When Cleo, a student at NYU, arrives late for dinner at her childhood home in Brooklyn, she finds food burning in the oven and no sign of her mother, Kat. Then Cleo discovers her mom’s bloody shoe under the sofa. Something terrible has happened. But what? The polar opposite of Cleo, whose “out of control” emotions and “unsafe” behavior have created a seemingly unbridgeable rift between mother and daughter, Kat is the essence of Park Slope perfection: a happily married, successful corporate lawyer. Or so Cleo thinks.

It’s 1998, and female students are going missing at Southern State University in North Carolina, but freshman Jessica Fadley, once a bright and responsible student, is going through her own struggles. Just as her life seems to be careening dangerously out of control, she suddenly disappears. Twenty-four years later, Jessica’s sister Lindsey is desperately searching for answers and uses the momentum of a new chart-topping true crime podcast that focuses on cold cases to guide her own investigation.

It’s been twenty years since Detective Chelsey Calhoun’s sister vanished when they were teenagers, and ever since she’s been searching: for signs, for closure, for other missing girls. But happy endings are rare in Chelsey’s line of work. Then a glimmer: local teenager Ellie Black, who disappeared without a trace two years earlier, has been found alive in the woods of Washington State. But something is not right with Ellie. She won’t say where she’s been, or who she’s protecting, and it’s up to Chelsey to find the answers.

When a woman's body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It's clear the pair are connected, but how? The trail leads Lottie to St Angela's, a former children's home, with a dark connection to her own family history. Suddenly the case just got personal.

Saffy Huntley-Oliver is an intelligent and glamorous socialite; she also happens to be a proficient serial killer. For the past fifteen years, she’s hunted down and dispatched rapists, murderers, domestic abusers—bad men all. But leading a double life has left her lonely—dating’s tough when your boyfriend might turn out to be your next victim. Saffy thinks she’s finally found a truly good man in Jonathan Desrosiers, a true-crime podcaster who’s amassed legions of diehard fans for cracking cold cases and bringing justice to victims.

When Dr. Sloan Hastings submits her DNA to an online genealogy site for a research assignment, her goal is to better understand the treasure-trove of genetic information contained on ancestry websites. Brilliant and driven, Sloan is embarking on a fellowship in forensic pathology, training under the renowned Dr. Livia Cutty. Sloan has one reservation about involving herself in the experiment: she’s adopted. Grateful for a loving home, she’s never considered tracking down her biological parents.

In a small Alaska town, a boy is found with his throat ripped out and all the blood drained from his body. The inhabitants of Deadhart haven’t seen a killing like this in twenty-five years. But they know who’s responsible: a member of the Colony, an ostracized community of vampyrs living in an old mine settlement deep in the woods.

Summer 1980: Despite the local superstition that the Bendy Man haunts the woods, three girls go into a Minnesota forest. Only one comes out, dead silent, her memory gone. The mystery of the Taken Ones captures the nation. Summer 2022: Cold case detective Van Reed and forensic scientist Harry Steinbeck are assigned a disturbing homicide—a woman buried alive, clutching a heart charm necklace belonging to one of the vanished girls. Van follows her gut. Harry trusts in facts. They’re both desperate to catch a killer before he kills again.

Alfred Smettle is not your average Hitchcock fan. He is the founder, owner, and manager of The Hitchcock Hotel, a sprawling Victorian house in the White Mountains dedicated to the Master of Suspense. There, Alfred offers his guests round-the-clock film screenings, movie props and memorabilia in every room, plus an aviary with fifty crows. To celebrate the hotel’s first anniversary, he invites his former best friends from his college Film Club for a reunion. He hasn’t spoken to any of them in sixteen years, not after what happened.

He is her husband. She is his captive. Her husband calls her Jane. That is not her name. She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she looks, there is space. But she is trapped. No one knows she is there. Visitors rarely come to the farm; if they do, she is never seen.

After Lucy is found wandering the streets, covered in her best friend Savvy’s blood, everyone thinks she is a murderer. Lucy and Savvy were the golden girls of their small Texas town: pretty, smart, and enviable. Lucy married a dream guy with a big ring and an even bigger new home. Savvy was the social butterfly loved by all, and if you believe the rumors, especially popular with the men in town. It’s been years since that horrible night, a night Lucy can’t remember anything about, and she has since moved to LA and started a new life.

When Kate Summerlin was eleven years old, she climbed out her bedroom window on a spring night, looking for a taste of freedom in the small college town where she was living with her parents. But what she found as she wandered in the woods near her house was something else: the body of a beautiful young woman, the first of Merkury's victims. And before she could come to grips with what she was seeing, she heard a voice behind her—the killer's voice—saying: "Don't turn around."

