Eunice lives her life by three simple rules: One, always refer to Cinderella as family. Two, never let Cinderella gain access to rats or mice. Three, never look upon Cinderella between the hours of twelve and three a.m.

Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. and out of Kordell Jenkins’s life forever. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off.

As a teenager, Amy Therese Brewer argued with her friends and stormed out of a party—moments before the five other teens were brutally murdered. Now, on the anniversary of those deaths, ten people with connections to the crime have been invited to a remote cliffside house by a journalist looking to do a story about the so-called Memorial Day Massacre. But the group quickly learns the event is not what it seems.

Princess Eve was raised with one purpose: to destroy the Knight, an evil sorcerer who terrorizes Queens Bridge with his wicked magic. Her own unique magic--the ability to conjure weapons from nature--makes her a worthy adversary. Far too many of subjects of Queens Bridge have been devastated by the Knight’s trickery. As she approaches her seventeenth birthday, Eve is ready to battle. But her mother, Queen Regina, has been acting bizarrely, talking to a strange mirror alone every night.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

Dr. Victoria Benning knows it’s unethical to discuss the therapy sessions of her clients, but the drama of their unpredictable lives tests her professional role like never before. Working around the clock, Dr. Benning observes a troubling, treacherous common denominator that plagues all six clients: a desperate impulse to grasp control of everything and everyone in their lives—no matter the cost. It’s a struggle with which she’s all too familiar. Determined to head-off tragedy, she comes up with a brilliant game plan to make their collective talents work in everyone’s favor.

Saira Wright is a prominent Black romance author who has been signed to the most prestigious publisher of African American works, Brownstone Literature. Her career has been successful for the past five years. However, she’s in a slump, and so are her sales and reviews. The romance she has been known for seems to be zapped out of her stories and her love life. Eager to get Saira back on top of the charts, her publisher has given her an ultimatum—write a chart-topping holiday romance or be dropped from the publishing house. There’s only one problem: Saira strongly opposes penning holiday books.

Being known as the daughter of the Sageport’s town drunk always left Faith Stone defending her mother and herself. Her only solace was her boyfriend, Rome. Even as a teenager, Faith knew she wanted forever with Rome Atkins. Their small town, her mother’s struggles, and everyone’s opinions of their relationship couldn’t hold them back forever. After graduation, they would put Sageport behind them and start life anew together … but prom night changed everything.

“Make a way out of no way” is just the way of life for Rue. But when her mother is shot dead on her doorstep, life for her and her younger sister changes forever. Rue’s taken from her neighborhood by the father she never knew, forced to leave her little sister behind, and whisked away to Ghizon - a hidden island of magic wielders.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

Edie and Violet Bond know the truth about death. The seventeen-year-old twins are powerful mediums, just like their mother—Violet can open the veil between life and death, and Edie can cross into the spirit world. But their abilities couldn’t save them when their mother died and their father threatened to commit them to a notorious asylum.

TV writer Yara Gibson’s hometown of Palmdale, California, isn’t her first choice for a vacation. But she’s back to host her parents’ twentieth-anniversary party and find the perfect family mementos for the celebration. Everything is going to plan until Yara receives a disturbing text: I have information that will change your life. The message is from Felicia Campbell, who claims to be a childhood friend of Yara’s mother. But they’ve been estranged for years - drama best ignored and forgotten.

When Demi Rao, a young woman, is at her wits' end and on the run from escaping her captor, she comes across an employment ad from the Ivory family, looking for someone to help maintain their elaborate estate. Although the ad is strange with meticulous directions to wear all white, no makeup, and speak quietly, Demi applies. With no choices, Demi gets and accepts the job, and when she does, she quickly realizes she's not there to clean; she's there for a purpose.

Jay is living his best life at Karloff Country, one of the world's most famous resorts. He's got his family, his crew, and an incredible after-school job at the property's main theme park. Life isn't so great for the rest of the world, but when people come here to vacation, it's to get away from all that. As things outside get worse, trouble starts seeping into Karloff. First, Jay's friend Connie and her family disappear in the middle of the night and no one will talk about it. Then the richest and most powerful families start arriving, only... they aren't leaving.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. and out of Kordell Jenkins’s life forever. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off.

