Showing titles in Shakespeare

Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623. The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic.

Set in 1920s Europe, this poignant dark academia novel sheds new light on Shakespeare’s masterpiece, finally allowing Laertes to tell his side of the story. Laertes Belleforest lives two lives: a wild, passionate one with his best friends studying Classics in Paris, and a stifling existence in the Danish court where the mercurial prince Hamlet constantly overshadows him. Now in his last year at university, Laertes must decide the kind of man he will become. But who is he, apart from the huge personalities that surround him and the secret guilt that haunts him?

The Tempest was the last of Shakespeare's comedies, completed just before he retired to his native Stratford-upon-Avon; perhaps this delightful comedy was intended to signal the playwright's farewell to his beloved theater. The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy. Audiences the world over still thrill to see The Tempest's dark comedy and magical fantasy.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

Sir John Falstaff, the lovable rogue, is brought back from his death in Henry V to set this farce in motion. Falstaff (Anthony Quayle), finding himself in need of funds, attempts to seduce 2 wealthy young ladies, Mistress Ford (Joyce Redman) and Mistress Page (June Jago). Alas, the scoundrel's money-making scheme goes awry when he sends the ladies - who are friends - identical love letters. The 2 women retaliate by plotting his downfall - with hilarious results.

Shakespeare's timeless sonnets, which describe love in all its aspects, represent one of the finest bodies of poetry ever penned. They include the star-struck Sonnet 18 ("Shall I compare thee to a summer's day?"), the witty Sonnet 103 ("My mistress' eyes are nothing like the sun"), the despairing yet hopeful Sonnet 29 ("When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state"), and more. Read by the legendary Sir John Gielgud.

This classic Shakespearean comedy is presented here in a colorful full-cast dramatization, drawn from the complete text and starring Warren Mitchell, Michael Maloney, and Sarah Woodward.

The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.

Romeo y Julieta es un cuento sencillo y dramático acerca del amor imposible entre una pareja de jóvenes descendientes de dos familias enemigas. Captura el entusiasmo juvenil y la pasión poética que caracterizan todo de los primos trabajos de William Shakespeare que hace Romeo y Julieta en la creación más sublime y romántica en la Literatura Universal.

This is a full-cast, unabridged performance with comprehensive commentary and analysis, enabling any student to fully understand and appreciate the play. Judge for yourself whether Lear is "a man more sinned against than sinning" in this moral tale that pits wisdom and age against ambition and youth. Experience and examine the power of Shakespeare's most cruel and violent tragedy.

Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction.

Pericles is the Prince of Tyre but is forced to leave the city due to the atrocities that the wicked Emperor of Greece threatens to bestow should he stay. His courage, wisdom and goodness are recognized wherever he goes so much so that he marries the Queen of Pentapolis who bears him a child at sea, for he is forced to return to Tyre to pacify its citizens who are clamouring for his return as their ruler following the death of the wicked Emperor of Greece.

Decoding Romeo and Juliet comprehensively analyzes the play's key elements, including its literary techniques, historical background, plot summary, themes, characters, and conflicts. It discusses the intricate narrative structure, explores Shakespeare's use of language and poetic devices, and examines the socio-cultural context of the Elizabethan era.

Titus Andronicus is the main character and tragic hero in William Shakespeare's play of the same name, Titus Andronicus, a Senecan tragedy. Titus is a Roman nobleman and a general in the war who distinguished himself in ten years of service against the Goths. Despite his exemplary service the war's toll on him is sufficient that he declined the emperorship. Nonetheless, he begins the play as an exemplary citizen. However faith in the traditions of the Roman system of government eventually leads to his death as others seek revenge.

In this BBC full-cast production of The Taming of the Shrew, the freedom and virility of women is frowned upon. Will Petruchio's quest to 'tame' his new wife succeed? Layers of assumed identity, elaborate role-playing, and acerbic exchanges of wit reveal the real relationship between men and women in this exuberant production of one of Shakespeare's earliest comedies.

Dinero, amistad, matrimonio, raza, justicia, venganza, perdón amor...aparecen y se entrelazan constantemente en el mercader de VeneciaSe utiliza el dinero para diferenciar las clases sociales, los tipos de persona y en especial las aspiraciones de los personajes, tan dependientes de la frivolidad de la fortuna.El sentimiento de amistad de Basanio es más que evidente cuando dice: "A ti Antonio te lo debo todo en el dinero y en el amor".

Duke Vincentino, the ruler of Vienna, fears that under his mild sovereignty, the people may have become lazy and lax. He decides to “go over cover” in the disguise of a monk and appoint his deputy, Angelo, who is a reputed paragon of virtue, as temporary ruler. On assuming power, Angelo inaugurates draconian provisions regarding sexual propriety. One of the first victims of this new regime is young Claudio, who has impregnated his lover Juliet, and is accordingly sentenced to death.

A Classic recording of Shakespeare's well-loved comedy. Cast including renowned Shakespearean actors John Gielgud, Peggy Ashcroft and Gary Watson.

Now, for the first time in audio, Blackstone presents seven great plays in one volume: Euripides' Medea, Shakespeare's The Tempest, Moliere's The Imaginary Invalid, Dumas' Camille, Ibsen's An Enemy of the People, Shaw's Arms and the Man, and Chekhov's Uncle Vanya. These productions illustrate the development of European drama from ancient times to the threshold of the modern theater.

Internationally acclaimed actor and Tony Award winner, Alan Cumming performs Shakespeare’s most important and beloved royal speeches, including "To be or not to be", "Tomorrow and tomorrow and tomorrow", "Now is the winter of our discontent", "O that this too sullied flesh would melt" and more. All the speeches were personally chosen by Cumming. Michael Boyd adds, "Cumming brings to Shakespeare the lyricism of a genuine singer, the sharp edge of a wicked comic, and the embodied intelligence of a major actor."