All Hallows Hall, a rambling Tudor mansion on the edge of the bleak, misty moor is not a place many would choose to live. Yet the former governor of Dartmoor Prison did just that. Now he's dead, and his estranged family is set to inherit his estate. But when the dead man's family comes to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo and wind whistles in the house's famous priest hole. And then, on the morning the family decides to leave All Hallows Hall once and for all, their young son, Timmy, goes missing.

St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows.

In the tourist town of Wharton, on the coast of Lake Superior, Tess Bell is renovating her old family home into a bed-and-breakfast during the icy dead of winter… As the house’s restoration commences, a shuttered art studio is revealed. Inside are paintings Tess’s late grandfather, beloved and celebrated artist Sebastian Bell, hid away for generations. But these appear to be the works of a twisted mind, almost unrecognizable as paintings she and others familiar with his art would expect.

Mary is a quiet middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself. But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things. Fired from her job in New York, she moves back to her hometown hoping to reconnect with her past and inner self. What she finds instead are visions of terrifying mutilated specters that come with increasing regularity.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

The blizzard begins pummeling the Midwest on Christmas Eve, leaving hundreds of passengers stranded at Chicago's O'Hare International Airport. Todd Curry doesn't need another reason to disappoint his son, so he joins three other people in renting the last four-wheel drive available and they set out into the blinding snow. Only two hours into the treacherous trip west, Todd swerves to avoid a man in the middle of the highway. The stranger claims his daughter is lost somewhere out in the snow.

It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome.

After the loss of a child along with a slew of agonizing misfortunes, Nick and Jess decide to end their lives. Unable to cope with the misery that fills their days, they commit one last act together and die in loving relief. But when Nick wakes up, he soon realizes that death isn't the gentle darkness he expected. Panicked and horrified, he struggles to understand the twisted abominations and hellish world he's now trapped in.

When tragedy shatters 13-year-old Zelda Ruiz’s adolescence, she retreats with her uncle Mark to the bucolic town of Greywood Bay. But nothing can prepare them for the malignant terror that has long coveted these lands.

Real estate agent Anthony Graham has his family on the run after witnessing a murder at the hands of the powerful Costello crime family. They’re forced to hide at one of Anthony’s properties, a deserted campground with a sinister past. No one is safe from the men that hunt them, or the terrors that await them inside The Devil’s Nest.

Sarah Jennings knows there’s one place she can go to find some peace and quiet during her difficult divorce. But arriving at her beloved father’s home in the countryside, she finds him unwell and hunched over boxes of files, studying the records from Cedar Hall, the crumbling orphanage in town. He says that hidden behind the wrought iron gates and overgrown ivy are secrets about their family, and he asks for her help.

Darius, son of Marklon, isn’t looking for love the night destiny comes to claim him. He’s also not expecting to crash his new car. But when a human woman runs out into the road and he must swerve to avoid killing her...everything goes off course. Disillusioned by his King’s lack of leadership and the losses in the war against the Lessening Society, Darius finds purpose in protecting a woman he cannot make his own. Love finds a way, however—until the truth of what he is comes out and she leaves him in horror.

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

One rainy night, the unthinkable happens: Dylan Moran’s car plunges off the road into a raging river, his beautiful wife drowning as he struggles to shore. In the aftermath, through his grief, Dylan experiences sudden, strange visions: wherever he goes, he’s haunted by glimpses of himself. Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.

All Hallows Hall, a rambling Tudor mansion on the edge of the bleak, misty moor is not a place many would choose to live. Yet the former governor of Dartmoor Prison did just that. Now he's dead, and his estranged family is set to inherit his estate. But when the dead man's family comes to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo and wind whistles in the house's famous priest hole. And then, on the morning the family decides to leave All Hallows Hall once and for all, their young son, Timmy, goes missing.

The Oaks is an idyllic, up-market country club—but its ornately carved walls hide a horrific past. Sixty years ago the house was an asylum, home to crazed psychopaths. One night all of them disappeared, never to be seen again. Jack Reed, the owner of The Oaks, has no idea about the building's terrible history. It is only when Jack's son is dragged into the walls of the mansion that he realises what happened sixty years ago—and just where the inmates have been living all this time...

A collection of highly disturbing and deeply original short stories from the master of horror Graham Masterton and rising star Dawn G Harris. A belt adorned with strange markings has the power to strangle anyone who attacks its owner. A man whose wife has been placed into a portrait at the Tate decides to join her on the other side. In these and other unsettling tales, master of horror Graham Masterton and his protegee Dawn G Harris explore the dark side of human nature—from the graphic and violent to the spine-tingling and supernatural.

St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows.

On an isolated farm in southern Ireland, a decades-old grave houses the dismembered bones of 11 women. Detective Superintendent Katie Maguire of the Irish Gardai is used to bloodshed, but these white bones speak of unimaginable butchery. Not far away, a young American tourist is at the mercy of a sadistic killer. His tools are a boning knife, twine, and a doll fashioned from rags, nails, and fish-hooks. The murder of his victims is secondary only to his pleasure at their pain.