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Sherlock Holmes and the Menacing Moors
- Narrated by: Steve White
- Length: 2 hrs and 57 mins
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Publisher's summary
A call from an old comrade has Holmes chasing a reported agent of Satan between the towering tors and bottomless bogs of Dartmoor only to find the limits of his own confidence and his public's esteem. Only Watson stands his friend, but even his patience is stretched. Sherlock's retreat to the bees of Sussex serves only to show him that his skills are unique and are desperately needed elsewhere. On returning to London, Holmes finds malign forces have been bringing ridicule to his doorstep. In this tale, the great sleuth is brought to life, uniquely, in expressive verse, a favorite form of the author who loves the language of Sherlock Holmes and the Menacing Moors.
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Excellent Story & Narration. Lacking deductions
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In the sleepy Bavarian town of Gesternstadt, gossip was viewed by many as a local sport, a popular hobby, a harmless pastime that showed only the depth and enduring nature of the interest of one neighbour for another. In Gretel’s opinion, however, tittle-tattle sowed the seeds of malice among the fertile soil of jealousy, often watered by the tears of its victims. So it was that upon hearing from brother Hans of the whispers concerning a young woman, a married man and a thwarted lover, Gretel is compelled to rise from her beloved day bed to set things to rights.
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London, 1851. With the opening of the Great Exhibition at hand, interest in mounting in the engineering triumphs of the railways, but not everyone feels like celebrating. In an audacious attack, the London to Birmingham mail train is robbed and derailed, causing many casualties. Planned with military precision, this crime proves a challenge to Detective Inspector Robert Colbeck who fights to untangle a web of murder, blackmail and destruction.
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Just okay
- By Kindle Customer on 10-10-24
By: Edward Marston
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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The Mysterious Stranger
- By: Mark Twain
- Narrated by: Don Randall
- Length: 4 hrs
- Unabridged
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Considered one of Twain's most important short works, The Mysterious Stranger tells the story of the devil coming to a medieval village in the persona of a beautiful, lovable, yet exasperatingly amoral young man. Befriending a small group of boys, Satan exhibits strange charm, compassion, and indifference as the tale comes to a surprising comclusion.
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Very Poor Narration
- By kgunn66 on 02-24-10
By: Mark Twain
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The Bedlam Detective
- By: Stephen Gallagher
- Narrated by: Michael Page
- Length: 9 hrs and 51 mins
- Unabridged
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Sebastian Becker, a former Pinkerton man, lives in England and investigates wealthy eccentrics who may be too insane to care for their own affairs. He is asked to investigate rich landowner Sir Owain, but arrives to discover two young girls have been murdered, and it is not the first time children have come to harm in this small town.
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Satisfying!
- By Margaret on 03-26-12
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Tales of Terror
- By: Edgar Allan Poe
- Narrated by: Jack Foreman
- Length: 4 hrs and 50 mins
- Unabridged
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Edgar Allan Poe, the master of terror, wrote some of literature's most entertaining and influential short stories, works that invented or anticipated modern detective novels, science fiction, and the horror genre. Tales of Terror collects nine of Poe's best-loved stories, all performed in chilling, highly dramatic readings by Jack Foreman. This collection includes such classics as "The Tell-Tale Heart", "The Pit and the Pendulum", "The Fall of the House of Usher", and what many consider his masterpiece, "The Murders in the Rue Morgue."
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Poe's Best Horror by an Outstanding Narrator
- By Gary on 08-29-04
By: Edgar Allan Poe
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Mark Twain - The Complete Novels
- By: Mark Twain
- Narrated by: Lee Howard
- Length: 58 hrs and 33 mins
- Unabridged
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Here you will find the complete novels of Mark Twain: 1. The Adventures of Tom Sawyer Starts at Chapter 1, 2. The Prince and the Pauper Starts at Chapter 37, 3. The Adventures of Huckleberry Finn Starts at Chapter 70, 4. A Connecticut Yankee in King Arthur's Court Starts at Chapter 113, 5. The American Claimant Starts at Chapter 158, 6. Tom Sawyer Abroad Starts at Chapter 184, 7. Pudd'nhead Wilson Starts at Chapter 197, 8. Tom Sawyer, Detective Starts at Chapter 219, 9. A Horse's Tale Starts at Chapter 230, 10. The Mysterious Stranger Starts at Chapter 245.
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Content; GREAT! Performance.. .not so much😁
- By brian deis on 01-09-20
By: Mark Twain
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The Barrakee Mystery
- By: Arthur W. Upfield
- Narrated by: Peter Hosking
- Length: 8 hrs and 16 mins
- Unabridged
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Why was the redoubtable King Henry, an aborigine from Western Australia, killed during a thunderstorm in New South Wales? What was the feud that led to murder after nineteen long years had passed? And who was the woman who saw the murder and kept silent? This first story of Inspector Napoleon Bonaparte, the half-aborigine detective, takes him to a sheep station in the Darling River bush country where he encounters those problems he understands so well... mixed blood and divided loyalties.
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Story from another time....
- By VtAdrienne on 06-15-15
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Two Horror Classics: Frankenstein and Dracula
- By: Mary Shelley, Bram Stoker
- Narrated by: Gildart Jackson
- Length: 28 hrs and 6 mins
- Unabridged
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In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.
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Wonderful rendition of two Gothic Horror classics!
- By Teela'Na on 10-03-19
By: Mary Shelley, and others
What listeners say about Sherlock Holmes and the Menacing Moors
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- ciak
- 04-20-24
Greek theater
a rather surprising Homesian tale, rather in the
Homeric tradition,I loved it and was surprised by it's depth.
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- Carolyn
- 11-20-19
Warning !
Warning - this type of book may not be for everyone, it is done in rhyme. It was a delightful change for me and I was surprised at how much I enjoyed it. My hat goes off to the author as turning a Sherlock story into an epic poem is a feat I cannot fathom. I loved the narrator's accent and reading.
I was given a free copy of this book in exchange for an honest review.
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- Chris S
- 05-11-24
Outstanding!
I enjoyed this book very much. The story is great and the entire book is written in verse! It’s amazing to hear the narrator perform the story with different voices etc, and maintain the rhythm of the verse! I received a free audiobook code for my honest review.
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- Timothy Knox
- 10-23-24
Can I give this negative stars?
Okay, the conceit of telling the story in poetry is an interesting one. For an example of it done exceedingly well, check out Ian Doetscher's "William Shakespeare's Star Wars." Beyond brilliant.
This, however, is not. To paraphrase Yoda, "Rhythm? Heh! Meter? Heh! A bad poet craves not these things." And it's a good thing, because rhythm, meter, even consistent scansion are completely missing. Some lines have too many extra syllables crammed in, some too few. Many of the rhymes are dreadful, and often repeat themselves. The author contorts the story in ridiculous ways to fit in the rhymes, and there are several bits that don't feel like they belong.
This is made an order of magnitude worse by the narrator. I have long said that this person should give up being a narrator, as he lacks the talent for it. But this makes things even worse. He hits the end of every line hard, and pauses before the next line, which makes the problems with the poetry far more obvious to the ear. I will admit that his mispronunciations are less frequent, but that is only because the author rarely uses any Victorian words, so the narrator's lack of knowledge of them doesn't get exposed too often.
So to sum up: Run, don't walk, away from this! If I had not promised an honest review of this in exchange for a free copy, I would never have bothered to finish. Instead, I am slogging my way through the sequel, of which more anon.
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