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Dracula
- Narrated by: Susan Adams, Alexander Spencer
- Length: 18 hrs and 34 mins
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Editorial reviews
In his diary, Jonathan Harker dutifully records his journey to Castle Dracula. With ominous prescience, Harker expresses the hope that if anything terrible happens to him, Mina, his fiancée, will read it. The Harker sections are narrated by Alexander Spencer. His purposeful pace and subtle turns of phrase leave listeners with the sense of something sinister in the shadows. Susan Adams voices Mina and Lucy with sweet earnestness. As Mina’s journal unfolds and Lucy and Mina’s exchange of letters is read aloud, Adams keeps the ordinary amusing and the extraordinary, terrifying. Through excellent characterizations and credible dialogue, both narrators make this a fine fit for audio.
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Dracula TV and Film Adaptations
Dracula has also had a number of makeovers on screens both big and small. Renfield is just the latest film to pay homage to the most famous vampire in history, but cinema has a long history with this classic horror novel. With more than 200 adaptations and reimaginings of Dracula, it can be difficult to know where to get started. Never fear—our list of must-watch Dracula adaptations will satisfy any vampire lover’s thirst for Gothic drama.
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The never-before-told story behind the legend of Count Dracula! The story of the Count’s greatest love, Mina Harker, and the bloodthirsty vampire hunters whose cruel pursuit drove the master of the night to actions ever more ruthless. The Count Dracula sets the record straight.…
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FINALLY!
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A Fine audio Interpretation
- By Lee Gregory Stewart on 02-03-23
By: Charles Dickens
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The Four Feathers
- By: A. E. W. Mason
- Narrated by: Ralph Cosham
- Length: 9 hrs and 59 mins
- Unabridged
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Just before his regiment sails off to war in the Sudan, British officer Harry Feversham quits the military. He is immediately given four white feathers as symbols of cowardice, one by each of his three best friends and one by his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proven his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée.
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Deep Realistic Story Masterfully Read
- By Kappavpi on 07-05-04
By: A. E. W. Mason
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Tales of Terror
- By: Edgar Allan Poe
- Narrated by: Jack Foreman
- Length: 4 hrs and 50 mins
- Unabridged
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Edgar Allan Poe, the master of terror, wrote some of literature's most entertaining and influential short stories, works that invented or anticipated modern detective novels, science fiction, and the horror genre. Tales of Terror collects nine of Poe's best-loved stories, all performed in chilling, highly dramatic readings by Jack Foreman. This collection includes such classics as "The Tell-Tale Heart", "The Pit and the Pendulum", "The Fall of the House of Usher", and what many consider his masterpiece, "The Murders in the Rue Morgue."
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Poe's Best Horror by an Outstanding Narrator
- By Gary on 08-29-04
By: Edgar Allan Poe
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Two Horror Classics: Frankenstein and Dracula
- By: Mary Shelley, Bram Stoker
- Narrated by: Gildart Jackson
- Length: 28 hrs and 6 mins
- Unabridged
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In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.
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Wonderful rendition of two Gothic Horror classics!
- By Teela'Na on 10-03-19
By: Mary Shelley, and others
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Dracula the Undead
- By: Freda Warrington
- Narrated by: Matthew Waterson
- Length: 10 hrs and 55 mins
- Unabridged
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The legend returns... It is seven years since a stake was driven through the heart of the infamous Count Dracula. Seven years which have not eradicated the terrible memories for Jonathan and Mina Harker, who now have a young son. To lay their memories to rest they return to Transylvania, and can find no trace of the horrific events. But, beneath the earth, Dracula's soul lies in limbo, waiting for the Lifeblood that will revive him....
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Very good Sequel to the Bram Stoker Original
- By David Melton on 01-08-21
By: Freda Warrington
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Jude The Obscure
- By: Thomas Hardy
- Narrated by: Stephen Thorne
- Length: 15 hrs and 21 mins
- Unabridged
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This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.
