It's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing—maybe even romantic—weekend away. So when the weather takes a turn for the worse, and a blizzard cuts off the electricity—and all contact with the outside world—the guests settle in and try to make the best of it. Soon, though, one of the guests turns up dead—it looks like an accident. But when a second guest dies, they start to panic. Within the snowed-in paradise, something—or someone—is picking off the guests one by one.

Stephanie and Patrick are adjusting to life with their colicky twin girls. The babies are a handful, but even as Stephanie struggles with the disorientation of sleep deprivation, there's one thing she's sure of: She has all she ever wanted. Then Erica, a woman from Patrick's past, appears and makes a disturbing accusation. Patrick had always said his first wife's death was an accident, but now Erica claims it was murder. Patrick insists he's innocent, that this is nothing but a blackmail attempt. Still, Erica knows things about Patrick.

You're home making dinner for your husband. You expect him any second. The phone rings - it's the call you hoped you'd never get. You jump in your car and race to a neighborhood you thought you'd never visit. You peer into the dark, deserted building. You brace yourself for the worst. And then, you remember nothing else. They tell your husband you've been in an accident. You lost control of your car as you sped through the worst side of town. The police suspect you were up to no good. But your husband refuses to believe it.

"This is a very difficult letter to write. I hope you will not hate us too much.... My son broke into your home recently while you were out." In a quiet, leafy suburb in upstate New York, a teenager has been sneaking into houses - and into the owners' computers as well - learning their secrets, and maybe sharing some of them, too. Who is he, and what might he have uncovered? After two anonymous letters are received, whispers start to circulate, and suspicion mounts. And when a woman down the street is found murdered, the tension reaches the breaking point.

Will Thorne is a stalled poet, married to Judy, a wildly successful celebrity economist. Pressured by a starving fellow poet, Will establishes The Poets' Preservation Society, a genteel organization to help poets in need. But when Will meets his muse, the enigmatic and athletic Lily White, he becomes inspired not only to write, but to take guerrilla action in support of poets everywhere. Poetry meets parkour and culture clashes with commerce in this hilarious look at how we measure the value of art.

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

Anne and Marco Conti seem to have it all—a loving relationship, a wonderful home, and their beautiful baby, Cora. But one night, when they are at a dinner party next door, a terrible crime is committed. Suspicion immediately lands on the parents. But the truth is a much more complicated story.

Wife: I couldn’t be prouder of my charming husband and quiet and kind son. I’ve poured everything into my little family, so I choose to ignore my husband’s late-night phone calls and wandering eye. I won’t let anything ruin my perfect life…

The teenagers get their kicks telling ghost stories in the old graveyard. The parents trust their kids will arrive home safe from school. Everyone knows everyone. Curtains rarely twitch. Front doors are left unlocked. But Diana Brewer isn’t lying safely in her bed where she belongs. Instead she lies in a hayfield, circled by vultures, discovered by a local farmer. How quickly a girl becomes a ghost. How quickly a town of friendly, familiar faces becomes a town of suspects, a place of fear and paranoia.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

My husband is dead. I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car. My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

I used to enjoy my job. I was good at it and felt fulfilled. I also used to enjoy spending time with the people I worked with. They say you spend more time with your work colleagues than you do with your family members, but that was fine by me because I made two very good friends at the office. I also allowed myself to get a little too close to my boss, but I soon realized that was a mistake. Unfortunately, it was too late by then, and as my personal and professional lives quickly blurred into one, that was when everything changed.

Stephanie and Jessica have nothing and everything in common. The two women don’t know each other but are on the same plane heading to California. Stephanie is on a business trip and Jasmine is fleeing an abusive relationship. After a few days, they text their friends the same exact messages about the same man—the messages becoming stranger and more erratic. And then the two women vanish. The texts go silent, the red flags go up, and the panic sets in. When Stephanie and Jasmine are each declared missing and in danger, it begs the questions: Who is Trent McCarthy?

In the glow of their children’s exciting first year of college at a small private school in Northern California, five families plan on a night of dinner and cocktails for the opening festivities of Parents Weekend. As the parents stay out way past their bedtimes, their kids—five residents of Campisi Hall—never show up at dinner.

Stay-at-home mother Marta lives in her successful husband’s shadow, overlooked by him ever since her darling son Owen went to medical school. She’s not about to let the beautiful Gina take Owen away from her. Marta will play nice, get Gina to trust her. And then she has a plan of her own.

Bryden and Sam have it all: thriving careers, a smart apartment in a luxury condominium, supportive friends and a cherished daughter. The perfect life for the perfect couple. Then Sam receives a call at his office. Bryden–working from home that day–has failed to collect their daughter from daycare. Arriving home with their little girl, he finds his wife’s car in the underground garage. Upstairs in their apartment her laptop is open on the table, her cell phone nearby, her keys in their usual place in the hall. Except Bryden is nowhere to be seen. It’s as if she just walked out.

