As Cady struggles under the enormous pressure at Harvard, she investigates her brother’s final year, armed only with a blue notebook of Eric’s cryptic scribblings. She knew he had been struggling with paranoia, delusions, and illusory enemies - but what tipped him over the edge? Voices fill her head, seemingly belonging to three ghosts who passed through the university in life, or death, and whose voices, dreams, and terrors still echo the halls. Among them is a person whose name has been buried for centuries, and another whose name mankind will never forget.

They call it The Violence: a strange epidemic that causes the infected to experience sudden bursts of animalistic rage, with no provocation and no memory of their crimes. While it tears the nation apart, one woman sees something unlikely in the chaos—an opportunity.

Vicki works as an aromatherapist, healing her clients out of her home studio with her special blends of essential oils. She's just finishing a session when the police arrive on her doorstep - her ex-husband, David, has gone missing. Vicki insists she last saw him years ago when they divorced, but the police clearly don't believe her. And her memory's hardly reliable - what if she did have something to do with it?

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

Winter's chill has descended on Stockholm as police arrive at the scene of a shocking murder. An unidentified woman lies beheaded in a posh suburban home - a brutal crime made all the more disturbing by its uncanny resemblance to an unsolved killing 10 years earlier. But this time there's a suspect: the charismatic and controversial chain-store CEO Jesper Orre, who owns the home but is nowhere to be found.

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours. Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret.

Lydia and Freddie. Freddie and Lydia. They’d been together for more than a decade and Lydia thought their love was indestructible. But she was wrong. On Lydia’s 28th birthday, Freddie died in a car accident. So now it’s just Lydia, and all she wants is to hide indoors and sob until her eyes fall out. But Lydia knows that Freddie would want her to try to live fully, happily, even without him. So, enlisting the help of his best friend, Jonah, and her sister, Elle, she takes her first tentative steps into the world, open to life - and perhaps even love - again.

Kit Darling is a maid with a snooping problem. She’s the “invisible girl,” compelled to poke into her wealthy clients’ closely guarded lives. It’s a harmless hobby until Kit sees something she can’t unsee in the home of her brand-new clients: a secret so dark it could destroy the privileged couple expecting their first child. This makes Kit dangerous to the couple. In turn, it makes the couple—who might kill to keep their secret—dangerous to Kit.

Snow falls softly outside Molly Bradley’s home on a frigid January night. Inside, half a dozen close friends are gathered to celebrate the fortieth birthday of Molly’s psychologist husband, Jay. Candlelight gleams against dark wood, wine flows, and the house rings with laughter. Everybody loves Jay, Molly most of all. Yet next morning, Molly discovers Jay dead on the floor of his office, his throat brutally slashed.

Dr. Irini Harringford was given away by her parents just before her fourth birthday. Although she has spent her whole life trying to convince herself she doesn't need them, deep down Irini longs to understand why she was abandoned, while her parents kept her older sister, Elle. So when Elle gets in touch with news that their mother has died, Irini reluctantly agrees to return to the family home. But she is ill at ease. She and Elle are not close. Irini knows only too well what Elle is capable of.

DS Whitney Walker wants a promotion, but it’s hard when she’s trying to balance motherhood with a career. When a newborn baby is kidnapped from the local hospital, she draws on her skills as a mother to help. Despite being ordered not to, and when the leads are going nowhere, Walker enlists the help of a local journalist who’s convinced it’s the work of an international baby smuggling ring. Walker’s plan backfires and she fears they’re running out of time.

The troubling message from Serena Charters' late grandmother appears in a package containing four pages of a centuries-old illuminated manuscript - a strange inheritance that hides many secrets...and has already cost many lives. Seeking answers, Serena turns to Erik North of Rarities Unlimited, a reclusive manuscript appraiser with a passion for the past. Without warning they are thrust together into the center of a lethal firestorm that rages between two worlds - one long dead yet living on in an ancient text, the other chillingly alive and fraught with peril.

There is a serial killer on the loose preying on vulnerable women. The only identifiable mark the killer leaves are letters - sometimes one, sometimes two - all carved into the torsos of his victims. Together, they spell “Sydney”. When he grabs Daisy Dawson, he believes he has found his next victim. But despite her small stature, she fights back with an expertise that quickly frees her. Before fleeing the scene, Daisy also manages to grab what proves to be crucial evidence: a necklace from around the killer’s neck.

Darkness lives within.... Cash strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be.

Julie is missing, and no one believes she will ever return - except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong - she’s emaciated, with sallow skin and odd appetites.

All Beth has to do is drive her son to his soccer game, watch him play, and then return home. Just because she knows her ex-best friend lives near the field, that doesn’t mean she has to drive past her house and try to catch a glimpse of her. Why would Beth do that and risk dredging up painful memories? She hasn’t seen Flora for 12 years. She doesn’t want to see her today - or ever again. But she can’t resist. She parks outside the open gates of Newnham House, watches from across the road as Flora arrives, and calls to her children Thomas and Emily to get out of the car.

