Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Nearly a decade ago, iconic magician Violet Volk performed her greatest trick yet: vanishing mid-act. Though she hasn’t been seen since, her hold on the public imagination is stronger than ever. While Violet sought out the spotlight, her sister Sasha always had to be the responsible one, taking over their mother’s hair salon and building a quiet life for her beloved daughter, Quinn. But Sasha can never seem to escape her sister’s orbit or her memories of their unresolved, tumultuous relationship.

Kim and Grant are at a turning point. A couple for thirty years, their "separate but together" partnership is running up against the realities of late middle age: Grant’s mother has died, the college where he taught philosophy was shuttered, and their twin girls are grown and gone. Escaping the bitter cold of a Midwestern winter for the hot desert sun of Palm Springs seems as good a solution as any to the more intractable problems they face.

It’s New Year’s Eve 1982, and Oona Lockhart has her whole life before her. At the stroke of midnight she will turn 19, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens 32 years in the future in her 51-year-old body.

Newly-minted child psychologist Mina has little experience. In a field where the first people called are experts, she’s been unable to get her feet wet. Instead, she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain, and anxiously contemplating her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother’s death from years ago. That is, until she meets journalist Sam Hunter at the grief group one day. And he has a proposition for her.

The city of Bulwark is aptly named: a walled city built to protect and preserve the people who managed to survive a series of great cataclysms, Bulwark was founded on a system where sacrifice is rewarded by the AI that runs the city. Saint Enita Malovis feels the end of her life and decades of work as a bio-prosthetist approaching. The lone practitioner of her art, Enita is determined to preserve her legacy and decides to create a physical being, called Nix. In the midst of her project, a fellow Sainted is brutally murdered and the city AI inexplicably erases the event from its data.

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin.

A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore.

Perle Mesta was a force to be reckoned with. In her heyday, this wealthy globe-trotting Washington widow was one of the most famous women in America, garnering as much media attention as Eleanor Roosevelt. Renowned for her world-class parties featuring politicians and celebrities, she was very close to three presidents–Harry Truman, Dwight Eisenhower and Lyndon Johnson. Truman named her as the first female envoy to Luxembourg, which inspired the hit musical based on Perle’s life – “Call Me Madam” – which starred Ethel Merman, ran on Broadway for two years and later became a movie.

Somewhere in the Pacific, 1943. Kate Campbell is a nurse who bravely flies back and forth from the front to rescue wounded soldiers, amid long days, harsh conditions and often dangerous weather. Driven by a deep personal need to help in the war effort, she is conflicted when an injury results in her reassignment to the relative comfort of the English countryside. Love has never been part of her plan, but despite herself, she falls for an officer with three bullet wounds, startling blue eyes and a wicked sense of humor.

Clare is supposed to be the grown-up one. Married to the love of her life, with a major deal for her first novel, she has everything she thought she wanted. So then why does it all feel so wrong? When she agrees to a weeklong vacation in Hawai'i with five of her oldest friends as they each approach thirty, she is hoping for an escape with the people who know her best. But when a terrifying news alert shatters their peace, it becomes harder to ignore how much the world has changed since they were teenagers.

Cecily Foster loves to make podcasts. She fiercely protects her colleagues, dearly adores her friends, and never misses dinner with her sister. But after a disastrous relationship with a colleague who stole her heart and her ideas, she’s put romantic love on hold. When the boss who’s disappointed her again and again finally offers her the chance to host her own show, she wants to be thrilled. But there’s a catch—actually, two catches. First, the show will be about Cecily’s dating life.

Thirty-six-year-old stay-at-home soccer mom Kate Burke is happily married to Matt Parsons, although their marriage looks very different behind closed doors. Kate is no longer interested in having sex with her husband. So, while they still love each other madly, they make an arrangement: Matt can have one-night stands with other women on work trips, but when he returns home, he has to tell Kate about them—every juicy detail.

In 1940s Germany, Sophie is excited to discover a message waiting for her in the Bridegroom's Oak from a mysterious suitor. Meanwhile, her best friend, Hanna, is sending messages too—but not to find love. As World War II unfolds in their small town of Kleinwald, the oak may hold the key to resistance against the Nazis.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.