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Staggering
- By Tad Davis on 02-16-10
By: Thomas Hardy
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Ghosts: Edith Wharton's Gothic Tales
- By: Edith Wharton
- Narrated by: Alison Larkin, Jonathan Epstein, Corinna May, and others
- Length: 4 hrs and 36 mins
- Unabridged
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Beneath the brilliance that was behind The Age of Innocence and Ethan Frome was a dark side. A dark side which produced magnificent tales of the unseen influences in our lives, such as "Mr. Jones", "The Eyes", "Kerfol", "The Ladie's Maid's Bell", and "The Looking Glass".
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Ghastly Shadows of the Feminine Condition
- By Diane on 10-16-12
By: Edith Wharton
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The Devil Rides Out
- By: Dennis Wheatley
- Narrated by: Nick Mercer
- Length: 13 hrs and 17 mins
- Unabridged
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A classic of the horror genre, Dennis Wheatley’s The Devil Rides Out pits the powers of good against the forces of evil as the Duc de Richelieu wrestles for the soul of his friend with the charming but deadly Satanist, Mocata. Mocata has the power to summon the forces of darkness and - as the Duc and his friends will find - is willing to call upon ever-increasing horror until thundering hooves herald the arrival of the Devil Himself.
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This book is why audio books were created
- By Brandon Sholund on 11-13-23
By: Dennis Wheatley
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The Great God Pan
- Esoteric Classics: Occult Fiction
- By: Arthur Machen
- Narrated by: Shea Taylor
- Length: 2 hrs and 20 mins
- Unabridged
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Machen's novella The Great God Pan is often cited as one of Lovecraft's most notable influences. In it, Dr. Raymond's ultimate goal is to devise a way to open the mind of man so that he may experience all the world has to offer. He calls this "seeing the great god Pan". After much study of the human mind, he devises an experiment that involves minor brain surgery. He performs this experiment on a young woman named Mary, but when she awakens she is terrified and mentally crippled.
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classic horror
- By Shantee on 05-04-16
By: Arthur Machen
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The Return of the Native
- By: Thomas Hardy
- Narrated by: Simon Vance
- Length: 13 hrs and 18 mins
- Unabridged
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One of Thomas Hardy's classic statements about modern love, courtship, and marriage, The Return of the Native is set in the pastoral village of Egdon Heath. The fiery Eustacia Vye, wishing only for passionate love, believes that her escape from Egdon lies in her marriage to Clym Yeobright, the returning "native", home from Paris and discontented with his work there.
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How Sweet the Sound
- By KP on 04-10-13
By: Thomas Hardy
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Lot No. 249
- By: Arthur Conan Doyle
- Narrated by: B.J. Harrison
- Length: 1 hr and 17 mins
- Unabridged
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Unexplained events are happening at Oxford these days. Several students have been attacked at night by some strange form of wild animal. It can scale walls with cat-like agility. Its arms are as thin and as strong as steel bands. And there is one student who conducts midnight studies in his room with certain Egyptian artifacts. The most significant of which is a 6'7" tall mummy.
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YOUR AS WHITE AS A CHEESE
- By Jim "The Impatient" on 01-12-17
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Dracula
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First published in 1897, Dracula by Bram Stoker has become the standard against which all other vampire stories are compared and the inspiration for countless film and stage adaptations. Indeed, the name "Dracula" has been synonymous with the undead for at least a century, and the original novel still has the power to chill.
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When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a house in London, he soon discovers some strange and shocking things about his new client. And then some strange things start happening back in England: an apparently unmanned ship is wrecked off the coast of Whitby, a young woman discovers strange puncture marks on her neck and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.
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Best Audible addition
- By Chris on 11-01-21
By: Bram Stoker
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Dracula [Audible Edition]
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Dracula
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- By: Bram Stoker
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Overall
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When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby, a young woman discovers strange puncture marks on her neck and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.
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Good writing, good atmosphere.
