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Narrated by:
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Salvatore Antonio
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David Demchuk
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By:
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David Demchuk
About this listen
A hunted community. A haunted author. A horror that spans centuries.
Men are disappearing from Toronto's gay village. They're the marginalized, the vulnerable. One by one, stalked and vanished, they leave behind small circles of baffled, frightened friends. Against the shifting backdrop of homophobia throughout the decades, from the HIV/AIDS crisis and riots against raids to gentrification and police brutality, the survivors face inaction from the law and disinterest from society at large. But as the missing grow in number, those left behind begin to realize that whoever or whatever is taking these men has been doing so for longer than is humanly possible.
Woven into their stories is David Demchuk's own personal history, a life lived in fear and in thrall to horror, a passion that boils over into obsession. As he tries to make sense of the relationship between queerness and horror, what it means for gay men to disappear, and how the isolation of the LGBTQ+ community has left them profoundly exposed to monsters that move easily among them, fact and fiction collide and reality begins to unravel.
A bold, terrifying new novel from the award-winning author of The Bone Mother.
©2021 David Demchuk (P)2021 Strange LightListeners also enjoyed...
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THE DIRTY SOUTH
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“I’ll take Cthulhu over you devils any day”
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Brother
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Worth the credit.
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Overall
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Performance
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In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.
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I can only listen in 1-2 hour segments!
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VenCo
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Métis millennial Lucky St. James is barely hanging on when she learns she’ll be evicted from the tiny Toronto apartment she shares with her cantankerous but loving grandmother Stella. But then one night, something strange and irresistible calls out to Lucky. She burrows through a wall to find a tarnished silver spoon, humming with otherworldly energy, etched with a crooked-nosed witch and the word SALEM.
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Critic reviews
“Demchuk’s unconventional approach to storytelling holds readers close, speaking directly to them and sharing in the terror.”
—Quill & Quire
“Can a horror novel be too disturbing? David Demchuk’s Red X begs that question, not because of any excess of gore or violence but because of its singular and unflinching dark vision. That’s a good thing — too much contemporary horror fiction plays for easy shocks and even easier sentimental tears, and Demchuk is clearly after something deeper.”
—Toronto Star
“[Red X is] a book full of heart and righteous fury, an urban nightmare with some retro-horror stylings that sidesteps that genre’s usual pitfalls of splatter and pessimism to deliver a story of emotional heft and guarded optimism. While it’s relentless and can be incredibly disturbing, there are also moments of beauty, hope, and a certain melancholy. It’s a complex, disturbing, challenging, and compulsively readable work that commands your attention, and indeed deserves it.”
—Tor Nightfire
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It's been said that all great literature boils down to one of two stories—a man takes a journey, or a stranger comes to town. While mystery writers have been successfully using both approaches for generations, there's something undeniably alluring in the nature of a stranger: the uninvited guest, the unacquainted neighbor, the fish out of water. In the newest collection of stories by the Mystery Writers of America, each author weaves a fresh tale surrounding the eerie feeling that comes when a stranger enters our midst, featuring stories by prolific mystery writers.
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The narrators are outstanding here.
- By Jennifer Baratta She/Her on 05-16-21
By: Michael Koryta
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They Did Bad Things
- By: Lauren A. Forry
- Narrated by: Claire Storey
- Length: 9 hrs and 36 mins
- Unabridged
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In 1995, six university students moved into the house at 215 Caldwell Street. Months later, one of them was found dead on the sofa the morning after their end-of-year party. His death was ruled an accident by the police. The remaining five all knew it wasn’t, and though they went on with their lives, the truth of what happened to their sixth housemate couldn’t stay buried forever. Twenty years later, all five of them arrive - lured separately under various pretenses - at Wolfheather House, a crumbling, secluded mansion on the Scottish isle of Doon.
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Impressed
- By Amazon Customer on 01-19-21
By: Lauren A. Forry
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The Ninth Metal
- The Comet Cycle, Book 1
- By: Benjamin Percy
- Narrated by: Julia Whelan
- Length: 10 hrs and 15 mins
- Unabridged
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The town of Northfall, Minnesota, will never be the same. Meteors cratered hardwood forests and annihilated homes, and among the wreckage a new metal was discovered. This “omnimetal” has properties that make it world-changing as an energy source…and a weapon. John Frontier returns for his sister’s wedding to find his family embroiled in a cutthroat war to control mineral rights and mining operations. His father rightly suspects foreign leaders and competing corporations of sabotage, but the greatest threat to his legacy might be the US government.
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Everyone Will Enjoy This Except My Mother
- By Liv Rosin on 06-04-21
By: Benjamin Percy
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The Saturday Night Ghost Club
- A Novel
- By: Craig Davidson
- Narrated by: Corey Brill
- Length: 5 hrs and 41 mins
- Unabridged
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Growing up in 1980s Niagara Falls - a seedy but magical, slightly haunted place - Jake Baker spends most of his time with his uncle Calvin, a kind but eccentric enthusiast of occult artifacts and conspiracy theories. The summer Jake turns 12, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly light-hearted project may ultimately uncover more than any of its members had imagined.
