“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories — she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

Young Jude Brighton has been missing for three days, and while the search for him is in full swing in the small town of Deer Valley, Oregon, the locals are starting to lose hope. They're well aware that the first 48 hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark's youth, he knows that, too; he's seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.

Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes at will. She stands next to children's bed for nights on end. Everybody knows that her eyes may never be opened or the consequences will be too terrible to bear.

Suffer the Children presents a terrifying tale of apocalyptic fiction, as listeners are introduced to Herod's Syndrome, a devastating illness that suddenly and swiftly kills all young children across the globe. Soon, they return from the grave, and ask for blood. And with blood, they stop being dead. They continue to remain the children they once were, but only for a short time, as they need more blood to live. The average human body holds 10 pints of blood, so the inevitable question for parents everywhere becomes: How far would you go to bring your child back?

A group of close friends gathers at a secluded cabin in the wintry mountains of Colorado for a final holiday hurrah. Instead, it may be their last stand. First a massive blizzard leaves them marooned. Then the more chilling realization: Something is lurking in the woods, watching them, waiting.... Now a weekend of family, friends, and fun has turned into a test of love and loyalty in the face of inhuman horrors. The only hope for those huddled inside is to fight - tooth and nail, bullet and blade - for their lives. Otherwise, they’ll end up like the monsters’ other victims: bright pools of blood on glittering snow, screams lost in the vast mountains.

Twelve six-year-olds and their three adult chaperones head into the woods on a camping trip. None of them make it out alive. The Laws of the Skies tells the harrowing story of those days in the woods, of illness and accidents, and of a murderous child.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

The city of Elendhaven sulks on the edge of the ocean. Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart and long pale fingers yearning to wrap around throats. A monster who cannot die.

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

High up on the windswept cliffs of Pale Peak, Faye and Felix celebrate their new engagement. But soon, a chorus of ghastly noises erupts from the nearby woods: the screams of animals, the cries of children, and the mad babble of a hundred mournful voices. A dark figure looms near the windows in the dead of night, whispering to Faye. As the weather turns deadly, Felix discovers that his terrified fiancée isn't just mumbling in her sleep—she's whispering back.

With nothing but the clothes on his back - and something horrific snapping at his heels - Jack Winter fled his rural Georgia home when he was just a boy. Watching the world he knew vanish in a trucker’s rearview mirror, he thought he was leaving an unspeakable nightmare behind forever. Now, years later, the bright new future he’s built suddenly turns pitch black, as something fiendishly familiar looms dead ahead. Surviving a violent car crash seems like a miracle for Jack’s family, but Jack knows there’s nothing divine about it.

Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.

In the summer of 1994, psychologist Daniel Hill buys a rustic farmhouse nestled in the rolling hills of West Virginia. Along with his wife and teenage daughter, the family uproots their lives in Ohio and moves south. They are initially seduced by the natural beauty of the country setting. That soon changes when they discover a hidden room in the basement with a well, boarded shut and adorned with crucifixes. Local legends about the previous owner being an exorcist come to light, but by then, all Hell has broken loose.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Sam Wakefield's ancestral home, a decaying mansion built on the edge of a swamp, isn't a place for children. Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam's even more unsettled by the appearance of a new ghost: a faceless boy.

How far will he go to save his daughter? How far will he go to get revenge? It's 2053 and runaway climate change has brought civilization to the brink of collapse. Billions are threatened with starvation and mankind is slowly moving north in a world stricken by war, drought and superstorms - easy prey for the pandemics that sweep across the globe. Easy prey, too, for the violent gangs and people-smugglers who thrive in the crumbling world where 'King Death' reigns supreme.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

Money's tight and their new home is a fixer-upper. Deep in rural South West England, with an ancient wood at the foot of the garden, Tom and his family are miles from anywhere and anyone familiar. His wife, Fiona, was never convinced that buying the money-pit at auction was a good idea. Not least because the previous owner committed suicide. Though no one can explain why.

The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place. Convinced Ewan still lives there in some form, Juliette seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.

Ever since Edgar Allan Poe looted a family's ignoble secret history for his classic story "The Fall of the House of Usher", living in the shadow of that sick dynasty has been an inescapable scourge for generations of Usher descendants. But not for horror novelist Rix Usher. Years ago he fled the isolated family estate of Usherland in the menacing North Carolina hills to pursue his writing career. He promised never to return. But his father's impending death has brought Rix back home to assume the role of Usher patriarch - and face his worst fears.

It's 1934. Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small-time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.

After his impeachment, the president of the United States refuses to leave office, and the country erupts into a fractured and violent war. Orphaned by the fighting and looking for a home, 10-year-old Hannah Miller joins a citizen militia in a besieged Indianapolis. In the Free Women militia, Hannah finds a makeshift family. They'll teach her how to survive. They'll give her hope. And they'll show her how to use a gun.

Suffer the Children presents a terrifying tale of apocalyptic fiction, as listeners are introduced to Herod's Syndrome, a devastating illness that suddenly and swiftly kills all young children across the globe. Soon, they return from the grave, and ask for blood. And with blood, they stop being dead. They continue to remain the children they once were, but only for a short time, as they need more blood to live. The average human body holds 10 pints of blood, so the inevitable question for parents everywhere becomes: How far would you go to bring your child back?

In 2019, while sifting through University of Pittsburgh Library’s System’s George A. Romero Archival Collection, novelist Daniel Kraus turned up a surprise: a half-finished novel called Pay the Piper, a project few had ever heard of. In the years since, Kraus has worked with Romero’s estate to bring this unfinished masterwork to light.

In Boston, a battalion of light infantry struggles to maintain order as a new disease turns people into sadistic, laughing killers. As the numbers of infected grow, the battalion loses control, and the soldiers find themselves fighting for their lives against the very people they once swore an oath to protect. During the ensuing collapse, the lost battalion learns the Army is still holding out in Florida, which has been cleared of the infected. Harry Lee, its commander, decides the only hope for his men is to get there.

In this classic trilogy, a mysterious disease strikes millions and drives them to attack, overpower, and infect. Others continue to mutate, becoming horrific monsters. In a dying America, survivors ranging from soldiers to scientists to average people struggle on the razor's edge of survival. Each must ultimately choose how far they’ll go to survive and what they’re willing to lose to save humanity. This is a brutal vision of the apocalypse like no other. Will humanity survive the end of days?

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

A collection of short stories, The Bloody Chamber and Other Stories was first published in 1979 and awarded the Cheltenham Festival Literary Prize. This Audible exclusive adaptation is narrated by legendary actors, Richard Armitage and Emilia Fox, who take on different chapters of the audiobook. Among these are 'The Bloody Chamber', 'The Courtship of Mr Lyon', 'The Tiger's Bride', 'Puss in Boots', 'The Erl-King', 'The Snow Child', 'The Lady of the House of Love', 'The Werewolf' and 'Wolf-Alice'.

Cassie McDowell’s life in 1980s Minnesota seems perfectly wholesome. She lives on a farm, loves school, and has a crush on the nicest boy in class. Yes, there are her parents’ strange parties and their parade of deviant guests, but she’s grown accustomed to them. All that changes when someone comes hunting in Lilydale. One by one, local boys go missing. One by one, they return changed - violent, moody, and withdrawn. What happened to them becomes the stuff of shocking rumors. The accusations of who’s responsible grow just as wild, and dangerous town secrets start to surface.