When Prudence Alessandra Maccon Akeldama ("Rue" to her friends) is bequeathed an unexpected dirigible, she does what any sensible female under similar circumstances would do: she christens it the Spotted Custard and floats off to India. Soon she stumbles upon a plot involving local dissidents, a kidnapped brigadier's wife, and some awfully familiar Scottish werewolves.

Lady Preshea Villentia has four dead husbands and a nasty reputation. What society doesn't know is that all her husbands were marked for death by Preshea's employer. And Preshea has one final assignment. It was supposed to be easy, a house party with minimal bloodshed. Preshea hadn't anticipated Captain Gavin Ruthven - massive, Scottish, quietly irresistible, and...working for the enemy. In a battle of wits, Preshea may risk her own heart - a terrifying prospect, as she never knew she had one.

The monsters left Faith ruined in the eyes of society, so now they're her only option. Rejected by her family, Faith crosses the Atlantic, looking for a marriage of convenience and revenge. But things are done differently in London. Werewolves are civilized. At least they pretend to be. Americans: Backward heathens with no culture, Major Channing has never had time for any of them. But there's something special about Faith. Channing finds himself fighting to prove himself and defend his species. But this werewolf has good reason not to trust human women.

Four original, unabridged, full-cast productions of Gail Carriger's most beloved fantasy short stories: "The Curious Case of the Werewolf That Wasn't, the Mummy That Was, and the Cat in the Jar": A mummified cat, a secret agent, and an aristocrat entangle Alessandro Tarraboti (father of Alexia Tarraboti from the Parasol Protectorate series) in a rollicking, wry adventure into the supernatural secrets of ancient Egypt.

Fourteen-year-old Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners - and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality. But Sophronia soon realizes the school is not quite what her mother might have hoped.

Alex, marine biologist and werewolf, has seen better days. Unexpectedly alive, secretly gay, and haunted by a meddlesome, matchmaking ghost, he must now team up with very flirty mermen to save the city from sushi smugglers.

Welcome to Wheel: a perfect world without poverty, disease, or want. Tinkered and tuned in every way for maximum order by Rank and Spoke, every child knows her destiny - so long as she can take the neural implant. The defective, whose bodies reject the implants, do not exist. Ghosts. Cyphers. Haunting the edges of society, living on scraps, killed for sport. A lucky few, the Crudrats, scrape out a perilous living cleaning the toxic wastes from the great machines that power the station.

The world of Faerie never disappeared: it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie’s survival—but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Half-human, half-fae, outsiders from birth, these second-class children of Faerie spend their lives fighting for the respect of their immortal relations.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

Hannah Miles navigates the etiquette of monster hunting through the parlours of a magical Regency England. This collection contains: Manners and Monsters, Galvanism and Ghouls, and Gossip and Gorgons.

Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by interesting means. Sure, she has a dark and traumatic past and an overbearing aunt, but all things considered, it's a pleasant existence. Until the men show up.

Jodi Taylor reads the long-awaited prequel in her Chronicles of St Mary’s series, as Dr Bairstow struggles to set up St Mary’s as we know it in a world still scarred by the ravages of civil war. Ever wondered how it all began? It’s two years since the final victory at the Battersea Barricades. The fighting might be finished, but for Dr Bairstow, just now setting up St Mary's, the struggle is only beginning. How will he assemble his team? From where will his funding come?

What’s a white knight to do when his princess is causing utter havoc, leading in mass murder? Go to the famous Black Sorcerer of Grimslock for help, apparently. What’s a black sorcerer to do when the white knight comes to him for help? Keep him, naturally.

Adamantine “Ada” Garland has an empathic connection to food and wine, a magical perception of aromas, flavors, and ingredients. Invaluable property of the royal court, Ada was in service to the Five Gods and to the Gods-ordained rulers of Verdania—until she had enough of injustice and bloodshed and deserted, seeking to chart her own destiny. When mysterious assassins ferret her out after sixteen years in hiding, Ada, now a rogue Chef, and her beloved Grand-mère run for their lives, only to find themselves on a path toward an unexpected ally.

Simon Lewis has been a human and a vampire, and now he is becoming a Shadowhunter. The events of City of Heavenly Fire left him stripped of his memories, and Simon isn't sure who he is anymore. So when the Shadowhunter Academy reopens, Simon throws himself into this new world of demon hunting, determined to find himself again. Whomever this new Simon might be. But the Academy is a Shadowhunter institution, which means it has some problems.