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Emotionless
- By Noura on 10-18-20
By: Craig Davidson
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Gate of Darkness, Circle of Light
- By: Tanya Huff
- Narrated by: Dina Pearlman
- Length: 9 hrs and 34 mins
- Unabridged
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First published in 1989 and taking place in downtown Toronto, one of the earliest of the modern urban fantasies, Gate of Darkness, Circle of Light is the story of a fight against encroaching darkness by a developmentally handicapped young woman, a street musician with no idea of his potential, a bag-lady who's tired of picking up the pieces, and an adept of the light. Mixing actual Toronto ghost-stories with traditional Faire, a police procedural, and a cat, Gate of Darkness, Circle of Light opened a gate at street level to the urban fantasy that followed.
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Old favorite novel, awful narrator...
- By S. Douma on 08-15-14
By: Tanya Huff
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I Am Not Who You Think I Am
- By: Eric Rickstad
- Narrated by: Steven Weber
- Length: 7 hrs and 55 mins
- Unabridged
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Wayland Maynard is just eight years old when he sees his father kill himself, finds a note that reads I am not who you think I am, and is left reeling with grief and shock. Who was his father if not the loving man Wayland knew? Terrified, Wayland keeps the note a secret, but his reasons for being afraid are just beginning.
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Dear Steven Weber,
- By Julie Ann on 10-07-21
By: Eric Rickstad
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Horrid
- By: Katrina Leno
- Narrated by: Heather Costa
- Length: 7 hrs and 14 mins
- Unabridged
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Following her father's death, Jane North-Robinson and her mom move from sunny California to the dreary, dilapidated old house in Maine where her mother grew up. All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone...and more tormented.
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Reader
- By Kindle Customer on 11-14-21
By: Katrina Leno
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Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know.
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Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as those experiments lead to obsession, violence, and a very final transformation.
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What listeners say about Red X
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Christopher C.
- 09-27-23
Disappointing
The book was all over the place and pace was grueling slow at times. Overall story was not very clear, no direct ending just missing something.
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- Marshall Bewley
- 05-15-24
Layers upon layers
An absolute haunting, and it would only have been better reading in October. I loved the infusion of horror, gay history, and the timeline aspect of the book. If you like horror, this is a must read. Gay men would definitely appreciate it.
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- Jessica
- 08-23-24
Vulgar but good.
Not for anyone who doesn’t like vulgar or graphic words but I found that the book was well written and kept me listening but by the end I felt it could have been shorter and I found the ending underwhelming. It’s a good one time read.
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- Jason
- 09-15-21
Lush Horror Story
This delicious and sinister little novel was a delight. Loved reading about characters with whom I could identify, and was genuinely creeped out at times. I liked the narrator shift although I was skeptical at first. Found myself imagining optioning it for a movie adaptation…
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1 person found this helpful
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- Katie Neal
- 09-23-23
I don’t know how I feel
The story is great and there are spooky moments but I hated the author insertion into the story, breaking up the momentum
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- Devan Worsham
- 05-21-22
Please, don’t waste your time or credits.
Currently, I have less than two hours left in this story, and the only reason I’m still here is because I’ve spent this much time already. Do yourself a favor and skip this story. This is a jumbled, incoherent mess of a book, so self aggrandizing and shallow, it’s a marvel anyone actually published it.
There are moments where the author speaks, bringing any story momentum to a grinding halt, as he speaks about his upbringing and past, while giving no relevance to the story he has written. The characters are all throwaways, as they’re so underwritten, you don’t care about any of them. What are supposed to be reveals or shocking character moments fall completely flat, because so little time is spent with anyone, you’ll find yourself wondering “who?” more times than you can count.
This is not a good story. It is not a good idea. And this author not a good author. I’ve not read any other works, though a high school creative writing course could craft a more compelling, thoughtful narrative.
And to make it worse, using this as some sort of work for the LGBTQ+ community feels like a slap in the face, and as someone in the community, I am fairly insulted at this. It feels almost pandering, while being fully self serving to the author who has not true voice or endgame in mind.
I’m going to finish this story, and I will not enjoy it. But I’ve wasted a credit, so here we are.
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- Henry Duarte
- 02-21-24
This book is okay, it needed a directors touch.
I wouldn't take this away from the narrator, they tried to convey the story being told and it was a queer horror telling of a creature/monster story going for the beautiful and broken. I liked that aspect of the story.
What took me away was the halt of the story of the author trying to put their life into the book, like I am not reading this to read a biography, I am listening to this for queer horror. and it would be at the end of each chapter or somewhere in the middle. if the author wanted to tell his life story I would have placed it at the end of the book instead of the middle of the story taking the reader away from the space the author created, What took away even more is that sometimes the life story of the author didn't match or have any input onto what was going on in the story.
If I could get this story but someone cut or ripped out the biography aspect of the story and giving more to the characters, and their connections and fleshing it out a little more to get me to emotionally connect to them, I believe I would have enjoyed it a lot more.
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