Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Olivia Hanson’s husband, Lucas, is her rock; charming and successful, he offers her safety, security and the life she always dreamed of. In return, Olivia is a picture-perfect housewife, smiling and supportive. Until she meets Lucas’s new colleague, Natalie, and sees the flash of hatred in her eyes. Olivia only wants to clear up the misunderstanding. But when she befriends Natalie, secrets come tumbling out that expose the ugly side of Olivia’s beautiful marriage and she realizes there is another young woman caught up in Lucas’s lies.

Cora Valentine has her whole life—and a shot at the Olympics—ahead of her. But when she’s kidnapped on Halloween, her name is splashed across headlines not as an athlete but as a victim. Not even her safe return changes that, especially since no one is caught for the crime. Hounded by the public, Cora’s time as a missing girl and member of the Magnificent Eight has its consequences.

Amy Linden has a loving husband, an adorable son, and a glamorous career as the hotelier of a grand mountain lodge. Then Ramona Crawford, the daughter she gave up for adoption twenty years earlier, pays her a surprise visit. Ramona wants to know the identity of her biological father—and Amy completely understands. There’s just one problem: the truth would destroy Amy’s carefully curated life.

When Eva's husband Samuel doesn't come home from a boys' night out, she thinks he's sleeping off his hangover at a friend's house. So she waits. And waits... Eventually, he sends her a text—he's met someone else and needs a few days to get his head together. Eva is devastated. How could he do this? How could he do it to their children? She'd thought her marriage was rock solid. She tries to go on with her life as best she can. But then things take a truly bizarre turn…

Charlotte’s daughter Stella is sensitive and brilliant, perhaps even a genius, but a recent change in her behavior has alarmed her mother. Following the sudden death of Stella’s babysitter, Blanka, the once disruptive and anti-social child has become docile and agreeable. But what’s unsettling is that she has begun to mirror Blanka’s personality, from Blanka’s repetitive phrases to her accent, to fierce cravings for Armenian meat stew after being raised a vegetarian.

When Winona rents a room at the eccentric Mirror House, she hopes to make new friends. What she gets instead is a “family” led by the charismatic psychologist Simon Spellmeyer. But if she wants to stay at Mirror House, Winona must join in following Simon’s strange protocols for self-improvement. Warning bells chime inside her, but the allure of transformation keeps her hooked. While his methods are disturbing, the results are undeniable.

Cuckoos on the Mersey follows the child protection teams in social services and the PVPU (protecting vulnerable people unit- Merseyside Police) on Merseyside. They are in a constant battle to protect the most vulnerable in society. Leo is a sixteen-year-old in the grip of a violent OCG, struggling to kick his addiction to ketamine. When his neighbour Angela is visited by social services, the social workers can't get an answer. They persuade her children to open the door for them and Angela is found unconscious on her settee.

Kerry’s life is in shambles: Her husband has left her, her drinking habit has officially become a problem, and though the deadline for her big book deal—the one that was supposed to change everything—is looming, she can’t write a word. When she sees an ad for a caretaker position at a revitalized roadside motel in the Catskills, she jumps at the chance. It's the perfect getaway to finish her book and start fresh. But as she hunkers down in a blizzard, she spots something through the window: a pale arm peeking out from a heap of snow.

In Melissa Larsen's The Lost House comes the mesmerizing story of a young woman with a haunting past who returns to her ancestral home in Iceland to investigate a gruesome murder in her family.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

I used to enjoy my job. I was good at it and felt fulfilled. I also used to enjoy spending time with the people I worked with. They say you spend more time with your work colleagues than you do with your family members, but that was fine by me because I made two very good friends at the office. I also allowed myself to get a little too close to my boss, but I soon realized that was a mistake. Unfortunately, it was too late by then, and as my personal and professional lives quickly blurred into one, that was when everything changed.

When Hope Bennett marries Carmela’s brother Leo she not only becomes a Fontana, but a Garden State Goddess—and not everyone is happy. Secrets will be revealed, decades-long rivalries will surface, and a sudden murder will lead to a reality reckoning no one is prepared for, least of all the show’s producer Eden who must race to catch a killer and save the most dramatic season of all time.

Adele and Jason are childhood sweethearts. Their wedding day on the sunny Australian coast is a chance to reunite and celebrate with friends and family. But Adele isn’t telling the truth about her relationship. And some of the bridal party – still reeling from a tragic death in the group a decade before – hold secrets of their own.

Rosie Lachlan wants nothing more than to find The One. A year after she was dumped in her wedding dress, she’s working at her parents’ bridal salon, anxious for a happy ending that can’t come soon enough. After receiving a life-saving heart transplant, Rosie knows her health is precious and precarious. She suspects her heart donor is Daphne Thorne, the wife of local celebrity author Morgan Thorne, who she begins messaging via an anonymous service called DonorConnect, ostensibly to learn more about Daphne.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.