All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. But Rob fears for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind. She decides to take Callie back to her childhood home, to Sundial, deep in the Mojave Desert. And there she will have to make a terrible choice.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

For nearly two decades, Jamie Warren has been running from darkness. He's haunted by a traumatic childhood and the guilt at having disappeared from his disabled brother's life. But then a series of unusual events reunites him with his estranged brother and their childhood friends, and none of them can deny the sense of fate that has seemingly drawn them back together. Nor can they deny the memories of that summer, so long ago—the strange magic taught to them by an even stranger man, and the terrible act that has followed them all into adulthood.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

Nellie Gardner is looking for a way out of an abusive marriage when she learns that her long-lost grandfather, August Redfern, has willed her his turpentine estate. She throws everything she can think of in a bag and flees to Georgia with her eleven-year-old son, Max, in tow. It turns out that the "estate" is a decrepit farmhouse on a thousand acres of old (rotting) pine forest, but Nellie is thrilled about the chance for a fresh start for her and Max. So it takes her a while to notice the strange scratching in the walls, the faint whispering at night, how the forest is eerily quiet.

Willy and Marianne’s farmhouse in Maine has acres of meadow and fresh air, and a lonesome bridle path in the forest along which Willy daydreams and ambles. When he’s loaned a decrepit old baby stroller to cart his groceries home, the rickety squeak of the wheels comforts him. So do the sweet coos of a baby Willy knows can’t be real. Can it? In this twisted thicket, wishes come true—with a price.

I only try on one of Nina’s pristine white dresses once. Just to see what it’s like. But she soon finds out...and by the time I realize my attic bedroom door only locks from the outside, it’s far too late. But I reassure myself: The Winchesters don’t know who I really am. They don’t know what I’m capable of....

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening, her husband, Gabriel, returns home late from a fashion shoot, and Alicia shoots him five times in the face and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety.

“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories — she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome.

Fifteen-year-old Ellie Mack was the perfect daughter. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenage golden couple. She was days away from an idyllic summer vacation, with her whole life ahead of her. And then she was gone. Now her mother, Laurel Mack, is trying to put her life back together.

Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold. Now, 11 years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they'll find....

Psychologist Margot Scott has a picture-perfect life: a nice house in the suburbs, a husband, two children and a successful career. On a warm spring morning Margot approaches one of her clients on a busy train platform. He is looking down at his phone, with his duffel bag in hand as the train approaches. That’s when she slams into his back and he falls in front of the train. Margot’s clients all lie to her, but one lie cost her family and freedom.

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse - a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers.

As World War II draws closer and closer to Guernsey, Vivienne de la Mare knows that there will be sacrifices to be made. Not just for herself, but for her two young daughters and for her mother-in-law, for whom she cares while her husband is away fighting. What she does not expect is that she will fall in love with one of the enigmatic German soldiers who take up residence in the house next door to her home. As their relationship intensifies, so do the pressures on Vivienne.

In the tradition of Jane Eyre and Rebecca - The Glass Woman by Caroline Lea in which a young woman follows her new husband to his remote home on the Icelandic coast in the 1680s, where she faces dark secrets surrounding the death of his first wife amidst a foreboding landscape and the superstitions of the local villagers.

Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a bookbinder - a vocation that arouses fear, superstition, and prejudice among their small community, but one neither he nor his parents can afford to refuse. For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born.

Orphaned as a young child, Mirin O'Malley has been brought up by her grandparents on their isolated, rambling estate Hob's Hallow. Long ago her family prospered due to a deal struck with the mer, the terrifying creatures who live in the depths of the sea: safety for their merchant ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and their fortunes have suffered as a result. When Mirin's grandfather dies, her grandmother puts in train a plan to restore their glory - but at the price of Mirin's freedom.

Koschei the Deathless is to Russian folklore what devils or wicked witches are to Western European culture: a menacing, evil figure; the villain of countless stories that have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the 20th century.

After six years in England, Rachel has returned to Kenya and the farm where she spent her childhood, but the beloved home she'd longed for is much changed. Her father's new companion - a strange, intolerant woman - has taken over the household. The political climate in the country grows more unsettled by the day and is approaching the boiling point. And looming over them all is the threat of the Mau Mau, a secret society intent on uniting the native Kenyans and overthrowing the whites.

It is 1978, and John Lennon has escaped New York City to try to find the island off the west coast of Ireland he bought nine years prior. Leaving behind domesticity, his approaching 40s, his inability to create, and his memories of his parents, he sets off to find calm in the comfortable silence of isolation. But when he puts himself in the hands of a shape-shifting driver full of Irish charm and dark whimsy, what ensues can only be termed a magical mystery tour.

