes to study the ways of the Argosi: the loosely-knit tribe of tricksters known for getting the better of even the most powerful of spellcasters.

The Jubilee Tides will drown the continents of the planet Miranda beneath the weight of her own oceans. But as the once-in-two-centuries cataclysm approaches, an even greater catastrophe threatens this dark and dangerous planet of tale-spinners, conjurers, and shapechangers. From author Michael Swanwick—one of the most brilliantly assured and darkly inventive writers of contemporary fiction—comes a masterwork of radically altered realities and world-shattering seductions.

Alexander Weiss inadvertently insults Athena, goddess of wisdom, and she casts him away on a forgotten isle filled with statues. Being marooned is bad enough, but the fact that the island is also the home of Euryale, elder sister to Medusa, makes the situation a touch worse. The only thing keeping Alex from being petrified is the fact that Euryale has taken a liking to the blundering mortal. For now.

Princess Inos lived an idyllic life in her fathers' sleepy, backwater kingdom, and she was best friends with her childhood companion, the stableboy, Rap. But when a prophecy seemed to say Inos should be married, she was exiled to the Impire to learn to be a lady. She was far away when Rap's magical talents began to emerge, and it was he who told her of the fate awaiting them both.

Long defamed as a vicious pirate, Captain James Cook (a.k.a Hook) was in fact a dazzling wordsmith who left behind a vibrant, wildly entertaining, and entirely truthful memoir. His chronicle offers a counter narrative to the works of J.M. Barrie, a "dour Scotsman" whose spurious accounts got it all wrong. Now, award-winning playwright John Pielmeier is proud to present this crucial historic artifact in its entirety for the first time.

The beloved King Ik is dead, and there was barely time to check his pulse before the royal throne was supporting the suspiciously shapely backside of an impostor pretending to be Ik's beautiful, long-lost daughter. With the land's heroic hunks busy drooling all over themselves, there's only one man left who can save the kingdom of Jenair. His name is Dungar Loloth, a rural blacksmith turned innkeeper, a surly hermit, and an all-around nobody oozing toward middle age, compensating for a lack of height, looks, charm, and tact with guts and an attitude.

Magnus Chase has always been a troubled kid. Since his mother's mysterious death, he's lived alone on the streets of Boston, surviving by his wits, keeping one step ahead of the police and the truant officers. One day, he's tracked down by an uncle he barely knows - a man his mother claimed was dangerous. Uncle Randolph tells him an impossible secret: Magnus is the son of a Norse god. The Viking myths are true. The gods of Asgard are preparing for war. Trolls, giants and worse monsters are stirring for doomsday.