Showing results by narrator "Orson Welles" in All Categories

This 1937 radio dramatization was written, produced, and performed by none other than the incomparable Orson Welles of War of the Worlds fame. The story of the book is faithfully retold (with questionable subjects carefully camouflaged) and is suitable for students aged 10 and older. This live recording, masterfully performed by an incredible professional cast, includes sound effects, music, and an unforgettable story.

Set in London and Paris before and during the French Revolution, A Tale of Two Cities depicts the plight of the French peasantry under the demoralization of the French aristocracy in the years leading up to the revolution, the corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution, and a number of unflattering social parallels with life in London during the same time period.

Enjoy sixteen of the greatest programs from radio’s golden age and the Hollywood celebrities that starred in them.

Join Mr. Samuel Pickwick, the founder and chairman of the Pickwick Club, which consists of Tupman, Snodgrass, and Winkle, in amusing and ridiculous adventures within The Pickwick Papers, starring Orson Welles! This is one of the Classic Radio Theatre productions you will want to listen to over and over again!

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Treasure Island, here starring Orson Welles, is the classic tale of pirates, treasure maps, danger, and buried treasure chests! Join young Jim Hawkins on his adventures on the high sea as he searches for the gold of the evil Captain Flint. Pieces of eight!! Pieces of eight!! This is one of the Classic Radio Theatre productions you will want to listen to over and over again!

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Orson Welles, Sir Laurence Olivier, and Michael Redgrave present a collection of classic Russian fiction including "The Overcoat", "The Queen of Spades", and "A Day in the Country."

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

A full-cast dramatization of the classic starring Orson Welles.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

The Greatest Mysteries of All Time, Volume 6 is an exciting addition to this series, featuring the most acclaimed writers, past and present. This unique collection of master writers, including Wilkie Collins, Aldous Huxley, and Edith Wharton, edited by multi-award winning mystery connoisseur Otto Penzler, is a delightful mixture of mystery and suspense.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Director, Actor, Genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went Indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice; perfect for radio. Here, in the Black Museum he sets the scene as true life crime is retold. Mr Welles we’re ready....

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

A short conversation between the famous author and the famous actor and director, who adapted The War of the Worlds for radio. The program was originally broadcast on KTSA, San Antonio, Texas.

The CBS Radio series Orson Welles' Almanac was usually a half-hour variety show. But on June 7, 1944, the day after the D-Day landing in France by Allied forces, Welles presented this special dramatic broadcast. Starring Agnes Moorehead, it takes the form of a mother's letter to her son (with a Wellesian twist at the end).