
Network Effect (Dramatized Adaptation)
The Murderbot Diaries, Book 5
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By:
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Martha Wells
About this listen
The first full-length dramatized audiobook in Martha Wells' New York Times and USA Today bestselling Murderbot Diaries series.
You know that feeling when you’re at work, and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you're a sentient murder machine programmed for destruction? Congratulations, you're Murderbot.
Come for the pew-pew space battles, stay for the most relatable A.I. you’ll hear this century.
I’m usually alone in my head, and that’s where 90 plus percent of my problems are.
When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action.
Drastic action it is, then.
Performed by David Cui Cui, Crystal Lee, Elena Anderson, Natalie Van Sistine, Alejandro Ruiz, Amanda Forstrom, Christopher Williams, Colleen Delany, Debi Tinsley, Emily Beresford, Eva Wilhelm, Gabriel Michael, Gail Shalan, Holly Adams, Ken Jackson, Khaya Fraites, Laura C. Harris, Lise Bruneau, Lydia Kraniotis, Marni Penning, Nick Russo, Samantha Cooper, Sarah Ruth Thomas, Scott McCormick, Shanta Parasuraman, Thomas Penny, Triya Leong, Tyler Hyrchuk, Yasmin Tuazon and Zeke Alton.
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Fantastic performance
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Read "Book 6" before this one!
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Very nice audio performance… but
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Really excellent!
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I love the murder bot books
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Best of the series
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Annoying narrative tome
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did not really enjoy this version
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I believe the story adaptation is very good.
The readers are skilled, I’d listen to them read an audio book and be happy about it.
I wish they’d kept the same reader for murderbot. He does an excellent job of being dry, sarcastic and vulnerable.
Mensa sounds like she’s between 18 and 20 years old - would have been a good reader for Amina - and the character is lost.
The dramatized readers lean on and emphasize the sarcasm in the characters, and are less layered or complex in their presentation.
If this was book one I’d stick it out and see how it evolves but as it is won’t be buying more of the dramatized versions.
Good readers, not well chosen for the characters.
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