Seventeen years ago, Criminal Inspector Ewert Grens was called to the scene of a brutal crime. A family had been murdered, and the only survivor - and witness - was the five-year-old daughter. The girl was placed in the witness protection program, and the case went cold, but years later, Grens is still haunted by the seemingly random slaying and the little girl who was spared. So when he learns that the apartment where the crime occurred is now the scene of a mysterious break-in, Grens immediately fears that someone is intent on silencing the only witness.

FBI Agent Nell Flynn hasn't been home in 10 years. Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect.

When a single mother hears a shocking rumor outside her son’s school, she never intends to pass it on. But one casual comment leads to another...and now there’s no going back. Rumor has it that a notorious killer, who committed a brutal crime as a child, has been living a new life under an assumed identity in Joanna’s seaside town. So who is the criminal hidden in their midst? Suspicion falls on everyone.

When socialite Nina Rai disappeared without a trace, everyone wrote it off as another trophy wife tired of her wealthy husband. But now her bones have turned up in the forest that surrounds her elite neighborhood, a haven of privilege and secrets that’s housed the same influential families for decades. And somebody knows what happened to Nina one rainy night 10 years ago. Her son Aarav heard a chilling scream that night, and he’s determined to uncover the ugly truth that lives beneath the elegance...but no one is ready for the murderous secrets about to crawl out of the dark.

Charlotte, a mid-30s Long Island woman, has felt so alone since her promising career in neuroscience imploded. But she has an online support group; she has Rachel, a friend who has seen her through the worst of it; and now she also has Peter, a mysterious new boyfriend who has asked that their budding romance remain a total secret. That is why she is too scared to report his disappearance to the authorities when he van­ishes without a word.

Susanna Fenton has a secret. Fourteen years ago, she left her identity behind, reinventing herself as a therapist and starting a new life. It was the only way to keep her daughter safe. But when a young man, Adam Geraghty, walks into her office, claiming he needs Susanna's help but asking unsettling questions, she begins to fear her secret has been discovered. Who is Adam, really? What does he intend to do to Susanna? And what has he done to her daughter?

Ciara and Oliver meet in a supermarket queue in Dublin and start dating the same week COVID-19 reaches Irish shores. When lockdown threatens to keep them apart, Oliver suggests they move in together. Ciara sees a unique opportunity for a relationship to flourish without the scrutiny of family and friends. Oliver sees a chance to hide who - and what - he really is.

Leslie Flores has the perfect life - a loving husband, a happy newborn, and a New Mexico home straight out of a magazine. She’s been the perfect daughter, too, taking care of her ailing father in his final days. But Leslie has a dark secret - and it’s an expensive secret to keep. When she discovers she won’t receive a penny of her inheritance unless she finds her estranged sister, Robin, she sets out to track her down. Instead, upon arriving at Robin’s apartment, Leslie discovers her body.

When Milla accepts an off-season invitation to Le Rocher, a cozy ski resort in the French Alps, she's expecting an intimate weekend of catching up with four old friends. It might have been a decade since she saw them last, but she's never forgotten the bond they forged on this very mountain during a winter spent fiercely training for an elite snowboarding competition. Yet no sooner do Milla and the others arrive for the reunion than they realize something is horribly wrong.

Astrid is newly sober and trying to turn her life around. Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and darkness of her previous life, she is focusing on her recovery. She’s going to meetings. Confessing her misdeeds. Making amends to those she’s wronged. If she fills her days, maybe she can outrun the ghosts that haunt her. Maybe she can start anew. Someone knows exactly what Astrid is running from. And they won’t stop until she learns that some mistakes can’t be corrected. Some mistakes, you have to pay for....

Marissa Dahl, a shy but successful film editor, travels to a small island off the coast of Delaware to work with the legendary - and legendarily demanding - director Tony Rees on a feature film with a familiar logline: Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: Turning pictures into stories. But she soon discovers that on this set, nothing is as it's supposed to be - or as it seems.

Marian Engström has found her true calling: working with rescue dogs to help protect endangered wildlife. Her first assignment takes her to Northern Alberta, where she falls in love with her mentor, the daring and brilliant Tate. When they’re separated on another assignment, she’s shattered to learn of his tragic death. Before long, Marian discovers disturbing inconsistencies about Tate’s life and begins to wonder if the man she loved could have been responsible for the unsolved murders of at least four women.

Lana Stone has never considered herself a stalker - until the night she impulsively follows a familiar face through the streets of New York's Upper West Side. Her target? The "anonymous" egg donor she'd selected through an agency, the one who's making motherhood possible for her. Hungry to learn more about her, Lana plans only to watch her from a distance. But when circumstances bring them face-to-face, an unexpected friendship is born.

When a new family moves in across the street - the exuberant Vicki, who just might become the gossipy best friend Phoebe's always wanted, and her handsome college-bound son, Jake, who offers companionship of a different variety - Phoebe finds her dull routine infused with the excitement she's been missing. But with her head turned she's no longer focused on the woman in the car. And she really should be.