Eunice lives her life by three simple rules: One, always refer to Cinderella as family. Two, never let Cinderella gain access to rats or mice. Three, never look upon Cinderella between the hours of twelve and three a.m.

Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. and out of Kordell Jenkins’s life forever. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off.

As a teenager, Amy Therese Brewer argued with her friends and stormed out of a party—moments before the five other teens were brutally murdered. Now, on the anniversary of those deaths, ten people with connections to the crime have been invited to a remote cliffside house by a journalist looking to do a story about the so-called Memorial Day Massacre. But the group quickly learns the event is not what it seems.

Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.

On a snowy December night, single mother Rebecca Carter drives her van into a snowbank to avoid hitting an elk on a desolate mountain highway. She is at the end of her rope, out of money and food. Still, she refuses help from a man in a pickup truck—Rebecca’s adolescent daughter, Moonflower, is on the run from a grisly secret, and the last thing they can afford is to be remembered by anyone they meet.

Dr. Victoria Benning knows it’s unethical to discuss the therapy sessions of her clients, but the drama of their unpredictable lives tests her professional role like never before. Working around the clock, Dr. Benning observes a troubling, treacherous common denominator that plagues all six clients: a desperate impulse to grasp control of everything and everyone in their lives—no matter the cost. It’s a struggle with which she’s all too familiar. Determined to head-off tragedy, she comes up with a brilliant game plan to make their collective talents work in everyone’s favor.

Saira Wright is a prominent Black romance author who has been signed to the most prestigious publisher of African American works, Brownstone Literature. Her career has been successful for the past five years. However, she’s in a slump, and so are her sales and reviews. The romance she has been known for seems to be zapped out of her stories and her love life. Eager to get Saira back on top of the charts, her publisher has given her an ultimatum—write a chart-topping holiday romance or be dropped from the publishing house. There’s only one problem: Saira strongly opposes penning holiday books.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

Being known as the daughter of the Sageport’s town drunk always left Faith Stone defending her mother and herself. Her only solace was her boyfriend, Rome. Even as a teenager, Faith knew she wanted forever with Rome Atkins. Their small town, her mother’s struggles, and everyone’s opinions of their relationship couldn’t hold them back forever. After graduation, they would put Sageport behind them and start life anew together … but prom night changed everything.

Edie and Violet Bond know the truth about death. The seventeen-year-old twins are powerful mediums, just like their mother—Violet can open the veil between life and death, and Edie can cross into the spirit world. But their abilities couldn’t save them when their mother died and their father threatened to commit them to a notorious asylum.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

TV writer Yara Gibson’s hometown of Palmdale, California, isn’t her first choice for a vacation. But she’s back to host her parents’ twentieth-anniversary party and find the perfect family mementos for the celebration. Everything is going to plan until Yara receives a disturbing text: I have information that will change your life. The message is from Felicia Campbell, who claims to be a childhood friend of Yara’s mother. But they’ve been estranged for years - drama best ignored and forgotten.

With the death of Sunny’s mother, matriarch of the wealthy Behre family, Sunny’s once picture-perfect life is thrown into turmoil. Her mother had groomed her to be the family’s next leader, so Sunny is confused when the only instructions her mother leaves is a mysterious note: “Take care of Dom.”

Henry is a brilliant engineer who, after untold hours spent in his home lab, has achieved the breakthrough of his career—he’s created an artificially intelligent consciousness. He calls the half-formed robot William. No one knows about William. Henry’s agoraphobia keeps him inside the house, and his fixation on his project keeps him up in the attic, away from everyone, including his pregnant wife, Lily.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. and out of Kordell Jenkins’s life forever. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off.

Seventeen-year-old Megan Allen has been jumping from friend group to friend group in her high school, trying on identities like outfits. Nothing ever seems to fit—until she meets LC, the adventurous, charismatic girl who appears at her favorite coffee shop one day like magic. Finally, Megan feels like she’s becoming the person she’s meant to be: someone like LC. On the night of their friendiversary, what was supposed to be a bonding experience ends in a waking nightmare. Suddenly, Megan is no longer herself. Too late, she realizes that LC has secrets—dangerous ones.