Seventeen-year-old Megan Allen has been jumping from friend group to friend group in her high school, trying on identities like outfits. Nothing ever seems to fit—until she meets LC, the adventurous, charismatic girl who appears at her favorite coffee shop one day like magic. Finally, Megan feels like she’s becoming the person she’s meant to be: someone like LC. On the night of their friendiversary, what was supposed to be a bonding experience ends in a waking nightmare. Suddenly, Megan is no longer herself. Too late, she realizes that LC has secrets—dangerous ones.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Oh, what fun it is to die! When Austin’s parents drag him and his little sister Fiona to a remote cottage for Christmas, he’s less than thrilled about the forced bonding exercise. But after learning that their holiday getaway was the site of a horrific crime, this family on the rocks will have to fight for their lives against a legendary killer because Candy Cain is slashing through the snow with a very long naughty list.

Anna Bright is committing fraud. But nobody knows it yet. Not the board of her multibillion-dollar company, not her investors, not the public breathlessly anticipating the launch of BrightSpot, and not the media—including Jamie Roman, a hardworking journalist for BusinessBerry. But when Jamie does learn about Anna’s misconduct, she embarks on a bicoastal journey to expose the crimes and make a name for herself as a journalist. It’s not long before Anna learns what the reporter is up to, however—and she’ll do anything to stop Jamie. Especially now that BrightLife’s IPO is days away.

Though she may be a murderer, Ruby is not a sociopath. She is an animal-loving therapist with a thriving practice. She’s felt empathy and sympathy. She’s had long-lasting friendships and relationships, and has a husband, Jason, whom she adores. But the homicide detectives at Miami Beach PD are not convinced of her happy marriage. When we meet Ruby, she is in a police interrogation room, being accused of Jason’s murder.

In Where Sleeping Girls Lie—a YA contemporary mystery by Faridah Àbíké-Íyímídé, the New York Times-bestselling author of Ace of Spades—a girl new to boarding school discovers dark secrets and coverups after her roommate disappears.

That’s what the tour guide promises Dr. Linda Farmer and her family when they move to Plymouth Valley. Sure, the locals are privileged hot house flowers who observe a weird religion Hollow, but the schools are blue ribbon, the air’s clean, the food’s fantastic, and Linda’s out of options. With the outside world in shambles, this move is her family’s last chance.

American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization.

After sitcom star Willow tweets herself into infamy and stumbles blind-drunk into a swimming pool, her agent ships her off to Camp Castaway. Nestled deep in upstate New York, Castaway is a summer camp for adults who are desperate to leave their mistakes behind. No real names, no phones . . . no way to call for help. Willow’s fellow campers seem okay. Her own favorite actress is even here, making a s’more. And did that jaded writer, Dani, just wink at her?

Bailey Meadows has just moved into the remote Topanga Canyon home of thriller author Jack Beckham. As his writer-in-residence, she’s supposed to help him once again reach the bestseller list. But she’s not there to write a thriller—she’s there to find Sam Morris, a community leader dedicated to finding missing people, who has disappeared in the canyon surrounding Beckham’s property. The missing woman was last seen in the drought-stricken forest known for wildfires and mountain lions.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

Monica Stephens never knew her birth mother. Raised by a strict but loving adoptive parent, she blossomed into a woman with a thriving career as a pediatrician and a family of her own. But sometimes, she wondered about her origins. Especially her biological mother. Until Grace arrives. Confessing to be the birth mother Monica had long wanted to meet, Grace quickly becomes an indispensable member of the Stephens household. Cooking their meals. Looking after the children. Comforting Monica when the family dog is inexplicably killed. Tending to Monica as she falls ill....

Newlywed Sam has always wanted to be a part of a normal happy family. When her mother-in-law falls ill, Sam dutifully moves her family to Edenic Camillia Island to care for her. The island residents, namely the older women, welcome Sam and her daughter Emma with open arms, endless cocktails, and plenty of superstition. It seems perfect until it’s not. The house next to her mother-in-law’s is creepy—not only that, it’s where Ben’s first wife died. Sam’s teen daughter Emma isn’t interested in spending the summer in Camilia. It gets even worse when Emma starts to see things.

It's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing—maybe even romantic—weekend away. So when the weather takes a turn for the worse, and a blizzard cuts off the electricity—and all contact with the outside world—the guests settle in and try to make the best of it. Soon, though, one of the guests turns up dead—it looks like an accident. But when a second guest dies, they start to panic. Within the snowed-in paradise, something—or someone—is picking off the guests one by one.