Still recovering from a brutal breakup, Stan Dobrev crashes a “divorce party” in the Southern California desert. An unknown extra in a stranger’s drama, he’s on his way back to the bar when a fellow interloper catches his wandering eye. She’s a formidable tortoise named Greeley, trudging through the drunken revelry and chaos like a true survivor. Before the night is over, she’ll lead Stan on a strange journey beyond oblivion.

Walking through his own house at night, a 15-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.

When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

There are lines that probably shouldn't be crossed, doors that should stay shut, thoughts that shouldn't be considered. In these three novellas by Stephen Graham Jones, the dead talk, ancient evil opens its eyes, and that guy across the parking lot, he's watching you, and has been for a while now. Lock the door; tell yourself it's nothing; turn the radio up. It won't matter. You're already three miles past where you meant to stop.

These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

Marcus grew up believing his father killed his mother—then blamed it on the boogeyman under the bed. Always leave the lights on, his father warned, or the boogeyman will get you. Marcus still heeds the superstition, especially when he invites his new girlfriend over. Is Marcus haunted by a creature or has he just inherited his father’s murderous delusions? The night will tell.

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

“Are you happy with your life?” Those are the last words Jason Dessen hears before the kidnapper knocks him unconscious. Before he awakens to find himself strapped to a gurney, surrounded by strangers in hazmat suits. Before a man he’s never met smiles down at him and says, “Welcome back, my friend.” In this world he’s woken up to, Jason’s life is not the one he knows. His wife is not his wife.

Introducing Wyoming's Sheriff Walt Longmire in this riveting novel from the New York Times best-selling author of Dry Bones, the first in the Longmire series, the basis for the hit Netflix original series Longmire. Johnson draws on his deep attachment to the American West to produce a literary mystery of stunning authenticity, full of memorable characters.

Joan has been searching for her missing husband, Victor, for nearly a year - ever since that terrible night they’d had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways...until they have to. That moment has arrived for Joan. One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor.

Writer Bobbi Anderson becomes obsessed with digging up something she's found buried in the woods near her home. With the help of her friend, Jim Gardener, she uncovers an alien spaceship. Though exposure to the Tommyknockers, who piloted the alien ship, has harmful effects on residents' health, the people of Haven develop a talent for creating innovative devices under their increasingly malignant influence.

My name's Griz. I've never been to school, I've never had friends, and in my whole life I've not met enough people to play a game of football. My parents told me how crowded the world used to be, before all the people went away. But we were never lonely on our remote island. We had each other and our dogs. Then the thief came.

Recently widowered and grieving, Gavin flees New York City for the quiet of the country. His new home on Lake Caldasac has surprisingly few visitors, and the author soon learns why: a suspiciously high number of people have gone missing in the small town. The deaths have all been ruled accidents, but Finn Horn, a handicapped boy obsessed with fishing, knows the truth. There’s a monster in the lake. And it wants to feed.

After the stunning historical novels The Clearing and The Missing, Tim Gautreaux now ranges freely through contemporary life with 12 new stories and eight from previous collections. Most are set in his beloved Louisiana, many hard by or on the Mississippi River, others in North Carolina, and even in midwinter Minnesota. But generally it's heat, humidity, and bugs that beset his people as they wrestle with affairs of the heart, matters of faith, and the pros and cons of tight-knit communities.

He's a self-described beach bum who won his houseboat in a card game. He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

Bob Reynolds doesn't recognize the body in the creek, but he does recognize the danger of it. He's a newcomer to town, not entirely welcome and not entirely on good footing with the sheriff. So far he's kept his head down, mostly over the bar at the Crow's Nest. But he has interests other than drinking and spending his inheritance, including one that goes by the name Tammy Fay Smith and who may have caught the sheriff's eye as well.

A local fisherman lands more than he bargained for when he pulls a dead body out of Montana’s Madison River. Sheriff Martha Ettinger takes on the case and soon comes into the company of reclusive artist, Montana newcomer, and ex-PI Sean Stranahan. After teaming up to investigate, Martha and Sean soon uncover evidence that the murder has ties to one of the state’s biggest industries: fly fishing.

It was one hell of an inheritance for former Chicago reporter Tom Coleman: a broken-down pickup truck, ramshackle campground, a canoe livery - and one pot-smoking, barely working employee he doesn’t need, doesn’t want, and can’t afford. But the truth is, after losing a child and a marriage, Tom doesn’t really care.

With New York Times best-sellers like Bloodsucking Fiends to his credit, Christopher Moore has developed a devoted cult following. Coyote Blue introduces Samuel Hunter, a young man who's running from his past while being tormented by an ancient Crow God with a talent for mischief.

Jenna Rosen returns to the place in Alaska where her young son, Bobby, disappeared without a trace two years before. Jenna is determined to lay to rest the aching mystery of his death. But ancient legends may have had a hand in Bobby’s fate, forcing Jenna to sift through her own Native American ancestry to uncover the truth.

