The youngest daughter of a rock star father and clothing designer mother, Lola and her siblings (including actress Jemima and celebrity doula Domino), spent their childhoods freshly plucked from their English heritage in an eclectic West Village brownstone, hosting everyone from Cuban exiles to Courtney Love. But behind the enviable exterior of worldly coolness, was a home in disarray.

Sucker Punch is about what happens when the life you thought you’d be living radically changes course, everything you thought you knew about the world and yourself has tilted on its axis, and you have to start forging a new path forward. Scaachi employs her biting wit to interrogate her previous belief that fighting is the most effective tool for progress.

For decades, Amy ran. Through the dirt roads of Amarillo, Texas, where she grew up; to the campus of the University of Virginia, as a student athlete; on the streets of New York, where she built her adult life; through marriage, motherhood, and a thriving career. To outsiders, it all looked, in many ways, perfect. But Amy was running from something—a secret she was keeping not only from her family and friends, but unconsciously from herself. “You’re here, but you’re not here,” her daughter said to her one night. “Where are you, Mom?”

“The kid was objectively a tiny worm, even worse, a worm with my nose.” Welcome to Sarah Hoover’s unflinching take on motherhood and its expectations in which the beatific narrative women have been fed—one of immediate connection to your child followed by a joyful path of maternal discovery—turns out to be not quite true. In The Motherload, Hoover provides a candid, funny, and sobering look at the journey women undertake as expectant mothers and wives from the early days of pregnancy through labor and beyond.

Shining a white-hot spotlight on America’s famous, from Hollywood legends to Broadway stars to media moguls, Notorious is a captivating assortment of columnist Maureen Dowd’s most compelling style features and profiles. Using her signature wit and incisive commentary as a scalpel, Dowd dissects influential cultural elite.

Ruth is lost. She’s living in a drafty Victorian with her ex-boyfriend Dino, a ketamine dealer with a lingerie habit, overdosing on television and regretting her master’s degree. When she starts dancing at a strip club, she becomes Baby Blue, seductress of crypto bros, outcasts, and old lovers alike. Plunged into this swirling underworld of beautiful women, fast cash, ungodly hours, and strangers’ secrets, Baby’s grip on reality begins to loosen. She is sure she can handle it—until one autumn morning when Dino disappears without a trace.

From trips on private jets and encounters with world leaders to shocking accounts of misogyny and double standards behind the scenes, this searing memoir exposes both the personal and the political fallout when unfettered power and a rotten company culture take hold. In a gripping and often absurd narrative where a few people carelessly hold the world in their hands, this eye-opening memoir reveals what really goes on among the global elite.

She’s happy and settled and productive and content in her full life—a child, a career, an admirable marriage, deep friendships, happy parents, and a spouse she still loves. But when her husband urges her to address what the narrow labels of “husband” and “wife” force them to edit out of their lives, the very best kind of hell breaks loose. Using the author’s personal experiences as a jumping-off point, Crush is about the danger and liberation of chasing desire, the havoc it can wreak, and most of all the clear sense of self one finds when the storm passes.

Clove has gone to extremes to keep her past a secret. Thanks to her lies, she’s landed the life of her dreams, complete with a safe husband and two adoring children who will never know the terror that was routine in her own childhood. If her buried anxiety threatens to breach the surface, Clove (if that is really her name) focuses on finding the right supplement, the right gratitude meditation. But when she receives a letter from a women’s prison in California, her past comes screeching into the present, entangling her in a dangerous game with memory and the people she thought she had outrun.

Before Anna Delvey, before the Tinder Swindler, there was Kari Ferrell. Adopted at a young age by a Mormon family in Utah, Kari struggled with questions of self-worth and identity as one of the few Asian Americans in her insulated community, leading her to run with the “bad crowd” in an effort to fit in. Soon, stealing from superstores turned into picking up men (and picking their pockets), and before she knew it, Kari had graduated from petty theft to Utah’s most wanted list. Though Kari was able to escape the Southwest, she couldn’t outrun her new moniker: the Hipster Grifter.

Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away. On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

In this moving, hilarious, and insightful memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there’s more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Sucker Punch is about what happens when the life you thought you’d be living radically changes course, everything you thought you knew about the world and yourself has tilted on its axis, and you have to start forging a new path forward. Scaachi employs her biting wit to interrogate her previous belief that fighting is the most effective tool for progress.

Leslie Jamison has become one of our most beloved contemporary voices, a scribe of the real, the true, the complex. But while Jamison has never shied away from challenging material—scouring her own psyche and digging into our most unanswerable questions across four books—Splinters enters a new realm. In her first memoir, Jamison turns her unrivaled powers of perception on some of the most intimate relationships of her life: her consuming love for her young daughter, a ruptured marriage once swollen with hope, and the shaping legacy of her own parents’ complicated bond.

Studies show that nearly 70 percent of divorces are initiated by women—women who are tired, fed up, exhausted, and unhappy. We’ve all seen how the media portrays divorcées: sad, lonely, drowning their sorrows in a bottle of wine. Lyz Lenz is one such woman whose life fell apart after she reached a breaking point in her twelve-year marriage. But she refused to take part in that tired narrative and decided to flip the script on divorce.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

In TOO MUCH, a young woman embarks on a journey of self-discovery and resilience as she navigates the challenges of mental health, addiction, and systemic dysfunction within the demanding field of military medicine. From the sunny shores of Honolulu to the sterile halls of military hospitals, Cindy Lee Neighbors' life takes an unexpected turn as she grapples with the complexities of trauma, addiction, and a system that seems designed to break her.

You won't want to miss the explosive insights and unfiltered perspective in legendary broadcaster Anthony Cumia’s latest book. In his much-anticipated second book, Spare Me, radio personality and podcaster Anthony Cumia returns, unleashing a scorching and unapologetic commentary that spans the spectrum from politics to entertainment, while sparing no particular individual deserving of his legendary wrath.

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

She’s happy and settled and productive and content in her full life—a child, a career, an admirable marriage, deep friendships, happy parents, and a spouse she still loves. But when her husband urges her to address what the narrow labels of “husband” and “wife” force them to edit out of their lives, the very best kind of hell breaks loose. Using the author’s personal experiences as a jumping-off point, Crush is about the danger and liberation of chasing desire, the havoc it can wreak, and most of all the clear sense of self one finds when the storm passes.

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he is still here, he watches his girlfriend, Hannah, lost in grief in the apartment they shared and begins to realize how much of her life was invisible to him. In the weeks and months before Max’s death, Hannah was haunted by the secrets she left Australia to escape. A relationship with Max seemed to offer the potential of a fresh new chapter, but the past refused to stay hidden.

On a cool summer evening in 1977, Mayumi Inaba hears a forlorn cry carried by the breeze of Tokyo’s Tamagawa River. She follows the sound to find a newborn kitten, just the size of her palm, dangling from a fence, abandoned. Overcome by tender affection, she takes the cat back to the small apartment she shares with her husband and christens her Mii, and so begins an ineffable bond.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

As the pandemic forced us to socialize at a distance, Kelsey McKinney was mourning the juicy updates and jaw-dropping stories she’d typically collect over drinks with friends—and from her hunger, the blockbuster Normal Gossip podcast was born. With listenership in the millions, Kelsey found herself thinking more critically about gossip as a form, and wanting to better understand the role it plays in our culture. In You Didn't Hear This From Me, McKinney explores the murkiness of everyday storytelling.

Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz–just sixty years old and, to her knowledge, vigorous and healthy–collapsed and died on a Washington, D. C. sidewalk.

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners”. Her Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland.

In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins with one woman’s personal, particular heartbreak, but its circles widen into a reckoning with contemporary womanhood, traditional gender roles, and the power dynamics that persist even in many progressive homes.