Joshua Mason has been alive for thousands of years. He doesn't know how or why it happened, only that he can die like any man, but will always return. When you live forever, everything you love will die, so he decided long ago to not become attached. That all changed when he met Doreen. With her, he found something more than the woman he loves, after thousands of years of wandering, he found his place in the world. Now she's dying of old age. Distraught, Joshua promises to look after Charlie, Doreen's grandson, who is thirty-six, but forever a child due to a terrible brain injury.

Toya Gardner, a young Black artist from Atlanta, has returned to her ancestral home in the North Carolina mountains to trace her family history and complete her graduate thesis. But when she encounters a still-standing Confederate monument in the heart of town, she sets her sights on something bigger.

In a small Southern town where loyalty to family and to "your people" carries the weight of a sacred oath, defying those unspoken rules can be a deadly proposition. After 15 years of growing up in the Ozark hills with his widowed mother, high-school freshman Boady Sanden is beyond ready to move on. He dreams of glass towers and cityscapes, driven by his desire to be anywhere other than Jessup, Missouri. The new kid at St. Ignatius High School, if he isn't being pushed around, he is being completely ignored.

They found the town silent, apparently abandoned. Then they found the first body strangely swollen and still warm. One hundred fifty were dead, 350 missing. But the terror had only begun in the tiny mountain town of Snowfield, California.

In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in 13 relentless tales of supernatural suspense, including “In The Tall Grass”, one of two stories cowritten with Stephen King, basis for the terrifying feature film from Netflix.

Secret Service agent Ethan Burke arrives in Wayward Pines, Idaho, with a mission: locate two federal agents who went missing in the bucolic town one month earlier. But within minutes of his arrival, Ethan is involved in a violent accident. He comes to in a hospital, with no ID, no cell phone, and no briefcase. As the days pass, Ethan’s investigation turns up more questions than answers: Why can’t he get any phone calls through to his wife and son in the outside world? Why doesn’t anyone believe he is who he says he is?

A terrifying, thrilling collection of must-listen horror stories chock-full of nightmarish supernatural beings and the murderously disturbed that are sure to keep you up all night long.

Summer, 1957. Atticus Turner and his father, Montrose, travel to North Carolina to mark the centennial of their ancestor’s escape from slavery, but an encounter with an old nemesis leads to a life-and-death pursuit. Back in Chicago, George Berry is diagnosed with cancer and strikes a devil’s bargain with the ghost of Hiram Winthrop, who promises a miracle cure—but only if George brings Winthrop back from the dead.

Daniel Russell was only 13 years old when his father tried to kill them both by driving their car into Moon Lake. Miraculously surviving the crash - and growing into adulthood - Daniel returns to the site of this traumatic incident in the hopes of recovering his father's car and bones. As he attempts to finally put to rest the memories that have plagued him for years, he discovers something even more shocking among the wreckage that has ties to a twisted web of dark deeds, old grudges, and strange murders.

Goblin seems like any other ordinary small town. But with the master storyteller Josh Malerman as your tour guide, you’ll discover the secrets that hide behind its closed doors. These six novellas tell the story of a place where the rain is always falling, nighttime is always near, and your darkest fears and desires await. Welcome to Goblin....

Men are disappearing from Toronto's gay village. They're the marginalized, the vulnerable. One by one, stalked and vanished, they leave behind small circles of baffled friends. Against the shifting backdrop of homophobia throughout the decades, from the HIV/AIDS crisis and riots against raids to gentrification and police brutality, the survivors face inaction from the law and disinterest from society at large. But as the missing grow in number, those left behind begin to realize that whoever or whatever is taking these men has been doing so for longer than is humanly possible.

In Beverly Hills, a wealthy CEO goes on a bloody rampage and videotapes the slaughter. He leaves behind a chilling cryptic message: “This is where it begins." Miles away, an alarmed mother receives an unsettling letter from her estranged husband, stained with bloody fingerprints. And all across California, children are becoming affected by a monstrous change - and their parents by a mounting fear. Social worker Carrie Daniels and reporter Brian Howells are determined to find the link between these baffling crimes....

Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that s Chizmar s secret power. His storytelling always beats with a huge, passionate heart. Stephen King says he writes terrific stories served with a very large slice of disquiet pie, and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

It begins in a small Southwestern town. Then, it spreads. Across the country, a series of strange deaths have overtaken the living. And a stranger compulsion has overtaken the dead. In a travesty of life, they drift with bizarre purpose toward an unknown destination. The walkers have become an obsession for investigator Miles Huerdeen. His father is one of them.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.