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Dracula
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Tom Hiddleston ( The Night Manager) stars as Jonathan Harker, with David Suchet ( Poirot) as Dracula in Liz Lochhead's powerful BBC radio adaptation of the classic novel by Bram Stoker. When solicitor Jonathan Harker sets off for Transylvania to sell the mysterious Count Dracula a Gothic mansion, his bride-to-be, Mina, begs him to stay - to no avail. But on arrival at Dracula's castle, deep in a black forest surrounded by wolves, Harker wishes he had listened to his fiancée.
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It's not the most faithful adaption out there...
- By Jess on 12-02-16
By: Bram Stoker
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Dracula
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Bram Stoker's masterpiece is at the same time intensely romantic and very modern. It unfolds the story of a Transylvanian Don Juan, the aristocratic Count Dracula who preys on desirous damsels.
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My Horses are Svvift. The Quinary Count No. 3
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Dracula
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First published in 1897, Dracula by Bram Stoker has become the standard against which all other vampire stories are compared and the inspiration for countless film and stage adaptations. Indeed, the name "Dracula" has been synonymous with the undead for at least a century, and the original novel still has the power to chill.
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Well read.
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When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a house in London, he soon discovers some strange and shocking things about his new client. And then some strange things start happening back in England: an apparently unmanned ship is wrecked off the coast of Whitby, a young woman discovers strange puncture marks on her neck and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.
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Best Audible addition
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When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby, a young woman discovers strange puncture marks on her neck and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.
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Good writing, good atmosphere.
- By W. Corey Baldwin on 10-29-24
By: Bram Stoker
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Dracula
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Tom Hiddleston ( The Night Manager) stars as Jonathan Harker, with David Suchet ( Poirot) as Dracula in Liz Lochhead's powerful BBC radio adaptation of the classic novel by Bram Stoker. When solicitor Jonathan Harker sets off for Transylvania to sell the mysterious Count Dracula a Gothic mansion, his bride-to-be, Mina, begs him to stay - to no avail. But on arrival at Dracula's castle, deep in a black forest surrounded by wolves, Harker wishes he had listened to his fiancée.
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It's not the most faithful adaption out there...
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Truly fantastic
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The Brothers Karamazov
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An expert abridgement
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Frankenstein
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ARE WE ALWAYS TO BE UNHAPPY?
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Although Stoker did not invent the vampire, the novel's influence on the popularity of vampires has been singularly responsible for many theatrical, film and television interpretations since its publication. Required listening for any fan of the genre!
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Captures Anxieties/Stresses of Proto-modernist Age
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By: Bram Stoker
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The Strange Case of Dr Jekyll and Mr Hyde
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Changed my understanding of processing literature
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The Jane Austen Collection
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
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The Ultimate Horror Collection: 60+ Novels and Stories from H.P. Lovecraft, Edgar Allan Poe, M.R. James, Bram Stoker, Henry James, Mary Shelley, and More
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The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories, read by four Audie-winning narrators. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James.
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Following Jane from her childhood as an orphan in Northern England through her experience as a governess at Thornfield Hall, Charlotte Brontë's Gothic classic is an early exploration of women's independence in the mid-19th century and the pervasive societal challenges women had to endure. At Thornfield, Jane meets the complex and mysterious Mr. Rochester, with whom she shares a complicated relationship that ultimately forces her to reconcile the conflicting passions of romantic love and religious piety.
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Perfect!!
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Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.
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A Great Performance of an Excellent Story
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By: Stephen King
What listeners say about Dracula
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- leighda
- 01-28-12
What i expected but still a classic
Being what it is and the time that is was written this book can still raise a goose bump late at night.. Not a horror story at all, not filled with blood and gore. It's about the people who were there. The ones dealing with Dracula.. but not the monster himself.
I did enjoy it as many others in the past..
If your are a new age sifi fan then this may be to old world and slow for you. But if your and all around lover of fiction and or classics then give this a try.
