Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now... something absolutely impossible.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Chelsea Iversen's THE WITCHES AT THE END OF THE WORLD is a speculative novel set in 17th-century Norway about two sisters who find themselves at odds when one incites a dangerous curse against the village where their mother once lived; but you can't take back dark magic once it's been released, and they know, like their mother before them, that someone will have to burn—they are witches, after all.

The year is 2041, and it's a dangerous time to be a woman driving across the United States alone. Deadly storms and uncontrollable wildfires are pummeling the country while political tensions are rising. But Kelly's on the road anyway; she desperately needs to get back to her daughter, who she left seven years ago for a cause that she's no longer sure she believes in.

Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim and using her charms to make ends meet. But they share a secret: once, they were snakes, basking under a full moon in Tang dynasty China. A thousand years later, their mysterious history is the only thing still binding them together.

Both a gripping locked room mystery, and a transporting, evocative portrait of a woman in crisis, Trouble Island marks the enthralling standalone suspense debut from Sharon Short, promising to be her breakout novel, inspired by a real island in Lake Erie, and true events from her own rich family history.

When the love of her life disappeared on a camping trip, Gus Monet was devastated. Her daughter was only nine at the time, but young Bly still remembers the heartbreak vividly. Howard had been like a father to her. He was a journalist working on a story that took a dark and dangerous turn. The last time they saw him, he was going to meet a source he believed could blow the story wide open.

It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.

After ten years away to build a family, Mallory returns to Floreana Island in the Galápagos, and to Gavin, the mentor with whom she had a long-ago affair. Their project is to build nests to revive the vulnerable penguin population. But Mallory doesn’t dare tell Gavin why she’s really come back. Then she discovers old journals hidden in a lava cave—confessions of another woman who needed to disappear.

When Aurora and her twin brother Aubrey were born, a dark mage cursed them: before their eighteenth birthday, the twins would suffer the torment of eternal sleep. Aurora and Aubrey's parents, being sensible wizards, eviscerated the mage. Unfortunately, dark magic doesn't go quietly. Aurora and Aubrey were left orphans. Raised by three half-faerie guardians, the twins' lives pass unremarkably. Attractive, witty, and in possession of a large fortune, they are the toast of polite society.

In Cary Groner’s vision of the near future, the world has been ravaged by a lethal virus and only the young have survived. Cities and infrastructures have been destroyed, countries no longer exist as they once did, and the natural world has taken over the landscape in surprising ways, with herds of camels roaming the desert and crocodiles glowing in the rivers, the result of some CRISPR experiment gone awry.

In a close-knit English village, Chrissy and Alice were once best friends. So were their sons, Leo and Robbie. Until the night Leo killed Robbie with a single, devastating punch. Now Leo has gone to prison, Chrissy has lost her pub, and Alice has been pouring her anger into a twisted project . . . As Leo’s parole date approaches, the villagers are incensed and fearful about the prospect of his return. But when Chrissy arrives to collect Leo from prison, he isn’t there. The staff tell her he has already been released, but nobody knows where he’s gone.

Annie Bustamante is a cultural force like none other: an acclaimed filmmaker, an author, a comic book artist known for one of the all time best superhero comics in recent memory. But she’s never been able to tackle her longtime favorite superhero, the Lethal Lynx. Only known to the most die-hard comics fans and long out of print, the rights were never available—until now. But Annie is skeptical of who is making the offer: Bert Carlyle's father started Triumph Comics, and has long claimed ownership of the Lynx

Amid a crumbling marriage and PTA power struggles, Daniele Ténèbres is about to unearth more than just family secrets. She feels like a husk as she goes through the motions of her day-to-day, so busy it borders on chaos. Then, a mysterious new neighbor arrives, his presence both alluring and unsettling. Whispers of dark truths and hidden pasts swirl around her suburban life, pulling Danny into a world she never knew existed. Everyone around her is hiding something—but some secrets are more dangerous than others.

After years of imprisonment, a Deaf teen escapes his father's basement. Bloody, alone, and without language, he stumbles through the Saskatchewan prairie until he lands in an isolated psychiatric facility, where he meets Felix, another Deaf teen, who eagerly teaches him Sign Language.

Lonely archeologist Maryn Ferguson studies the past as if she belongs there, but when she and her team uncover an ancient artifact in the peat bogs of Scotland, her carefully controlled life spins out of control. Pulled under a Fairy Dun by none other than the Celtic goddess of winter, Cailleach, Maryn cannot reconcile the black and white world of academia with a land of fairies, gods, and monsters.

Enola is approaching 30 and everything feels like a lot. The boxes aren’t ticked and she feels adrift in a way she thought she would have beaten by now. She wants to be a writer but can't finish a first draft; she romanticizes her childhood but won’t speak to her mother; she has never been in a serious relationship but yearns to be one half of a couple that DIYs together at the weekends.