When Ellie tells me she has a new boyfriend, I am absolutely thrilled and can’t wait to meet him. She finally seems so happy and in love. But there’s a catch. Ellie has never met him in person. In fact, he doesn’t even live in the same country. Our home is in England, but Daryl is in Los Angeles.

Kit Darling is a maid with a snooping problem. She’s the “invisible girl,” compelled to poke into her wealthy clients’ closely guarded lives. It’s a harmless hobby until Kit sees something she can’t unsee in the home of her brand-new clients: a secret so dark it could destroy the privileged couple expecting their first child. This makes Kit dangerous to the couple. In turn, it makes the couple—who might kill to keep their secret—dangerous to Kit.

After a tragic chain of events led to the deaths of their spouses two years ago, D.C. philanthropist Sloane Chase and Senator Whit Montgomery are finally starting to move on. The horrifying ordeal drew them together, and now they're ready to settle down again—with each other. As Sloane returns to the world of White House dinners and political small talk, this time with her new husband, she's also preparing for an upcoming hip replacement—the latest reminder of the lupus diagnosis she's managed since her twenties.

Alice Tandy has dreamed of her wedding since she was a little girl. The perfect venue, the perfect dress, the perfect groom. It’s all going exactly to plan. But then her whole world comes tumbling down. Just as she and her new husband, Ben, are cutting their wedding cake, three policemen storm in and arrest Ben. Alice looks on in horror, unable to comprehend what is happening. Did they say murder? The next day, Ben is released on bail, but for Alice, the nightmare is only just beginning.

The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'

When Anna Bradshaw wakes up in a hospital bed in London, she remembers nothing, not even her loving husband, Stephen. The doctors say her amnesia is to be expected, but Anna feels cut adrift from her entire life. In Bristol, Livvy Nicholson is newly married to Dominic and eager to get back to work after six months’ maternity leave. But when Dominic’s estranged mother appears, making a series of unnerving claims, Livvy is sucked into a version of herself she doesn’t recognise.

Emma Carpenter lives in isolation with her golden retriever Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house’s owner, Jules. One day, she reads a poorly written—but gruesome—horror novel by the author H. G. Kane, and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night.

Olivia Bender designs exquisite home interiors that satisfy the most demanding clients. But her own deepest desire can’t be fulfilled by marble counters or the perfect rug. She desperately wants to be a mother. Fertility treatments and IVF keep failing. And just when she feels she’s at her lowest point, the police deliver shocking news to Olivia and her husband, Park. DNA results show that the prime suspect in a murder investigation is Park’s son. Olivia is relieved, knowing this is a mistake. Despite their desire, the Benders don’t have any children. Then comes the confession.

Stacey and Felix are the glamorous owners of the stylish, modern Glass House, with its pool and floor-to-ceiling windows. Now they’re downsizing, but Stacey can’t sell to just anyone. She needs the right buyer, who will keep her secrets. Millie and Tom have always imagined living in the Glass House. Now it’s for sale. With property prices booming, if they can sell quickly, it could be theirs. But is the house and its charming owners all they seem? Harper and Kyle are moving up in the world.

Catherine Sterling thinks she knows her mother. Ruth Sterling is quiet, hardworking, and lives for her daughter. All her life, it's been just the two of them against the world. But now, Catherine is ready to spread her wings, move from home, and begin a new career. And Ruth Sterling will do anything to prevent that from happening.

Working as a dedicated forensic psychiatrist for many years, Emma is not shocked so easily. Then she is assigned to work with Connie, a wife and mother accused of a despicable crime. Connie is suffering from dissociative amnesia - or at least seems to be. Now it is up to Emma to decide whether Connie can stand trial for her sins. But there is something about Connie that inexorably pulls Emma into her orbit. Too Close is a masterfully written riveting listen about the powerful - yet dangerous - closeness between women.

Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief.

Since his debut novel, the modern classic The Ghosts of Belfast, was published a decade ago, Stuart Neville has published eight other critically acclaimed novels and achieved international recognition as one of crime fictions great living writers. Now for the first time Neville offers listeners a collection of his short fiction - 12 chilling stories that traverse and blend the genres of noir, horror, and speculative fiction and which bring the history and lore of Neville's native Northern Ireland to glittering life.

Frieda Klein is a solitary, incisive psychotherapist who spends her sleepless nights walking along the ancient rivers that have been forced underground in modern London. She believes that the world is a messy, uncontrollable place. The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when his face is splashed over the newspapers, Frieda cannot ignore the coincidence: one of her patients has been having dreams in which he has a hunger for just such a child.

Leah’s perfect marriage isn’t what it seems, but the biggest lie of all is that she’s learned to live with what happened all those years ago. Marie drinks a bit too much to help her forget. And Carly has never forgiven herself for not keeping them safe.