Addison McKellar isn’t clueless—she knows she and her husband Dean don’t have the perfect marriage—but she’s still shocked when he completely vanishes from her life. At first Addison is annoyed, but as days stretch into a week and she’s repeatedly stonewalled by Dean’s friends and associates, her frustration turns into genuine alarm. When even the police seem dismissive of her concerns, Addison turns to her father’s old friend, legendary Memphis PI Porter Hayes.

In 1998, an apparently ordinary Australian man is arrested and charged for a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims’ families, but its impact travels even further: into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway Thirteen, Fiona McFarlane’s newest collection, takes murder as its starting point, but it unfolds to encompass much more.

One peaceful morning, in the small, Puget Sound town of Point Orchards, the lifeless body of Dr. Erin Landry is found hanging from a tree on the property of prodigal son and failed writer, Elijah Leith. Sheriff Jim Godbout’s initial investigation points to an obvious suicide, but upon closer inspection, there seem to be clues of foul play when he discovers that the circumstances of the beautiful doctor’s death were ripped straight from the pages of Elijah Leith’s own novel.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When single mom Jo Dykstra was at her lowest—jobless and penniless—her childhood friend Dana McFarlane helped her out big-time by securing her a teaching job and thus an opportunity for a new life in the affluent Pacific Northwest town of Glebes Bay. So, when Jo gets a frantic late-night call from Dana, sobbing and desperate for help, it feels like a chance to help her friend in return.

Home alone with her young children during a blizzard, a mother tucks her son back into bed in the middle of the night. She hears a noise—old houses are always making some kind of noise. But this sound is disturbingly familiar: it’s the tread of footsteps, unusually heavy and slow, coming up the stairs. Shrouded in the shadows, she sees the figure of a man appear down the hallway. Terrified, she quietly wakes her children and hustles them into the oldest part of the house, a tiny, secret room concealed behind a wall.

The rundown rental house didn’t seem so bad at first. But now, someone is stealing her food. Rattling her bedroom doorknob. Digging through her belongings. Each night brings more disturbing incidents. And each night, Nya is more convinced that it’s not an intruder. She suspects the culprit is hiding in plain sight: her peculiar roommate-of-necessity, Sidney.

The perfect neighborhood can be the perfect place to hide… Who wouldn’t want to live in Brighton Hills? This exclusive community on the Oregon coast is the perfect mix of luxury and natural beauty. Stunning houses nestle beneath mighty Douglas firs, and lush backyards roll down to the lakefront. It’s the kind of place where neighbors look out for one another. Sometimes a little too closely…

Anne and Marco Conti seem to have it all—a loving relationship, a wonderful home, and their beautiful baby, Cora. But one night, when they are at a dinner party next door, a terrible crime is committed. Suspicion immediately lands on the parents. But the truth is a much more complicated story.

Sports agent Myron Bolitar is poised on the edge of the big-time. So is Christian Steele, a rookie quarterback and Myron's prized client. But when Christian gets a phone call from a former girlfriend, a woman who everyone, including the police, believes is dead, the deal starts to go sour. Suddenly Myron is plunged into a baffling mystery of sex and blackmail.

After the loss of a child along with a slew of agonizing misfortunes, Nick and Jess decide to end their lives. Unable to cope with the misery that fills their days, they commit one last act together and die in loving relief. But when Nick wakes up, he soon realizes that death isn't the gentle darkness he expected. Panicked and horrified, he struggles to understand the twisted abominations and hellish world he's now trapped in.

The teenagers get their kicks telling ghost stories in the old graveyard. The parents trust their kids will arrive home safe from school. Everyone knows everyone. Curtains rarely twitch. Front doors are left unlocked. But Diana Brewer isn’t lying safely in her bed where she belongs. Instead she lies in a hayfield, circled by vultures, discovered by a local farmer. How quickly a girl becomes a ghost. How quickly a town of friendly, familiar faces becomes a town of suspects, a place of fear and paranoia.

Twenty-two-year-old Olivia has been missing for one day…and counting. She was last seen on CCTV, entering a dead-end alley. And not coming back out again. Julia, the detective heading up the search for Olivia, thinks she knows what to expect. A desperate family, a ticking clock, and long hours away from her husband and daughter. But she has no idea just how close to home this case is going to get.

A serial rapist is kidnapping teenage girls. But he’s not interested in just any teenage girls - only virgins. He hunts them by following their status updates and check-ins on social media. Once captured, they’re locked away in his sound-proof basement until they’re groomed and ready. He throws them away like pieces of trash after he’s stolen their innocence. Nobody escapes alive. Until Ella. She risks it all to escape, setting herself and the other girls free. Only the girl who's been captive the longest gets out with her. And soon Ella discovers her nightmare's far from over.