Les, a longtime sheriff just three weeks from retirement, contends with the ravages of crystal meth and his own duplicity in his small Appalachian town. Becky, a park ranger with a harrowing past, finds solace amid the lyrical beauty of this patch of North Carolina.

Life on the ranchlands of Montana comes with more than its share of trouble. The unique people who live and work on this untamed stretch of today's American West expect it---and some of them even enjoy it. One of them is Mike Wire, a former homicide detective who once worked the decadent hills and valleys of Hollywood.

In this long-awaited prequel to his New York Times bestselling series, Jefferson Bass turns the clock back to reveal the Body Farm's creation - and Dr. Bill Brockton's deadly duel with a serial killer. In the summer of 1992, Arkansas governor Bill Clinton and Tennessee senator Al Gore begin their long-shot campaign to win the White House. On a sweltering hillside in Knoxville, Dr. Bill Brockton, the bright, ambitious young head of the University of Tennessee's Anthropology Department, launches an unusual - some would call it macabre - research facility, unlike any other in existence.

Eighteen months ago, Aleut Kate Shugak quit her job investigating sex crimes for the Anchorage DA’s office and retreated to her father’s homestead in a national park in the interior of Alaska. But the world has a way of beating a path to her door, however remote. In the middle of one of the bitterest Decembers in recent memory ex-boss — and ex-lover — Jack Morgan shows up with an FBI agent in tow.

Terry Naughton, head of Orange County's Crimes Against Youth unit, is the champion of children. Someone calling themselves the Horridus has been abducting children from their beds, dressing them like little angels, and releasing them the next day, the only clue he leaves is a piece of snakeskin tucked into the folds of their gowns. So far he hasn't physically harmed any of them, but as Naughton well knows, it's only a matter of time.

Anthony Award-winning author William Kent Krueger crafts this riveting tale about a small Minnesota town’s ex-sheriff who is having trouble retiring his badge. Cork O’Connor loses his job after being blamed for a tragedy on the local Anishinaabe Indian reservation. But he must set aside his personal demons when a young boy goes missing on the same day a judge commits suicide—and no one but O’Connor suspects foul play.

From the vivid opening vista, high in craggy mountains, to the final haunting glimpse of a moonlit canyon, Nevada Barr's first mystery, Track of the Cat, instantly caught the attention of readers and reviewers. Its popularity gained it both an Agatha and an Anthony Award.

These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic.

The novelization of a fictional film trilogy, Demon Theory details the horrifying events set in motion by a tragic childhood incident. When a medical student is called home by his ailing mother on Halloween night, he and a group of friends become trapped in an inescapable cycle of violence.

There are lines that probably shouldn't be crossed, doors that should stay shut, thoughts that shouldn't be considered. In these three novellas by Stephen Graham Jones, the dead talk, ancient evil opens its eyes, and that guy across the parking lot, he's watching you, and has been for a while now. Lock the door; tell yourself it's nothing; turn the radio up. It won't matter. You're already three miles past where you meant to stop.

You haven't heard of William Colton Hughes. Or, if you have, then you're not telling anybody. Not telling them anything, ever. He's not the serial killer on the news, in the textbooks. He's the one out there still punching his card, and a few other people's too. He is a nightmare come to life, waiting in his apartment for you to knock on his door. William Colton Hughes is living his fantasy: his victims are delivered to his apartment every few days. But when he's suddenly alone, no visitors, nobody to talk to but himself, he begins to lose what little of his mind he has left.

The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.

In an average suburban town in Texas, homecoming princess Lindsay barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

Sam has retreated to her late father’s rental house, a safe place to commune with the animals in the greenbelt out back, tend to her garden, and keep her secrets. Her sense of security slowly returns - until an aggressive neighbor from the other side of the ravine fells a tree on her property. How little he regards nature. Or understands its darkness. How little he knows Sam.

Walking through his own house at night, a 15-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.

Still recovering from a brutal breakup, Stan Dobrev crashes a “divorce party” in the Southern California desert. An unknown extra in a stranger’s drama, he’s on his way back to the bar when a fellow interloper catches his wandering eye. She’s a formidable tortoise named Greeley, trudging through the drunken revelry and chaos like a true survivor. Before the night is over, she’ll lead Stan on a strange journey beyond oblivion.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Nathaniel is a well-intentioned, if naive, British cleric feeling blessed to educate a West African village about the benevolent power of God. But as slavers encroach, Nathaniel’s endeavor is daunted by the realities unfolding on the beautiful homeland of his congregation. It seems the Devil has power too. What follows for Nathaniel is a profound spiritual upheaval as he questions his purpose and even his humanity.

She is the adventurer of the family. Her brother, the gentle dreamer. Even as they bond over folktales and hold each other close, their world has never felt so dangerous. Revolutionaries and pelones are in conflict, soldiers have turned into scavengers, and an escaped tiger has slipped up the mountain, looking for easy prey. As the darkest of legends becomes real, a young girl will do anything to save her brother’s life.