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1 person found this helpful
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Overall
- Amazon Customer
- 03-09-15
Very enjoyable
I loved the classical tale of Dracula. At times the narrators made me laugh because of the age of this book, but I've listened to it several times.
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Overall
- Bev
- 10-13-08
Vampire
Wow, I was very surprised. I have often listened to, or read (some of us still do that), classics and been a touch disappointed. This however, far surpassed any hope I had of a good read. Again wow. I recommend this book, I couldn't stop listening.
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6 people found this helpful
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Overall
- Clayton
- 10-26-08
Great Book, Great Narration
If you like Gothic horror then Dracula is, of course, a must. I had read the book once before and knew what to expect with regard to content, so that only left me to worry about narration. Within the first few minutes I knew I was in good hands though. This is a very well done production. Skillful pauses, intonation, emotion and rich English accents (especially from the main narrator) all lend to a convincing listen. Even having read it before I was having a hard time taking off my headphones to do things like sleep. Highly recommended on all fronts.
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13 people found this helpful
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- user
- 06-21-18
The Best!
Great duo of readers; the best. If only it was in stereo, but highly recommended!
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Performance
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- Doug D. Eigsti
- 05-08-13
Mirable Dictu. The Quinary Count No. 1
I recently undertook the personal challenge to listen to five different versions of DRACULA because listening to Bram Stoker’s classic years ago made me a fan of audiobooks. I enjoyed that experience so much that I decided to try to determine if I had just gotten lucky or if there was an even better version available. Besides, I wanted to listen to it again. With most books I feel fortunate to have just one audio version available, but with DRACULA there are so many versions offered that listening to them all is not practical. I first figured that I could handle maybe three different versions but then discovered two more that I thought deserved attention. The Audible list had these five that I thought might be contenders:
Listed in my order of listening preference:
1) Susan Adams & Alexander Spencer (Recorded Books 1980)
2) Peter Sciarrio & Kris Faulkner & a FULL CAST, (Books in Motion 2008)
3) Greg Wise & Saskia Reeves (BBC Audiobooks 2008)
4) Robert Whitfield (aka Simon Vance), (Blackstone edition 1998)
5) Alan Cumming & Tim Curry & cast (Audible edition 2011)
1) Susan Adams (f) Alexander Spencer (m), Recorded Books 1980 [run time 18:19],
This was my audiobook of gold, my “Golden Hearing” if you will. It is still my favorite version of DRACULA. Susan Adams is the voice of Mina Harker for me. She imparts every emotion superbly and she has the most exquisite upper-class British accent: Sincere yet aloof. She has an aristocratic bearing to her voice that suits the material well. When reading "really" it sounds like "reaally." This adds a great deal to the charm of this edition. The early chapters read by Alexander Spencer, as Jonathan Harker, at a very slow and deliberate pace match exactly the gothic horror mood of Dracula that I first felt when reading the print version.
As to the production: The audio quality is the lowest of the five, it was produced in 1980, but is always clear and discernable. I think the slightly tinny sound of this version gives the production a sense of antiquity that is most appropriate for this late Victorian story. The diaries of Dr. Seward and Lucy Westenra are sometimes said to be heard, in the novel, on a new, at the time, wax cylinder phonograph. The pitch of this recording brings to mind such a device and instead of being a deterrent becomes a feature that enhances the experience. Incidentally, this slightly high pitch makes this version easier to hear in noisy environments.
It was when listening to this Recorded Books version years ago that convinced me of the viability of audiobooks as a delivery system for great literature. The duet performance of Adams and Spencer trading off between the female and male roles is perfectly suited to the material. At one point in the listening I was so immersed in the story that I could not remember who voiced the words of Van Helsing. When you hear Susan Adams declare “Mirable dictu” (time marker 3:49) when the schooner is blown into the harbor you will know that you are listening to something special.
TECHNICAL NOTES
The recording is slightly noisy, but this does not detract from the impact.
Chapter stops every 45-49 minutes do not match book chapters
12:21:15 (Missing words) “For a few seconds she didn’t (recognize me) but looked at me with a sort of blank terror.”