That’s what the tour guide promises Dr. Linda Farmer and her family when they move to Plymouth Valley. Sure, the locals are privileged hot house flowers who observe a weird religion Hollow, but the schools are blue ribbon, the air’s clean, the food’s fantastic, and Linda’s out of options. With the outside world in shambles, this move is her family’s last chance.

American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization.

Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.

This contract is entered into by and between Allegra Malone and Damon Dawson. The term of this agreement shall begin immediately and continue through its termination date of never. The terms are as follows: Find the bright side when your best friend (the woman you’ve secretly been in love with for 10+ years) finds an engagement ring in her live-in boyfriend’s gym bag.

Woo Woo follows Sabine, a conceptual artist on the verge of a photo exhibition she hopes will be pivotal, as she plunges deeper into her neuroses and seeks validation in relationships—with her frustratingly rational chef husband, her horde of devoted Gen Z TikTok followers, and even a mysterious, potentially violent stalker. Accompanying her throughout are Sabine’s strange alter egos, from hyperrealistic puppets of her as a baby to the ghost of conceptual artist Carolee Schneemann, who shows up with inscrutable yet sage life advice.

Nalani, a dedicated and compassionate teacher, never expected her life to take a turn when she met Lorenzo, a single father trying to rebuild his life after a painful divorce. When Nalani becomes the teacher of Lorenzo’s daughter, fate plays its hand, intertwining their lives in ways they could never have foreseen. As Nalani and Lorenzo spend time together, their connection grows stronger, igniting a flame neither of them can ignore. The walls around their hearts crumble as they navigate the complexities of love amidst the challenges of co-parenting and healing from past wounds.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Anna Bright is committing fraud. But nobody knows it yet. Not the board of her multibillion-dollar company, not her investors, not the public breathlessly anticipating the launch of BrightSpot, and not the media—including Jamie Roman, a hardworking journalist for BusinessBerry. But when Jamie does learn about Anna’s misconduct, she embarks on a bicoastal journey to expose the crimes and make a name for herself as a journalist. It’s not long before Anna learns what the reporter is up to, however—and she’ll do anything to stop Jamie. Especially now that BrightLife’s IPO is days away.

Newlywed Sam has always wanted to be a part of a normal happy family. When her mother-in-law falls ill, Sam dutifully moves her family to Edenic Camillia Island to care for her. The island residents, namely the older women, welcome Sam and her daughter Emma with open arms, endless cocktails, and plenty of superstition. It seems perfect until it’s not. The house next to her mother-in-law’s is creepy—not only that, it’s where Ben’s first wife died. Sam’s teen daughter Emma isn’t interested in spending the summer in Camilia. It gets even worse when Emma starts to see things.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

In Where Sleeping Girls Lie—a YA contemporary mystery by Faridah Àbíké-Íyímídé, the New York Times-bestselling author of Ace of Spades—a girl new to boarding school discovers dark secrets and coverups after her roommate disappears.

After sitcom star Willow tweets herself into infamy and stumbles blind-drunk into a swimming pool, her agent ships her off to Camp Castaway. Nestled deep in upstate New York, Castaway is a summer camp for adults who are desperate to leave their mistakes behind. No real names, no phones . . . no way to call for help. Willow’s fellow campers seem okay. Her own favorite actress is even here, making a s’more. And did that jaded writer, Dani, just wink at her?

After refusing to participate in a police department cover-up involving the death of a young black man, Chicago detective Ashe Cayne is pushed out of the force. But he won’t sit quietly on the sidelines: he’s compelled to fight for justice as a private investigator. When a young woman, Tinsley Gerrigan, goes missing, her wealthy parents from the North Shore hire Cayne to find her. As Cayne looks into her life and past, he uncovers secrets Tinsley’s been hiding from her family. Cayne fears he may never find Tinsley alive.