Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in the history of popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career.

Twenty years after a baby is stolen from a stroller, a woman is murdered in a care home. The two crimes are somehow linked, and a good bad girl may be the key to discovering the truth. Edith may have been tricked into a nursing home, but at eighty-years-young, she’s planning her escape. Patience works there, cleaning messes and bonding with Edith, a kindred spirit. But Patience is lying to Edith about almost everything. Edith’s own daughter, Clio, won’t speak to her. And someone new is about to knock on Clio’s door…and their intentions aren’t good.

Masterfully blending elements of psychological suspense and true crime, Jessica Knoll—bestselling author of Luckiest Girl Alive and the writer behind the Netflix adaptation starring Mila Kunis—delivers an “unflinching and evocative” (Laura Dave, New York Times bestselling author) thriller in Bright Young Women. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including a sorority president and key witness, Pamela Schumacher, are forever changed.

Mickey Haller is a Lincoln Lawyer, a criminal defense attorney who operates out of the backseat of his Lincoln Town Car, traveling between the far-flung courthouses of Los Angeles to defend clients of every kind. Bikers, con artists, drunk drivers, drug dealers - they're all on Mickey Haller's client list. For him, the law is rarely about guilt or innocence; it's about negotiation and manipulation. Sometimes it's even about justice.

Iceland, 1956. Fourteen-year-old Lára decides to spend the summer working for a couple on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. Time passes, and the mystery becomes Iceland‘s most infamous unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, as the city of Reykjavík celebrates its 200th anniversary, journalist Valur Robertsson begins his own investigation into Lára's case.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

Reclusive Sally Diamond is thrust into the media spotlight when she tries to incinerate her dead father, causing widespread outrage. Now she’s the center of attention, not only from hungry reporters and police detectives, but also a sinister voice from a past she does not remember. As she begins to discover the repressed memories of her horrific early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don’t always mean what they say.

Psychologist Margot Scott has a picture-perfect life: a nice house in the suburbs, a husband, two children and a successful career. On a warm spring morning Margot approaches one of her clients on a busy train platform. He is looking down at his phone, with his duffel bag in hand as the train approaches. That’s when she slams into his back and he falls in front of the train. Margot’s clients all lie to her, but one lie cost her family and freedom.

In this prequel to the international best seller The Ruin, set 10 years prior, bright-eyed Carrie Ryan is at the very start of her career. When she has a hunch about an ongoing murder investigation, she knows it could be her only chance to prove herself and truly break into the “boys' club” of Dublin’s police force.

After the assassination of his wife and son, Gabriel Allon retires from his brutal anti-terrorist career and loses himself in his previous cover job: art restoration. But when Tariq al-Hourani, the Palestinian terrorist responsible for his family’s death, begins a killing spree designed to destroy Middle East peace talks, Gabriel once again slips into the shadowy world of international intrigue. In a global game of hide-and-seek, the motives of Gabriel and Tariq soon become more personal than political.

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

Vivvy Bouchet, daughter of a known psychic, was ten when she saved a boy’s life by making an impossible prediction. Now she’s an astrophysicist in Texas, devoted to science, but the boy she saved has become a cop who continues to believe she can see things no one else can. When he begs for help on the high-profile cold case of a kidnapped girl, Vivvy steps back into the ocean of voices that once nearly drowned her.

Grace Holloway keeps to herself. Since narrowly escaping death at the hands of the man who kidnapped her, she’s thrown herself into the small inn she runs in Rock Harbor, Maine. It’s quiet, quaint and, in the off-season, completely isolated—the perfect place for Grace to keep her own secrets. But Grace isn’t the only one with something to hide, and Rock Harbor isn’t just a sleepy vacation town. Someone is taking young women—girls who look an awful lot like Grace did when she was kidnapped so many years ago.

The first three crime thrillers in the Detective Sebastian Clifford series together in a single collection for the first time. This collection includes Web of Lies, Speak No Evil, and Never Too Late.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."