12:29:38 (Low volume for a few seconds) “I suppose it is one of the lessons we women have to learn.”
13:30:55 (The only version to correctly pronounce “sentience:” (SEN-shunch)
13:49:32 to 13:52:41 (Repeated paragraphs) Starting with Mina’s phrase, “She said solemnly,” about three minutes of the scene just previous are repeated.
Follows the text of THE ESSENTIAL DRACULA (TED)
Examples:
1:38:17 “Occupied by the ladies in bygone days.” (TED p. 70.-1.-5)
2:24:17 “To-night is mine. To-morrow night is yours.” (TED p. 80.3)
All these versions are essentially based on the same unabridged 1897 text of DRACULA. There are some minor differences, some of which are mentioned in the individual audiobook reviews.
It is ironic that twice in the text of DRACULA sound recordings of diary entries are said to be “read” when they are played audibly. The first is in chapter 17 when Mina uses an early wax-cylinder type phonograph machine to “read” Lucy’s diary by means of, “putting the forked metal to my ears and began to listen.” And, again in chapter 25 Jonathan Harker similarly gives his imprimatur to the validity of audiobooks saying, “When I read to Mina, Van Helsing’s message in the phonograph, the poor girl brightened up considerably.” So, it seems, Bram Stoker anticipated the advent of audiobooks as a viable medium for literature.
I decided to listen to the novel chapter by chapter, hearing all five versions of one chapter before advancing to the next. Unexpectedly, I learned several things about audiobook listening in general. It is remarkable how much I found I could remember from one version to the next. This capability helped me discover some slight textual variants and the head-to-head comparison brought out the differences between the versions in a striking fashion. See the reviews for each version for some examples.
This textual comparison is an unexpected feature of this project. I did not expect to find textual variants, but listening to five different versions draws attention to the smallest difference. Also interesting is the way in which some details in a scene are not noticed until the third or fourth listening. There are strange forces at work in this project: Sometimes the smallest change jumps out at you and at other times whole sentences are not even noticed until listening to the third or fourth version. This repetition allowed me to appreciate the stylistic aspects of the prose much more than the plot. Different narrators will, by the inherent variety of their delivery, bring out emphasis on different words or syllables. They all read the same story, which requires the telling of many words to advance; and so changes only very slowly, and this repetition is thus multiplied when listening to several versions back-to-back, forcing the listening mind to latch on to nuances of pronunciation or accent and immerses the listener in the very words rolling off of the narrator's lips.
This novel was already very familiar to me, having read it twice and listened to it another two times. Unlike a typical audiobook experience, where after a while the narrator becomes almost transparent allowing the listener to interface directly with the text, for this one I found that I became less and less interested in the story and more fascinated as to how each narrator was about to perform a particular line or phrase. After the first listen of a chapter there are no plot surprises. I had anticipated becoming almost numb to the words after four or five retellings of the same material, but I soon learned to listen for reasons other than to find out what happens next. I learned how to listen to the tapestry of the novel made apparent by the individual performances of the various actors reading the same words. At the end of a passage my impression of the novel was elevated because of the gestalt of all the different audio versions allows the mind to compile an impression of the material that truly transcends the individual narrators. If I were to edit together a “best-of” audiobook version of DRACULA it would include passages from each of the five different versions.
Perhaps someone else will take up the challenge to listen to all five audiobook versions.
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26 people found this helpful
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- Geneva
- 05-25-09
well done!
The narrators were wonderful. I was entertained throughout the entire book. Their voices really fit the time and place!
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3 people found this helpful
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- Craig
- 09-18-23
Best version of the story I've heard
I've listened to 4 or 5 audio versions of Dracula, this is by far my favorite! I only wish they would upgrade/fix the hiss on the audio. Sounds like this was sourced from the cassette copy, maybe.
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- Matthew crewse
- 07-31-24
Classic
Classic book. Better than any movie. Listen to it, read it. Great book. Would recommend.
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