From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

We all have that friend—the one who doesn't quite belong. Dinah Marshall is that person and knows it. After someone drops out, she's invited to spend the weekend at a luxury holiday home with women she's known since university. However, the gulf between them has widened since then, and Dinah is conscious of being the only one with no money, career, partner or children. Feeling like an outsider, she takes to snooping around the house.

Now twenty-four, Hanna is living an outwardly normal life of domestic content. Married to real estate agent Jacob, she’s also stepmother to his teenage daughter Joelle. They live in a beautiful home, and Hanna loves her career as a phlebotomist—a job perfectly suited to her occasional need to hurt people. But when Joelle begins to change in ways that don’t suit Hanna’s purposes, her carefully planned existence threatens to come apart.

At a Ph.D. program in Southern California, Sarah and her best friend, Nathan, spend their time working on their theses, getting high, and keeping track of the poor air quality due to nearby forest fires. No one believes Sarah when she reports a fellow student for raping her at a party—“He’s such a good guy!”—and the Title IX office simply files away the information, just like the police. Nathan is the only person who cares. When Sarah finds Nathan dead of an overdose from a drug he’s always avoided, she knows something isn’t right.

Gabby and Fred have just begun to adapt to their new life as empty nesters when Gabby makes a stunning realization: she can’t stand her husband. One night at a bar, Gabby meets an enigmatic younger woman named Ellis, and in a haze of drunkenness, she confesses that she wishes Fred dead. Surely she didn’t expect anything to come of it, but when she tries to track Ellis down again, she realizes that Ellis might not have been who she said she was.

Emily Hawthorne lives in the well-heeled Noe Valley of San Francisco…but just barely. With less work than she would like at the yoga studio, a pile of debt, and a fraught past, she can no longer afford her tiny condo. When she meets the charming Penelope “Pip” Stone and her young daughter, also beset by financial woes, she agrees to take them in as roommates. But Emily’s stroke of luck turns out to be another twist of the knife: Pip is a professional squatter who has no intention of paying rent. And Pip doesn’t want to share the condo.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

Giving all the “Little Women” the stories they deserve at last, this imaginative historical novel and companion to the much-loved classic draws Meg, Beth, and Amy March from behind the shadow of Jo—Louisa May Alcott’s alter-ego and the “author” of Little Women—as vibrant and unforgettable characters grappling with societal strictures, queer love, motherhood, chronic illness, artistic ambition, and more.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

When Caroline walks into the bustling bar of a hotel on a Friday afternoon, no one could have predicted what is about to unfold. With chilling precision, she pulls out a gun and shoots her lover five times in cold blood. The crime, committed in plain sight, leaves no room for doubt—Caroline is guilty. But when questioned, she offers no explanation and refuses to comment. As the case explodes across media outlets, a popular true-crime podcast begins to dig deeper into Caroline's life.

Respected high school teacher Austin Yates is a devoted family man. But when a cruel online attack leaves his teenage daughter traumatized, Austin’s carefully controlled life begins to unravel. Family means everything to him—and he’ll do whatever it takes to protect them. Even if it means removing the threat. For Kate, Austin is the man who saved her. She’s a good wife and doting mother. But when whispers of scandal and accusations against Austin ripple through their small town, Kate faces an impossible choice.

She’s happy and settled and productive and content in her full life—a child, a career, an admirable marriage, deep friendships, happy parents, and a spouse she still loves. But when her husband urges her to address what the narrow labels of “husband” and “wife” force them to edit out of their lives, the very best kind of hell breaks loose. Using the author’s personal experiences as a jumping-off point, Crush is about the danger and liberation of chasing desire, the havoc it can wreak, and most of all the clear sense of self one finds when the storm passes.

Laney Villanueva and Nico Fiore are the perfect couple: beautiful, popular, talented, and hopelessly in love. Everyone looks up to them at Holy Family High School. But Rafi doesn’t just admire them. She watches them. She’s drawn to them. Intent on becoming their closest friend, Rafi weaves her way into their lives. She starts small: taking photos of the senior class for the yearbook, joining Laney’s club, and babysitting Nico's little sister.

Your son has gone missing. And then the police arrest the prime suspect. You. You know you're innocent. That someone else took your son. But the truth is never simple. Especially if you're forced to say nothing...

Clare is supposed to be the grown-up one. Married to the love of her life, with a major deal for her first novel, she has everything she thought she wanted. So then why does it all feel so wrong? When she agrees to a weeklong vacation in Hawai'i with five of her oldest friends as they each approach thirty, she is hoping for an escape with the people who know her best. But when a terrifying news alert shatters their peace, it becomes harder to ignore how much the world has changed since they were teenagers.

In the shadow of an ancient abbey nestled between rivers, Daniel is growing up. He is highly intelligent but little understood by his parents, and a secret passion burns inside him for love and recognition. When his father loses his job as the headmaster of the local school, his family stumbles into a rural life for which they are ill-prepared. Daniel’s sole solace is the arrival of Philip, a new boy at school, whom he worships with a confused intensity.

On the eve of her first solo show, Ava is feeling defiant. The art gallery acolytes have insisted on writing “explanations” of her paintings for an accompanying catalog, but what do they know of her work? What do they know of her brother, Demetri, whose face echoes across every canvas? After all, Ava and Demetri have only ever had each other. Abandoned first by their mother, who drowned in the Long Island Sound, and then again by their father, who couldn’t see beyond his grief, each sibling has always been the other’s most ardent supporter.