Lauren Groff’s acclaimed debut novel The Monsters of Templeton was short-listed for the Orange Prize. Her second novel, Arcadia opens in the late 1960s with a group of young idealists forming a commune in western New York State. Into this group is born Bit, who grows into a quiet, distant man. Over the course of 50 years, Bit witnesses the utopia crumble and the world change in unimaginable ways.

The Unreal and the Real is a major event not to be missed. In this two-volume selection of Ursula K. Le Guin's best short stories--as selected by the National Book Award winning author herself--the reader will be delighted, provoked, amused, and faced with the sharp, satirical voice of one of the best short story writers of the present day. Where on Earth explores Le Guin's earthbound stories which range around the world, from small town Oregon to middle Europe in the middle of revolution to summer camp.

This complete collection includes all of the published stories of Eudora Welty. There are 41 stories in all, including those in the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected stories.

How Green Was My Valley is Richard Llewellyn’s best-selling - and timeless - classic, as well as the basis of a beloved film. As Huw Morgan is about to leave home forever, he reminisces about the golden days of his youth when South Wales still prospered, when coal dust had not yet blackened the valley. Drawn simply and lovingly, with a crisp Welsh humor, Llewellyn’s characters fight, love, laugh, and cry, creating an indelible portrait of a people. Richard Llewellyn (1906–1983), a Welsh novelist, was born in Hendon, England, in the county of Middlesex.

Botswana, 1976: Isaac Muthethe thinks he is dead. Smuggled across the border from South Africa in a hearse, he awakens covered in dust, staring at blue sky and the face of White Dog. Far from dead, he is, for the first time, in a country without apartheid. A medical student in South Africa, he was forced to flee after witnessing a friend murdered by white members of the South African Defense Force.

In this atmospheric and profoundly moving debut, Cathy and Daniel live with their father, John, in the remote woods of Yorkshire, in a house the three of them built themselves. John is a gentle brute of a man, a former enforcer who fights for money when he has to, but who otherwise just wants to be left alone to raise his children. When a local landowner shows up on their doorstep, their precarious existence is threatened, and a series of actions is set in motion that can only end in violence.

In 1910, 11-year-old Iris Villarca lives with her father at Rawblood, a lonely house on Dartmoor. Iris and her father are the last of their name. The Villarcas always die young, bloodily. Iris knows it's because of a congenital disease that means she must be strictly isolated. Papa told her so. Forbidden to speak to other children or the servants, denied her one friend, Iris grows up in solitude. But she reads books. And one sunlit autumn day, beside her mother's grave, she forces the truth from her father. The disease is biologically impossible. A lie to cover a darker secret.

All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. But Rob fears for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind. She decides to take Callie back to her childhood home, to Sundial, deep in the Mojave Desert. And there she will have to make a terrible choice.

In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write. It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer that stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

A girl suffering from paralyzing night terrors finds a missing poster hanging from the door of her apartment building. On that poster is a photograph of a frighteningly familiar face. It's her. Only, she's never seen this photo before and something about its grin scares her. How its eyes seem to follow her no matter where she finds herself in the room.

2045, the Arctic Circle. A crew of six aboard the research vessel, The Nox, embark upon a voyage through the melting ice and Arctic dark in search of the last of the polar bears. The mission represents a ray of hope in a world ravaged by climate change, but it quickly becomes clear that some on board are in search of more than bears. Isolation and the disorientation of 24/7 darkness soon have the group losing their grip on reality – accidents, nightmares, or hauntings – no one can be sure, but the voyage seems cursed.

A virus tears across the globe, transforming its victims in nightmarish ways. As the world collapses, dark forces pull a small group of women together. Erin, once quiet and closeted, acquires an appetite for a woman and her brain. Why does forbidden fruit taste so good? Savannah, a professional BDSM switch, discovers a new turn-on: committing brutal murders for her eldritch masters. Mareva, plagued with chronic tumors, is too horrified to acknowledge her divine role in the coming apocalypse, and as her growths multiply, so too does her desperation.

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep.

Riley has not seen a single human face in longer than she can reckon. No faces, no eyes. Not if you want to survive. But when a new neighbor moves in down the road, Riley’s overwhelming need for human contact makes her throw caution to the wind. Somehow, in this world where other people can mean a gruesome, bloody death, Ellis makes her feel safe. As they grow closer, Riley’s grip on reality begins to slip and she can no longer fight her deepest desires.

St. Vincent's Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future...a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within.

At the Little Academy, mothers fret over their preschoolers, who have developed an unsettling syndrome. The children’s odd craving for blood is considered relatively benign (to everyone except their beleaguered moms) until a young teacher is found dead and the only potential witnesses are ten adorable four-year-olds. It becomes clear that the police are looking at the children as not just witnesses, but also suspects…and they’re watching the mothers as well. Cutting Teeth is a witty story that asks if there is anything a mother is not asked to sacrifice for her children.