Twenty years ago, 16-year-old Tara Martin disappeared from a small town in the heart of England. Now, her sudden return and the mind-bending tale of where she’s been will challenge our very perception of the truth. For 20 years after Tara Martin disappeared, her parents and her brother, Peter, lived in denial of the grim fact that she was gone for good. Then suddenly on Christmas Day, the doorbell rings at her parents’ home, and there, dishevelled and slightly peculiar looking, Tara stands. It’s a miracle, but alarm bells are ringing for Peter. Tara’s story just does not add up.

When Bonnie Graham arrives at her boyfriend’s apartment in London, she is horrified to discover a dead body in a pool of blood on the floor. But she doesn’t call the police. Bonnie hides the corpse and then carefully wipes away any evidence she was ever there. Bonnie is a music teacher who spent a long, hot summer in London rehearsing with a band to play at a friend’s wedding. It was supposed to be fun, but the band members find the complicated knots of their friendships - some old, some new - unraveling as the days themselves unwind.

On a fateful summer morning in 1986, two 11-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her to interview carnival cleaner Amber Gordon. For Kirsty and Amber, it's the first time they've seen each other since that dark day so many years ago.

Margot Lewis is a teacher at an exclusive high school in the English university town of Cambridge. In her spare time, she writes an advice column, "Dear Amy", for the local newspaper. When one of Margot's students, 15-year-old Katie, disappears, the school and the town fear the worst. And then Margot gets a "Dear Amy" letter unlike any of the ones she's received before. It's a desperate plea for rescue from a girl who says she is being held captive and in terrible danger - a girl called Bethan Avery, who was abducted from the local area 20 years ago and never found.

When a house explodes in a quiet Oxford suburb and a young girl disappears in the aftermath, Sarah Tucker becomes obsessed with finding her. Accustomed to dull chores in a childless household and hosting her husband’s wearisome business clients for dinner, Sarah suddenly finds herself questioning everything she thought she knew, as her investigation reveals that people long believed dead are still among the living, while the living are fast joining the dead.

Astrid Bell has known most of her roommates for years, but while they have a history together - romantic pairings, one-night stands, friendships - each of them also has a past. Astrid is on her way home one day when her neighbor knocks her off her bike. Seeing she is bruised but not broken, her roommates help her home. The next day, they learn that same neighbor was beaten to death hours later. Each of them tells the police what they know and are dismissed - until Astrid stumbles over another body.

Dan Starkey is a young journalist in Belfast, who shares with his wife, Patricia, a prodigious appetite for drinking and dancing. Then Dan meets a beautiful and apparently impoverished student. And then, terrifyingly, she is murdered. Is it because she was not exactly who she claimed to be? Is it the IRA? A Protestant extremist group? A jealous lover? Before long, Dan is a target himself.…

Taking us inside one of the 20th century's most ambitious assassination attempts - "making history personal", as one character puts it - High Dive moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

He sought to flee his tragic past, but when Thomas Usher hears a clockwork voice on the phone, and sees ever-more disturbing visions in a derelict warehouse, Usher realises that he has to return home - for the sake of his own sanity. Meanwhile, a deadly figure from Usher's past threatens to undermine the very fabric of reality. Gary McMahon’s short fiction has appeared in numerous acclaimed magazines and anthologies in the UK and US and has been reprinted in yearly “Best of” collections.

Neve comes across a troubled woman called Isabelle on Waterloo Bridge late one night. Isabelle forces a parcel into Neve's hands and jumps to her death in the icy Thames below. Two weeks later, as Neve's wreck of a life in London collapses, an unexpected lifeline falls into her lap - a charming cottage in Cornwall left to her by Isabelle, the woman on the bridge. The solution to all her problems.

Meet Detective Chief Inspector John Luther. He’s a murder detective with an extraordinary case clearance rate. He’s obsessive, instinctive, and intense. Nobody who ever stood at his side has a bad word to say about him. And yet there are rumors that Luther is bad - not corrupt, not on the take, but tormented. He seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn’t - things well beyond the limits of the law.

Rose Grahame had everything Alex D’Arcy dreams of. A handsome husband, a stunning home and a baby boy with twinkling blue eyes and a smile that would brighten the darkest of days. It’s a stark contrast to Alex’s life - her dead-end job, her borderline addiction to drink and pills, her failed engagement and her cluttered flat. But the women’s lives are about to collide - and nothing will ever be the same again.

In 1995, six university students moved into the house at 215 Caldwell Street. Months later, one of them was found dead on the sofa the morning after their end-of-year party. His death was ruled an accident by the police. The remaining five all knew it wasn’t, and though they went on with their lives, the truth of what happened to their sixth housemate couldn’t stay buried forever. Twenty years later, all five of them arrive - lured separately under various pretenses - at Wolfheather House, a crumbling, secluded mansion on the Scottish isle of Doon.

One May evening in London, Adam Kindred, a young climatologist in town for a job interview, is feeling good about the future as he sits down for a meal at a little Italian bistro. He strikes up a conversation with a solitary diner at the next table, who leaves soon afterward. With horrifying speed, this chance encounter leads to a series of malign accidents, through which Adam loses everything—home, family, friends, job, reputation, passport, credit cards, cell phone—never to get them back.