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Tune in Tomorrow
- Blaze Collection
- Narrated by: Tavia Gilbert
- Length: 1 hr and 10 mins
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Publisher's summary
An enterprising woman in a man’s world. A vision that changed daytime television. A galvanizing short story about ambition and sacrifice in the 1950s by New York Times bestselling author Melanie Benjamin.
From a triumph in radio serials to persevering in a burgeoning, male-dominated television industry, Abby Taylor has a million stories she’s dying to tell. The soap opera is her brainchild. Championed by her mother and sisters, nothing can stop Abby from becoming an aspirational voice for every woman in the country. Her life behind the scenes, however, is just as dramatic as any she could have invented. Stay tuned for an engrossing story of determination, grit, and love.
Melanie Benjamin’s Tune In Tomorrow is part of Blaze, a collection of short stories about incendiary women across the decades who dare to defy convention. They can be read or listened to in one sitting.
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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Absolutely LOVED it!
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What listeners say about Tune in Tomorrow
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- EJ
- 02-25-24
Fabulous and Fierce
What a brilliant short story! I did appreciate the origin story for Soap Operas. Abby is all sorts of awesome. Finally, a strong female main character in this series 😅
An Amazon Original, part of the Kindle Unlimited catalog.
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- Kay
- 03-25-24
Solid 4 stars
A woman dominating in ANYTHING in the 40's and 50's was really a big deal. The fact that Abby is able to do so without outwardly compromising her morals or femininity is a big deal.
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- Cynthia
- 07-02-24
Motherhood or Career
Thank you to Prime for this short story. The age old story of career or motherhood or do I like being a mother. I thought too many cliches were included. I was flummoxed by her love for first son and her question on second…
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- Etoile NEOhio
- 02-25-24
You've Come A Long Way Baby...
...until 2016...
In just an hour of audiobook Melanie Benjamin sums up the conundrum of the career woman in post-war, pre-womens lib era. These are the "Author's Notes" - they should make you want to read or listen. Free with Amazon Prime.
Tune In Tomorrow is loosely inspired by the life of Irna Phillips. Phillips was known as “Queen of the Soaps” for her pioneering of the radio serial, geared toward women and sponsored by companies such as Procter & Gamble, in the 1930s. She was then instrumental in moving this format to daytime television in 1949. These Are My Children was the first soap opera to air on a major television network; she followed it with As the World Turns in 1956, which was the first soap opera to air for half an hour. Phillips was a single woman working in a male-dominated industry; she adopted two children but admitted later in life she wasn’t successful as a mother; she was too dedicated to her work.
She mentored Agnes Nixon, who went on to great success of her own in this field. Soap operas were the only shows on early television that depicted single women, women in troubled marriages, women whose lives didn’t always revolve around men. In the early days, those shows had predominantly female casts. It’s hard to realize, today, just how empowering the soap opera was for women—and just how much disdain most of the male television executives had for it. But Irna Phillips was always proud of her achievements and should be remembered for them.
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- Mrs. Busick
- 04-18-24
distracting
voice acting was over the top & distracting, could not follow the storyline - I quit after 20 minutes.
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