Anna Horn is always looking over her shoulder. For the bullies who torment her, for the entitled visitors at the reservation’s casino…and for the nameless, disembodied entity that stalks her every step—an ancient tribal myth come-to-life, one that’s intent on devouring her whole. With strange and sinister happenings occurring around the casino, Anna starts to suspect that not all the horrors on the reservation are old. As girls begin to go missing and the tribe scrambles to find answers, Anna struggles with her place on the rez.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.

This trip is going to be Dylan’s big break. Her geologist friend Clay has discovered an untouched cliff face in the Kentucky wilderness, and she is going to be the first person to climb it. Together with Clay, his research assistant Sylvia, and Dylan’s boyfriend Luke, Dylan is going to document her achievement on Instagram and finally cement her place as the next rising star in rock climbing. Seven months later, three bodies are discovered in the trees just off the highway. All are in various states of decay.

On a foggy winter morning, high school kids Luca and Emma discover the impossible: the wreck of an eighteenth-century ship stranded in a flower field. Emma enters the hatch on the deck and is never seen again. And she isn’t the last to disappear. . . . Soon a government agency begins to investigate, determined to uncover the ship’s secrets before a media storm erupts. They enlist Robert Grim, a retired specialist of the occult, to unravel the mystery, and he soon realizes the ship could be a harbinger of an ancient doom awakened under the sea.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Andrew Larimer has left his past behind. Rising up the ranks in a New York law firm, and with a heavily pregnant wife, he is settling into a new life far from Kingsport, the town in which he grew up. But when he receives a late-night phone call from an old friend, he has no choice but to return home.

Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola.

Across Italy there are many half-empty towns, nearly abandoned by those who migrate to the coast or to cities. The beautiful, crumbling hilltop town of Becchina is among them, but its mayor has taken drastic measures to rebuild―selling abandoned homes to anyone in the world for a single Euro, as long as the buyer promises to live there for at least five years. It’s a no-brainer for American couple Tommy and Kate Puglisi. Both work remotely, and Becchina is the home of Tommy’s grandparents, his closest living relatives.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt.

Missouri, 1955. Loretta Davenport has led an isolated life as a young mother and a wife to Pete, an ambitious assistant professor at a Bible college. They’re the picture of domestic tranquility—until a local girl is murdered and Loretta begins receiving messages from beyond. Pete dismisses them as delusions of a fevered female imagination. Loretta knows they’re real—and frightening.

In 1980s Appalachia, sisters Sheila and Angie couldn’t be more different. While their mother works long shifts at the nearby asylum, Sheila cares for their home and keeps to herself, even when enduring relentless bullying. Her fearless younger sister, Angie, is more focused on fighting imaginary zombies and creating tarot-like cards that seem to have minds of their own. When the brutal murder of two female hikers on the nearby Appalachian Trail stuns their small community, the sisters find themselves tangled in a dangerous game of cat and mouse.

In a small Alaska town, a boy is found with his throat ripped out and all the blood drained from his body. The inhabitants of Deadhart haven’t seen a killing like this in twenty-five years. But they know who’s responsible: a member of the Colony, an ostracized community of vampyrs living in an old mine settlement deep in the woods.

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Anna Horn is always looking over her shoulder. For the bullies who torment her, for the entitled visitors at the reservation’s casino…and for the nameless, disembodied entity that stalks her every step—an ancient tribal myth come-to-life, one that’s intent on devouring her whole. With strange and sinister happenings occurring around the casino, Anna starts to suspect that not all the horrors on the reservation are old. As girls begin to go missing and the tribe scrambles to find answers, Anna struggles with her place on the rez.

The Red Grove is a special place, protected. Some say a spell was cast by its founder, Tamsen Nightingale. Some say the mountain lions stalking the nearby hills guard its mysteries and its boundaries. Some say the mighty redwoods keep its people safe. Yet a man has died on the Red Grove’s sacred ground. And Luce’s mother, Gloria, has vanished.

When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt.

Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book.

Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy.

From the porch of his home, Charles Lamosway has watched the life he might have had unfold across the river on Maine’s Penobscot Reservation. On the far bank, he caught brief moments of Roger and Mary raising their only child, Elizabeth from the day she came home from the hospital to her early twenties. But there’s always been something deeper and more dangerous than the river that divides him from this family and the rest of the tribal community. It’s the secret that Elizabeth is his daughter, a secret Charles is no longer willing to keep.

The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.

Welcome to Anoka, Minnesota, a small city just outside of the Twin Cities dubbed “The Halloween Capital of the World” since 1937. Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives.

In “The Center for Immortality Research,” a low-level employee runs herself ragged planning a fancy gala for donors, only to be blamed for a crime she witnessed during the event, under the noses of the mysterious celebrity benefactors hoping to live forever. But she can’t be fired—no one can. In “One More Kiss, Dear,” a tender, one-sided love blooms in the AI-elevator of an apartment complex; as in, the elevator develops a profound affection for one of the residents.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

Akbar Manzil was once a grand estate off the coast of South Africa. Nearly a century later, it stands in ruins: an isolated boardinghouse for eclectic misfits, seeking solely to disappear into the mansion’s dark corridors. Except for Sana. Unlike the others, she is curious and questioning and finds herself irresistibly drawn to the history of the mansion: To the eerie and forgotten East Wing, home to a clutter of broken and abandoned objects—and to the door at its end, locked for decades.

In the 15 years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.

It is the nineteenth century, the twilight of Europe’s bloody bacchanals, and a vampire must escape. She arrives to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city. She adapts, intermingles with humans, and attempts to be discreet.

The year is 1901, and Nicky is attacked, then wakes on board the Ormen, a whaling ship embarked on what could be its last voyage. With land still weeks away, it’s just her, the freezing ocean, and the crew–and they’re all owed something only she can give them...

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.