Showing results by narrator "John Moffatt" in All Categories

A BBC Radio 4 full-cast dramatisation starring John Moffatt as the great Belgian detective with Simon Williams and Philip Jackson. Alice Ascher, a poor, elderly shopkeeper, is murdered in Andover. Betty Barnard, a young waitress, is strangled with her own belt at Bexhill-on-Sea. Next comes Carmichael Clarke, collector of Chinese art, clubbed to death in Churston. Only in Doncaster does the pattern vary: the man found stabbed in the Regal Cinema is called George Earsfield.

A BBC Radio 4 full-cast dramatisation starring John Moffatt as Hercule Poirot. Mrs Farrars is found dead of an apparent overdose one year after the death of her husband. The villagers of King's Abbot are suspicious. The rumour is that she poisoned her husband and was in love with Roger Ackroyd. When he is found murdered the following day, there is little to go on. Luckily one of the newest residents who has retired to this normally quiet village is none other than Monsieur Hercule Poirot.

Hercule Poirot is a guest at a weekend house party, given at the Cornish clifftop home of the celebrated actor Sir Charles Cartwright. The other visitors include keen amateur detective Mr Satterthwaite and distinguished Harley Street nerve specialist Sir Bartholomew Strange. Death visits the house soon after Poirot's arrival, the victim an elderly clergyman who's only had a sip of dry martini. What else was in the glass? Are natural causes to blame... or murder?

The gruesome death of Mrs McGinty provokes Superintendent Spence to seek the help of his old ally Hercule Poirot. The victim’s young lodger has been found guilty and is due to hang. But Spence is not convinced by the circumstantial evidence which influenced the verdict. So, at considerable personal discomfort, Poirot goes down to the sleepy village where the old lady lived and where, by chance, his good friend Ariadne Oliver is also staying.

Poirot has always hated visiting the dentist, but this time his check-up is painless and soon over. As he leaves Mr Morley's surgery, he observes a woman wearing patent leather shoes with large buckles. She catches one of the buckles on the taxi door and wrenches it off, and as Poirot hands it back, he is reminded of the children's rhyme 'One, two, buckle my shoe'. Back home, Poirot is astonished to receive a call from Chief Inspector Japp, informing him that Mr Morley has shot himself.

As Hercule Poirot sifts through his post one particular morning, he alights upon a letter from an elderly and (as it transpires), exceedingly rich spinster - Miss Emily Arundell. She is clearly in great distress and seeking his help, but doesn’t say why. Her only specific mention is ‘the incident of the dog’s ball’. However, what intrigues Poirot is the date of the communication - it was written two months ago. He persuades Captain Hastings that they must visit the lady with all haste.

Following an otherwise-enjoyable literary luncheon, the celebrated crime novelist Ariadne Oliver is accosted by a particularly formidable woman who engages her in conversation about one of her many god-daughters, whom Ariadne hasn’t seen since she was a child. She lands a bombshell with the question ‘What I want to know is this: did her mother kill her father, or was it the father who killed the mother?’

John Moffatt stars as the famous Belgian detective in this BBC Radio 4 full-cast dramatisation of one of Christie's most popular novels. Linnet Ridgeway has led a charmed life. Blessed with beauty, enormous wealth, and a devoted husband, she has everything anyone could wish for. But as the happy couple set out on an idyllic honeymoon cruise on the Nile, storm clouds are gathering. Linnet's former friend, Jacqueline de Bellefort, follows her and Simon wherever they go and Linnet senses she is in danger.

Among the towering red cliffs of Petra, like some monstrous swollen Buddha, sat the corpse of Mrs Boynton. A tiny puncture mark on her wrist was the only sign of the fatal injection that had killed her. With only 24 hours available to solve the mystery, Hercule Poirot recalled a chance remark he'd overheard back in Jerusalem: 'You see, don't you, that she's got to be killed?' Mrs Boynton was, indeed, the most detestable woman he'd ever met.

‘Monsieur Poirot, somehow or other I’ve just got to get rid of my husband!’ No sooner had she uttered the words than Lady Edgware’s husband was dead, brutally stabbed in the neck. The evidence against her is overwhelming, the case cut and dried. But what was the truth behind it all? What enemies lurked in the background of the victim’s life? Hercule Poirot is on the case, intrigued once more, ready to investigate murder in the library...

Gordon Cloade is killed in a London air raid, and his vast fortune passes to his young wife Rosaleen. Five of his relatives are desperate to get their hands on Cloade's money, and Rosaleen begins to fear for her life. The prospects for the Cloades improve when they discover that Rosaleen had a previous husband who perished mysteriously in Africa. Then a mysterious stranger appears in the village, saying that he has something to communicate to her, but the following morning he is found dead.

John Moffatt stars as the great Belgian detective in a BBC Radio 4 full-cast dramatisation. Famous crime novelist Ariadne Oliver, visiting her friend Judith Butler in the little town of Woodleigh Common, is invited to a Hallowe'en Party put on by society hostess Mrs Rowena Drake for the local teenagers. During her preparations for the party, the conversation turns to Ariadne's grisly novels....

Maggie Smith and Jonathan Pryce star in William Wycherley’s raunchy Restoration comedy. Considered too obscene to be staged in its original form for nearly 200 years, William Wycherley’s bawdy comedy tells the tale of Mr Horner, a notorious rake who spreads the false rumour that he is impotent in order to gain free access to other men’s wives. When he meets the young, innocent Margery Pinchwife, the ‘country wife’ of the title, the scene is set for scandal.

A haunting, magical fairy tale collection, in which Oscar Wilde beautifully evokes (amongst others) 'The Happy Prince', who was not so happy after all; 'The Selfish Giant', who learned to love little children; and 'The Star Child', who did not love his parents as much as he should.

Magical listening for young and old, narrated by John Moffatt.

Here are some of the finest narrative poems in the English language, dating from an age of rich inspiration.

Step into the exquisite miniature world of the mice of Brambly Hedge in this beautiful new edition of the classic picture book. Bad weather is on the way and the autumn stores are still not gathered in! Quickly, all the mice of Brambly Hedge set to work to finish the harvesting before the rain begins. Primrose, Lord Woodmouse's daughter, meant to help, but somehow she daydreamed her way over the cornfield and into the Chestnut Woods, and before she knew it, she was lost.

It was the middle of winter and very, very cold. The mice of Brambly Hedge forecasted snow. And they were right. In the morning they awoke to find their doors and windows hidden behind deep drifts. There hadn't been snow like this for years. "There's enough for a Snow Ball!" cried the mice with glee, and set to work in the time-honoured way to make an Ice Hall for the festivities. The little mice watched wide-eyed as all the preparations were made. Then at last everything was ready, and the Ball could begin.…

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

Wilfred woke early. It was his birthday. He had lots of lovely presents, but the best one was a surprise.… Mr Apple had organised a secret celebration picnic and all the mice of Brambly Hedge were invited. There was so much to carry. Poor Wilfred got very tired as he lurched and bumped his way along the grassy track. What was it Mrs Apple had said was in his hamper? Knives? Sandwiches? They were certainly heavy! When they finally arrived, Wilfred was allowed to open up the hamper and there he found the best treat of all….

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement: the first epic poem in modern English. The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error.