When the world ended ... we were left to fend for ourselves. Trapped in a mental health clinic, we watched from our window as everything around us fell to pieces. This is not a zombie apocalypse. It's not a nuclear holocaust either. And it's no plague ... but it's something worse. Something we couldn't have predicted.

While her parents attend a work party, eighteen-year-old Ella Romero is left in charge of her two siblings—thirteen-year-old Nicholas and eight-year-old Arianna—at their secluded lake house. In her usual fashion, Ella invites her friends to hang out while her parents are away, too. It was supposed to be an easy, quiet, normal night.

Rick Richardson was a writer. He was good, too, despite what the reviews might've said. They said his writing was bad, but Rick knew that wasn't true. He knew the real reason they didn't like his books was because of the content. You see, Rick wrote "splatterpunk"...it was understandable that people might be triggered by the graphic nature of his stories. But then again, that's what the trigger warnings were for.

A cold case turns blood-hot when the butchered remains of a mobster are discovered in a gory crime scene resembling the murder of a veteran detective. Chase Hauger, a homicide detective diagnosed with terminal cancer, suspects the Enigma Killer—a serial killer known for using elaborate traps to "teach" and torture his victims—has returned after years of dormancy. Chase sets out to bring the Enigma Killer to justice and avenge his slain friend, but he quickly finds himself caught in a web of lies and a storm of bloodshed. Can he catch the killer before death catches up to him?

There’s more to Poland than sausages, perogies, and thousand-year-old churches: there’s a hardcore horror movement that’s blowing the rest of Europe out of the water, and here are the four authors leading the pack.

After tragedy strikes their home, Frederick Chandler, a stern, irritable, and violent widower, pulls his teenage daughter, Sydney, out of school and locks her in his attic. He justifies his actions by claiming he’s protecting her from a cruel world while homeschooling her. But, when a new neighbor moves into the house next door and their teenage son, Seth, interferes with his plans, Frederick begins to tighten his grip on Sydney, and Sydney starts fighting back. Discipline and homeschooling quickly turn into abuse and lessons of violence.

Mark Murray loves his girlfriend, Rebecca Lucio, but she doesn’t love him. She believes their love has withered away, and she has already fallen for another man, but she struggles to formally end her relationship with Mark. But Mark knows everything already - the lies, the deceit, the cheating. He has a plan to punish Rebecca in the most violent, disgusting way possible. He is going to make her sick...unbelievably sick.

Today, Alice has it all. Or so it seems. She’s discovered a newfound erotic power over men, but it’s a power that soon turns deadly. For Alice has begun to dream…haunting dreams of a demon with the ravishing face of a goddess and an unmerciful soul. Now, as Alice is lured into the buried depths of an ancient house, she is about to make a terrifying discovery about who she is. And what she has become.

Bart is 30. He is bald. He is overweight. He wears glasses. He is a fry cook. He hates cats. And kids. Bart occasionally does very bad things. He is looking for his perfect match. He has done his research.

These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers. Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than 20 women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it. She has no idea of the horror that awaits her.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.