Showing results by narrator "Jennifer Van Dyck" in All Categories

John likes to arrive first. He enjoys standing quietly with a house before his clients arrive, and today, although he feels pinned beneath an invisible weight, he resolves to savor this solitary moment. It's one of those overhauled ranches so common to Old Cranbury these days, swollen and dressed to resemble a colonial. White, of course, with ornamental shutters and latches pretending to hold them open. A close echo of its renovated sisters on Whistle Hill Road, garnished with hostas and glitzed with azaleas.

With the outbreak of the American revolution, Abigail Lovell's family is torn apart - while her schoolmaster father is an outspoken loyalist and prominent figurehead in the community, she and her two brothers engage in acts of espionage to undermine the British forces in Boston. Her sickly older brother, James, operates the patriots’ spy ring while Abigail acts as a courier, eluding increasingly aggressive British patrols. Meanwhile, her younger brother, Benjamin, slips out of Boston to fight alongside Abigail’s love, Ezra, in the battles at Lexington and Concord.

Exploring the cultural and institutional dimensions of Christianity and tracing its course over two millennia, Linda Woodhead provides a fresh, lively, and candid portrait of Christianity's past and present. Addressing topics including the competition for power between different forms of Christianity, the churches' use of power, and its struggles with modernity, this new edition includes up-to-date information on the growth and geographical spread of Eastern Christianity, reflecting the global nature of Christianity in our ever-shifting contemporary culture.

In a book that begins with a series of lynchings and ends with a series of apologies, Eula Biss explores race in America. Her response to the topic is informed by the experiences chronicled in these essays - teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago’s most diverse neighborhood.

In “The Pleasure of Her Company,” a lonely, single woman befriends the married couple next door, hoping to learn the secret of their happiness. In "Long Distance," a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned....

"I intend to do everything...I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly...everything matters!" This first selection from Susan Sontag's diaries (from 1947-1963) takes us from early adolescence through to when Sontag was in her early 30s. It is an astonishingly affecting and honest self-portrait which is also a fascinating, revealing account of an artist and critic being born. We see Sontag honing her skills and fashioning herself, by a supreme act of will, into an intellectual force.

Again and again, Molly Antopol’s deeply sympathetic characters struggle for footing in an uncertain world, hounded by forces beyond their control. Their voices are intimate and powerful and they resonate with searing beauty. Antopol is a superb young talent, and The UnAmericans will long be remembered for its wit, humanity, and heart.

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe firsthand the changes brought to their lives by pregnancy, childbirth, and mothering.

When the captain and senior crew abandon the Renegat, linguist Raina Serpell assumes command. She needs to get the ship and remaining crew home. As the ship comes under attack from the planet below, Raina must first figure out how to operate the ship’s firepower. Harder still, she must battle her own past to become captain in more than just name alone.

Pittsburgh has recently (and more than once) been called the most livable city in America; yet the old image of smoky skies and steel mills spewing forth grit has never quite disappeared. Its history as a dirty industrial center is a part of its residents, a part of their toughness. The people of the steel city fight.

There's Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family.

For Tel Aviv Noir, Etgar Keret and Assaf Gavron have masterfully assembled some of Israel's top contemporary writers into a compulsively readable collection. Featuring brand-new stories by: Etgar Keret, Gadi Taub, Lavie Tidhar, Deakla Keydar, Matan Hermoni, Julia Fermentto, Gon Ben Ari, Shimon Adaf, Alex Epstein, Antonio Ungar, Gai Ad, Assaf Gavron, Silje Bekeng, and Yoav Katz.

Central Park is perhaps the most well-trod and familiar green space in the country. It is both a refuge from the city and Manhattan's very heart; a respite from the urban grind and a hive of activity all its own. Eight hundred forty-three carefully planned acres allow some 37 million visitors each year to come and get lost in a sense of nature. Unsurprisingly, the park also inspires a wealth of great writing, and here Andrew Blauner collects some of the finest fiction and nonfiction - 20 pieces in all.

In this beautifully written and powerful debut novel, Ella Joy Olsen traces the stories of five fascinating women who inhabit the same historic home over the course of a century - braided stories of love, heartbreak, and courage connect the women, even across generations.

The answers Captain Jonathan "Coop" Cooper and the crew of the Ivoire seek lie in the Boneyards. But an encounter from Coop's recent past shows up to haunt him, an encounter he never told Boss about, an encounter that could threaten her future, his life, and the fragile peace between the Alliance and the Empire.

Aidan, the Wolf of Awe, has abandoned the Brotherhood and forsaken his vows. Feared by all and trusted by none, he hunts alone, seeking vengeance against the evil that destroyed his son. He has not saved an Innocent in 66 years - until he hears Brianna Rose's scream of terror across centuries, and leaps to modern-day Manhattan to rescue her....

Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law.

A graveyard of spaceships, abandoned by the mysterious Fleet thousands of years earlier. Boss calls it "the Boneyard". She needs the ships inside to expand her work for Lost Souls Corporation. Yash Zarlengo thinks the Boneyard will help her discover if the Fleet still exists. Boss and Yash, while exploring the Boneyard, discover a small ship with a powerful and dangerous problem: the ship's active anacapa drive.

In a city full of police controversies, hippie artist punk houses, and overzealous liberals, Portland, Oregon, is a place where even its fiction blurs with its bizarre realities. Brand-new stories by: Gigi Little, Justin Hocking, Christopher Bolton, Jess Walter, Monica Drake, Jamie S. Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.

It all begins with a painting called Guilt. Eve Duncan’s daughter, Jane, has no idea why she painted the portrait of the chilling face that now hangs in a Paris gallery. But the members of a cult know both the face and the significance behind it. They believe that Jane must die - when the moment is right, and not an instant before she leads them to an ancient treasure whose value and power are beyond price. But for now, they target those close to her - killing without mercy or conscience.