Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim and using her charms to make ends meet. But they share a secret: once, they were snakes, basking under a full moon in Tang dynasty China. A thousand years later, their mysterious history is the only thing still binding them together.

1880s, Essex, England: Idealistic young doctor Simeon Lee is called from London to treat his ailing relative Parson Oliver Hawes, who lives in Turnglass House on a bleak island off the coast. Hawes believes he's being poisoned by his sister-in-law, Florence, who was declared mad years ago after killing the parson’s brother in a jealous rage. Hawes keeps her locked in a glass-walled apartment in the Turnglass library; the secret to how she came to be there is found in his tête-bêche journal, where one side tells a very different story from the other.

A terrified man descends into madness, convinced something is making his fingers disappear one by one. A hiker becomes trapped in a surreal empty town in the woods. A man becomes convinced creatures are living inside his blood… and they just want out. As the masks fall away in these and other disturbing tales, are you brave enough to see what lies beneath?

Chelsea Iversen's THE WITCHES AT THE END OF THE WORLD is a speculative novel set in 17th-century Norway about two sisters who find themselves at odds when one incites a dangerous curse against the village where their mother once lived; but you can't take back dark magic once it's been released, and they know, like their mother before them, that someone will have to burn—they are witches, after all.

It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.

When the love of her life disappeared on a camping trip, Gus Monet was devastated. Her daughter was only nine at the time, but young Bly still remembers the heartbreak vividly. Howard had been like a father to her. He was a journalist working on a story that took a dark and dangerous turn. The last time they saw him, he was going to meet a source he believed could blow the story wide open.

The year is 2041, and it's a dangerous time to be a woman driving across the United States alone. Deadly storms and uncontrollable wildfires are pummeling the country while political tensions are rising. But Kelly's on the road anyway; she desperately needs to get back to her daughter, who she left seven years ago for a cause that she's no longer sure she believes in.

In a close-knit English village, Chrissy and Alice were once best friends. So were their sons, Leo and Robbie. Until the night Leo killed Robbie with a single, devastating punch. Now Leo has gone to prison, Chrissy has lost her pub, and Alice has been pouring her anger into a twisted project . . . As Leo’s parole date approaches, the villagers are incensed and fearful about the prospect of his return. But when Chrissy arrives to collect Leo from prison, he isn’t there. The staff tell her he has already been released, but nobody knows where he’s gone.

After the horrors of World War One, disillusioned army chaplain John Elliot arrives at Hern Hall, an isolated estate in the mist-shrouded English countryside. The mystery of the estate's tragic past seems to linger in the shadows when John catches a glimpse of a drowned child's face beneath the dark waters of the lake.

In present day Chicago, broken from her divorce, Natalie Taylor runs away to Paris. In a book stall by the Seine, Natalie finds a collection of the Widow Clicquot’s published letters and uses them as inspiration to step out of her comfort zone and create a new, empowered life for herself. But when her Parisian escape takes a shocking and unexpected turn, she’s forced to make a choice. Should she accept her losses and return home, or fight for the future she’s only dreamed about? What would the widow do?

Peyton Collard was a good man once, but his life changed after a horrific car accident. Divorced, drunk, and severely damaged, Peyton is offered a life-changing sum of money to kill an evil man. But as he goes on a vigilante journey that leaves a trail of bodies across California, Peyton wonders about the identity of his anonymous patron. Soon, his questions become an obsession, and he embarks on a tense and potentially deadly investigation to discover the truth about the murders he’s committed.

It’s 1964, and Eliza Kratke is mostly content. Married thirty years, she is long settled in Bayard, Texas with two grown children, a nice house, a little dog, and a routine. But her husband has a secret, and Eliza has not been brave enough to demand to know what it is.

When Yojin moves with her husband and daughter into the Dream Future Pilot Communal Apartments, she’s ready for a fresh start. Located on the outskirts of Seoul, the experimental community is a government initiative designed to boost the national birth rate. Like her neighbors, Yojin has agreed to have at least two more children over the next ten years. Yet, from the day she arrives, Yojin feels uneasy about the community spirit thrust upon her.

Enola is approaching 30 and everything feels like a lot. The boxes aren’t ticked and she feels adrift in a way she thought she would have beaten by now. She wants to be a writer but can't finish a first draft; she romanticizes her childhood but won’t speak to her mother; she has never been in a serious relationship but yearns to be one half of a couple that DIYs together at the weekends.