Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

There are lines that probably shouldn't be crossed, doors that should stay shut, thoughts that shouldn't be considered. In these three novellas by Stephen Graham Jones, the dead talk, ancient evil opens its eyes, and that guy across the parking lot, he's watching you, and has been for a while now. Lock the door; tell yourself it's nothing; turn the radio up. It won't matter. You're already three miles past where you meant to stop.

It was a fire that could be seen for miles, a fire that split the community, a fire that turned families on each other, a fire that it's still hard to get a straight answer about. A quarter of a century ago, someone held a match to Greenwood, Texas's cotton. Stephen Graham Jones was 12 that year. What he remembers best, what's stuck with him all this time, is that nobody ever came forward to claim that destruction. And nobody was ever caught. Greenwood just leaned forward, pretending that the fire had never happened.

When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.

Millie Two Bears lives alone in a trailer in the heart of the Blackfeet Nation in Montana. Since her husband went to jail, she’s been on the outs with the reservation. And it’s not just people she has to contend with. Now the prairie dogs are moving in on her patch of land. When a strange woman comes into Millie’s life, and Millie’s rodent war escalates, a fateful confrontation with vengeance, secrets, and survival is just underfoot.

Walking through his own house at night, a 15-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.

From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

It’s autumn in the town of Harrow, but something besides the season is changing there. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples, and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

Ten years ago, six friends went on vacation. One made it out alive... In that instant, college student Quincy Carpenter became a member of a very exclusive club - a group of survivors the press dubbed “The Final Girls”: Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who endured the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape the massacre at Pine Cottage. Despite the media's attempts, the three girls have never met.

Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of Toadling: return to the human world and offer a blessing of protection to a newborn child. Simple, right? If only. Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He's heard there's a curse here that needs breaking, but it's a curse Toadling will do anything to uphold.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

There are angels, and they are not beneficent or loving. But they do watch over us. They watch our lives unfold, analyzing us for repeating patterns and redundancies. When they find them, the angels simplify those patterns and remove the redundancies, and the problem that is "you" gets solved.

All the official reports say they are dead—extinct since the late ’80s, when a fed named Arkeley nailed the last vampire in a fight that nearly killed him. But Arkeley knows what most people don’t: there is one left. In an abandoned asylum she is rotting, plotting, and biding her time in a way that only the undead can. When state trooper Laura Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment.

Meet Mookie Pearl. Criminal underworld? He runs in it. Supernatural underworld? He hunts in it. Nothing stops Mookie when he’s on the job. But when his daughter takes up arms and opposes him, something’s gotta give....

Miriam Black knows when you will die. Still in her early twenties, she’s foreseen hundreds of car crashes, heart attacks, strokes, suicides, and slow deaths by cancer. But when Miriam hitches a ride with truck driver Louis Darling and shakes his hand, she sees that in thirty days he will be gruesomely murdered while he calls her name. Miriam has given up trying to save people; that only makes their deaths happen. No matter what she does, she can’t save Louis. But if she wants to stay alive, she’ll have to try.

After a centuries' long apocalypse, humanity has returned to its violent roots. The few ragged settlements that remain fight each other for what little the Nothing provides and will do whatever it takes to stay alive. Charlize Smith doesn't know it yet, but her hometown might be the last civilized place on Earth. Born a Defect and forced to undergo a slew of dangerous experiments, Charlie dreams of the day when she can finally set out on her own. But when a tragedy pushes her to the edge, she's arrested and thrown onto a truck bound for the Nothing - where she's probably going to die.

In the blink of an eye, everyone disappears. Gone. Except for the young. There are teens, but not one single adult. Just as suddenly, there are no phones, no Internet, no television. No way to get help. And no way to figure out what's happened. Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talents - unimaginable, dangerous, deadly powers - that grow stronger by the day. It's a terrifying new world.

Nobody knows the seedy underbelly of Las Vegas like Daniel Faust, a sorcerer for hire and ex-gangster who uses black magic and bullets to solve his clients' problems. When an old man comes seeking vengeance for his murdered granddaughter, what looks like a simple job quickly spirals out of control. Soon Daniel stands in the crossfire between a murderous porn director; a corrupt cop with a quick trigger finger; and his own former employer, a racket boss who isn't entirely human.

When vampire hunter Laura Caxton is locked up in a maximum-security prison, the cop-turned-con finds herself surrounded by countless murderers and death-row inmates with nothing to lose and plenty of time to kill. Caxton’s always been able to watch her own back—even when it’s against a cell-block wall.

They call it Company Town - a city-size oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd. Hwa is of the few people in her community (which constitutes the whole rig) to forgo bioengineered enhancements. As such, she's the last truly organic person left on the rig - making her doubly an outsider as well as a neglected daughter and bodyguard extraordinaire.

