In this prequel to the international best seller The Ruin, set 10 years prior, bright-eyed Carrie Ryan is at the very start of her career. When she has a hunch about an ongoing murder investigation, she knows it could be her only chance to prove herself and truly break into the “boys' club” of Dublin’s police force.

When Anna Crowe is killed in her sleep alongside her children, the quiet local community of Corbally is shocked. It’s also a chilling reminder of when her sister, Janey, disappeared as a baby, 29 years ago, never to be seen again. Detective Iris Locke is assigned to the case, and, after a year undercover which ended in failure when her cover got blown, she’s desperate to make her mark - and to live up to the reputation of her ex-cop father, the former head of the Limerick Murder Squad.

A weekly newspaper dedicated to the weird and the wonderful (but mostly the weird), The Stranger Times is the go-to publication for the unexplained and inexplicable. At least that's their pitch. The reality is rather less auspicious. Their editor is a drunken, foul-tempered and foul-mouthed husk of a man who thinks little of the publication he edits. His staff are a ragtag group of misfits. And as for the assistant editor...well, that job is a revolving door - and it has just revolved to reveal Hannah Willis, who's got problems of her own.

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

Bess Campbell has escaped to the windswept Australian coastal town of Port Bannir, determined to begin her life again. She is loving her fresh start, thanks to her fun job running a hip gallery, her territorial chickens, and a lot of self-help books to find her new, better self. Port Bannir local Margaret Gale runs an austere maritime museum, and rules her staff with an iron fist. She has no time for that crazy modern gallery or upbeat, earnest Bess sweeping around town on her hipster bicycle.

Tabitha is not a murderer. When a body is discovered in Okeham, England, Tabitha is shocked to find herself being placed in handcuffs. It must be a mistake. She’d only recently moved back to her childhood hometown, not even getting a chance to reacquaint herself with the neighbors. How could she possibly be a murder suspect? As Tabitha is shepherded through the system, her entire life is picked apart and scrutinized - her history of depression and medications, her decision to move back to a town she supposedly hated, and her past relationship with the victim, her former teacher.

Ingrid will never forget what John did. The people he hurt. The way he lied about it so easily. The way she defended him. Now he’s back. He says a murderer is after her. He says only he can protect her. Would you trust him? The clock is ticking for Ingrid to decide. Because the killer is ready to strike again.

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

A family is gunned down in the snow, but one of the children survives. Three years on, that child takes revenge, and the Snow Killer is born. But then, nothing - no further crimes are committed, and the case goes cold. 50 years later, has the urge to kill been reawakened? As murder follows murder, the detective team tasked with solving the crimes struggle with the lack of leads. It’s a race against time and the weather - each time it snows, another person dies.

On a warm evening in late summer, best friends Raymond and Cara camp out overnight in the garden. By morning, Raymond is dead and Cara is missing. DI Rita Cannan is called home to the sleepy seaside town of Green-on-the-Sea to investigate Raymond’s murder and try to find Cara - alive. But the case carries eerie echoes of another girl’s death that rocked the close-knit community, decades ago.

Starting a new life in Snowdonia was always DI Ruth Hunter's dream. Until a twisted killer turned it into her worst nightmare. Detective Inspector Ruth Hunter lives with the pain of her partner’s mysterious and unsolved disappearance. About to hit 50, the veteran police officer trades in the crime-ridden streets of London for a more peaceful life in rural North Wales. But Ruth has barely settled into her new position in North Wales Police, when the body of a brutally murdered woman is discovered...with strange symbols carved into her skin.

When Detective Mike West is called to investigate a murder in a Dublin graveyard, suspicion immediately falls on a local woman, Edel Johnson, whose husband disappeared some months before. But then she disappears. Evidence leads West to a small village in Cornwall, but when he arrives, he finds Edel has got there before him. Her explanation seems to make sense, but as West begins to think his suspicions of her are unfounded, she disappears again. Is she guilty? West, fighting an unsuitable attraction, doesn't want to believe it.

A year ago, Gemma met the love of her life, Danny. Since then, their relationship has been perfect. But one evening, Danny doesn’t return home. Gemma turns to the police. She is horrified by what she discovers – a serial killer is on the loose in Bristol. When she sees photos of the victims she is even more stunned...they all look just like Danny. Who would you believe? But the police are suspicious. Why has no one apart from Gemma heard from Danny in weeks?

It is every mother's nightmare. Her child is missing, found murdered. Her lover is the prime suspect. It is every police officer's dread. A child murder. A circumstantial case. It is every solicitor's dream. Twelve men and women will decide the verdict. But only you can decide if justice is done for the victim.

A killer is on the loose, blurring the line between fact and fiction. His prey - the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other. His bloodlust shatters all the conventional wisdom surrounding the motives and mechanics of how serial killers operate. And for one woman, the desperate hunt to uncover his identity becomes a matter of life and death.

Lydia has always known she has no power, especially next to her infamous and more-than-slightly dodgy family. Which is why she carved her own life as a private investigator far away from London. When a professional snafu forces her home, the head of the family calls in a favour, and Lydia finds herself investigating the disappearance of her cousin, Maddie.

A violent rapist is attacking women, leaving them for dead on south London streets. When young policewoman Maeve Kerrigan responds to a domestic disturbance, she's horrified to stumble across the latest victim. But as a new recruit - and a female to boot - she'll have to face down not only her own nerves but rampant sexism from her colleagues if she wants to be taken seriously enough to even assist on the case.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.