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The classic trilogy about murder, revenge and justice, as heard on BBC Radio 3 – plus a bonus documentary exploring Aeschylus's seminal Greek tragedy. A chilling tale of homecoming, violent death and bloody vengeance, The Oresteia dates back to the fifth century BC, but its themes still resonate today. At once a family saga, morality tale and courtroom drama, it recounts how two generations of the cursed House of Atreus become locked into a deadly cycle of atrocities....

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

Beautifully designed and carefully proofed for digital publication, this book includes: • 10 unique illustrations relevant to its content; • Table of Contents with Quick Navigation. In the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family of Argos. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration. In Agamemnon, a king's decision to sacrifice his daughter and turn the tide of war inflicts lasting ...

In the fifth century BC, a global superpower was determined to bring truth and order to what it regarded as two terrorist states. The superpower was Persia, incomparably rich in ambition, gold, and men. The terrorist states were Athens and Sparta, eccentric cities in a poor and mountainous backwater: Greece. The story of how their citizens took on the Great King of Persia, and thereby saved not only themselves, but Western civilization as well, is as heart-stopping and fateful as any episode in history.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey. These two epics, along with the Homeric Hymns and the two poems of Hesiod, Theogony and Works and Days, comprised the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods. This carefully selected collection contains: The Odyssey ; The Works and Days ; Theogony ; The Complete Poems of Sappho ; Medea ; Antigone ; Agamemnon ; The Choephori ; Eumenides.

Agamemnon is the first part of the Oresteia trilogy by the Greek playwright Aeschylus. Each of the plays that form part of The Oresteia can stand alone, but they perfectly complement one other in a longer narrative. Agamemnon provides the seed of all the themes that are explored in part two, The Libation Bearers, and three, The Eumenides.

This course will examine the social, historical, and political context of ancient Greek drama and equip listeners with a set of critical analytical tools for developing their own appreciation of this vitally important genre. The course will focus on the four extant playwrights, Aeschylus, Sophocles, Euripides, and Aristophanes, and examine each of their plays closely.

We live in an era rife with cultural conflict. The 21st century is by no means free of wars, terrorism, riots, famine, nor epidemics. We may attempt to solve the challenges of our times by uniting the humanistic disciplines of philosophy, science, and technology. Our modern reality requires a fundamental understanding of the problems beleaguering our existence. Science and literature are key tools for gaining this insight. The wisdom accumulated throughout the centuries by scientists, philosophers, and writers is a solid foundation on which modern man can build the future.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

Aeschylus’ historical tragedy Persians, with its dire warnings against the hubris of imperialist overreach, is as relevant today as it was when first presented to an Athenian audience in 472 BC. This new edition of the classic drama features a literal translation by Mark Will (translator of Fernando Pessoa’s Message) which reconstructs in contemporary English verse the epic cadences of the original Greek.

The fifty daughters of Danaos have with their father fled by ship from Egypt, escaping compulsatory marriage with their fifty cousins, the sons of Aegyptos. They arrive in Argos, where, by supplication to the king and people, they seek refuge from their cousins, who sailed in pursuit. Their devout abhorrence of the marriage is the weightiest theme of the play.

These classic fables use simple allegories to convey universal truths. Though it is unkown if Aesop ever actually existed, dating back to the sixth century, BC, these fables are known in cultures throughout the world and have been translated into many languages.

The Oresteia is a tragedy in three parts written by Aeschylus in the fifth century BCE. After a decade of warfare, Troy had fallen and Agamemnon, King of Mycenae, returned home. His wife, Queen Clytemnestra, had him killed to avenge the sacrifice of her daughter Iphigenia, to obtain the crown and to marry her lover Aegisthus. This murder leads to further bloodshed when their son Orestes in turn kills Clytemnestra and Aegisthus. The trilogy consists of Agamemnon, The Libation Bearers, and The Eumenides.

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

This collection contains the following works: Medea by Sophocles Antigone by Sophocles Agamemnon by Aeschylus Eumenides by Aeschylus The Choephori by Aeschylus The Tragedy of Othello, the Moor of Venice by William Shakespeare The Tragedy of Romeo And Juliet by William Shakespeare The Tragedy of Hamlet, Prince of Denmark by William Shakespeare The Tragedy of Macbeth by William Shakespeare A Midsummer Night's Dream by William Shakespeare The Tragedy of King Lear by William Shakespeare The Tragedy of Antony and Cleopatra by William Shakespeare.

This Greek tragedy is based on the myth of Prometheus, a Titan who, in defiance of the gods, gives fire to mankind, an act for which he is subjected to perpetual punishment.The play consists almost entirely of speeches since the protagonist is chained throughout.

Considered the greatest surviving work by the "father of tragedy" is the classic tale of King Agamemnon as he returns from Troy victorious in battle but with a wife whose reaction to her son's sacrifice has led her to harbor a burning and hidden resentment toward him.