When thirteen-year-old Ronan Truelove’s seemingly ordinary mom snatches him from school, then sets off on a high speed car chase, Ronan is shocked. His quiet, nerdy dad has been kidnapped? And the kidnappers are after him, too? His mom, he quickly learns, is anything but ordinary. In fact, she’s a member of an ancient order of knights, the Blood Guard, a sword-wielding secret society sworn to protect the Pure — thirty-six noble souls whose safety is crucial if the world as we know it is to survive.

The living dead are more alive than ever! Zombies have become more than an iconic monster for the 21st century: They are now a phenomenon constantly revealing as much about ourselves - and our fascination with death, resurrection, and survival - as our love for the supernatural or post-apocalyptic speculation. Our most imaginative literary minds have been devoured by these incredible creatures and produced exciting, insightful, and unflinching new works of zombie fiction.

Five days after Owen Zastava Pitt pushed his insufferable boss out of a 14th story window, he woke up in the hospital with a scarred face, an unbelievable memory, and a job offer. It turns out that monsters are real. All the things from myth, legend, and B-movies are out there, waiting in the shadows. Some of them are evil, and some are just hungry. Monster Hunter International is the premier eradication company in the business. And now Owen is their newest recruit.

The cozy little town of Pine Deep buried the horrors of its past a long time ago. Thirty years have gone by since the darkness descended and the Black Harvest began, a time when a serial killer sheared a bloody swath through the quiet Pennsylvania village. The evil that once coursed through Pine Deep has been replaced by cheerful tourists getting ready to enjoy the country’s largest Halloween celebration in what is now called “The Spookiest Town in America.”

Sick of wrongful-death lawsuits every time a full moon comes around? Call the Underworld Detection Agency. As a human immune to magic, Sophie Lawson can help everyone from banshee to zombie transition into normal, everyday San Francisco life. With a handsome werewolf as her UDA boss and a fashionista vampire for a roommate, Sophie knows everything there is to know about the undead, the unseen, and the uncanny. That is, until a rash of gruesome murders has demons and mortals running for cover, and Sophie finds herself playing sidekick to detective Parker Hayes.

New York Times best-selling author Joe Schreiber pens a funny, action-packed novel that is equal parts Ferris Bueller’s Day Off and La Femme Nikita. It’s prom night, and Perry is looking forward to playing a gig with his band in New York City. But when his mother makes him take their quiet and geeky Lithuanian exchange student to the dance, he finds himself on a reckless ride through Manhattan—in his dad’s red Jaguar—with a trained assassin.

These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic.

The novelization of a fictional film trilogy, Demon Theory details the horrifying events set in motion by a tragic childhood incident. When a medical student is called home by his ailing mother on Halloween night, he and a group of friends become trapped in an inescapable cycle of violence.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until is starts killing. Luckily, Sawyer has a plan. He'll be a hero. He'll save everyone to the best of his ability. He'll kill as many people as he needs to so he can save the day. That's the thing about heroes - sometimes you have to become a monster first.

The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.

There are lines that probably shouldn't be crossed, doors that should stay shut, thoughts that shouldn't be considered. In these three novellas by Stephen Graham Jones, the dead talk, ancient evil opens its eyes, and that guy across the parking lot, he's watching you, and has been for a while now. Lock the door; tell yourself it's nothing; turn the radio up. It won't matter. You're already three miles past where you meant to stop.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

Walking through his own house at night, a 15-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.

It was a fire that could be seen for miles, a fire that split the community, a fire that turned families on each other, a fire that it's still hard to get a straight answer about. A quarter of a century ago, someone held a match to Greenwood, Texas's cotton. Stephen Graham Jones was 12 that year. What he remembers best, what's stuck with him all this time, is that nobody ever came forward to claim that destruction. And nobody was ever caught. Greenwood just leaned forward, pretending that the fire had never happened.

When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

The house sits stoic and slightly askew off the coast of Raven's Head. Its off-kilter windows are both charming and disorienting, its walls of overstuffed bookshelves both comforting and claustrophobic. When Leo and Lark Parrish arrive at their vacation home with their parents, their mother's idea of a quintessential Maine getaway seems like both a blessing and a curse.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Four brand-new horror novellas all about books, stories, manuscripts—the written word has never had sharper teeth. In The Skin of Her Teeth, a cursed novel drives people to their deaths. A delivery job turns deadly in The Dark Brothers' Last Ride. In This Book Belongs to Olo, a lonely child has dangerous control over an usual pop-up book. A choose-your-own adventure game spirals into an uncanny reality in The Story. Full of creepy suspense, these collected novellas are perfect for fans of Paul Tremblay, Stephen King, and Joe Hill.