Stephanie and Patrick are adjusting to life with their colicky twin girls. The babies are a handful, but even as Stephanie struggles with the disorientation of sleep deprivation, there's one thing she's sure of: She has all she ever wanted. Then Erica, a woman from Patrick's past, appears and makes a disturbing accusation. Patrick had always said his first wife's death was an accident, but now Erica claims it was murder. Patrick insists he's innocent, that this is nothing but a blackmail attempt. Still, Erica knows things about Patrick.

You're home making dinner for your husband. You expect him any second. The phone rings - it's the call you hoped you'd never get. You jump in your car and race to a neighborhood you thought you'd never visit. You peer into the dark, deserted building. You brace yourself for the worst. And then, you remember nothing else. They tell your husband you've been in an accident. You lost control of your car as you sped through the worst side of town. The police suspect you were up to no good. But your husband refuses to believe it.

It's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing—maybe even romantic—weekend away. So when the weather takes a turn for the worse, and a blizzard cuts off the electricity—and all contact with the outside world—the guests settle in and try to make the best of it. Soon, though, one of the guests turns up dead—it looks like an accident. But when a second guest dies, they start to panic. Within the snowed-in paradise, something—or someone—is picking off the guests one by one.

Will Thorne is a stalled poet, married to Judy, a wildly successful celebrity economist. Pressured by a starving fellow poet, Will establishes The Poets' Preservation Society, a genteel organization to help poets in need. But when Will meets his muse, the enigmatic and athletic Lily White, he becomes inspired not only to write, but to take guerrilla action in support of poets everywhere. Poetry meets parkour and culture clashes with commerce in this hilarious look at how we measure the value of art.

The teenagers get their kicks telling ghost stories in the old graveyard. The parents trust their kids will arrive home safe from school. Everyone knows everyone. Curtains rarely twitch. Front doors are left unlocked. But Diana Brewer isn’t lying safely in her bed where she belongs. Instead she lies in a hayfield, circled by vultures, discovered by a local farmer. How quickly a girl becomes a ghost. How quickly a town of friendly, familiar faces becomes a town of suspects, a place of fear and paranoia.

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

Brecken Hill in upstate New York is an expensive place to live. You have to be rich to have a house there, and Fred and Sheila Merton certainly are rich. But even all their money can't protect them when a killer comes to call. The Mertons are brutally murdered after a fraught Easter dinner with their three adult kids. Who, of course, are devastated.

When Anna Hartley’s husband, Henry, calls her with a terrible, guilty confession, she can’t believe what she hears. It has to be a bad joke—the mild, predictable artist she married would never hurt a fly, let alone commit murder. But her confusion turns to horror when police find his body washed up on the banks of the Rio Grande.

Restauranteur Paddy Swann was the life of the party until the day a man pushed him in the path of an oncoming train, leaving his twenty-something daughter Ash and wife Nina devastated. Shortly after Paddy’s funeral, the two women receive a surprise in the mail: a note and package from Nick Radcliffe, an old friend of Paddy’s, and a nondescript lighter that once belonged to him decades ago. This unexpected gift draws Nick and Nina closer together—much to Ash’s dismay.

My life has never been better. I have a beautiful little girl, and I am engaged to be married to the man I’ve had a crush on since I can remember. So when Nick, my handsome fiancé, announces that his sister Carla is finally coming home, it’s truly the icing on the cake. That was twelve years ago, and no one has seen her since. Everyone is ecstatic about Carla’s return. But as I spend more time with her, I can't shake the feeling that something isn't right. Her behavior is a little off, her childhood memories don't align with mine, and she's oddly evasive about her lost years.

When Hannah and Jasper move to Silverbanks, a luxury gated neighbourhood, it’s a dream come true. This house, with its floor-to-ceiling glass doors, direct access to the sandy beach, and close-knit, caring community, will be the perfect place to raise their precious daughter, Pia. And then Hannah meets her next-door neighbour. The flicker of recognition in his eyes only lasts for a second, but it’s enough. Suddenly, her safe haven has become the most dangerous place she could be. Unless she does something about it.

When Shelby Dawson survives a harrowing attack that should have left her dead, she tries to move past it—for herself, and for her family. Fifteen months later, with the help of her best friend, Mackenzie, she finally feels safe again in the snowy Minnesota town she calls home. But when an anonymous note appears on her windshield bearing the same threats her attacker made, Shelby realizes that her nightmare has only just begun.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

On an ordinary Monday morning, Ariel Cafferty's phone buzzes with a disturbing text message. Something’s happened. I need to see you. Meet me under the candelabra tree ASAP. The words would be jarring from anyone, but the sender is the only man she ever loved. And it's been several years since she learned he died. Seeing Drew’s name pop up is heart-stopping. Ariel’s gut says it can’t be real. But she goes to the tree anyway. She has to. Nobody shows.