When Sally kills her husband with a cast-iron skillet, she’s more fearful of losing her kids than of disposing of a fresh corpse. That just wouldn’t be fair—not after twenty years of marriage to a truly terrible man. But Sally isn’t the only woman in town reaching the brink. Soon, Sally finds herself leading an extremely unusual self-help group, and among them there are four bodies to hide. Can they all figure out the perfect way to bury their husbands . . . and get away with it?

A young woman tries to heal her heartbreak by casting a spell to erase her ex from her past—but she wakes up in an alternate reality where she’s lost more than she wished for—in this witty, whimsical friends-to-lovers debut.

Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

Although her childhood was haunted by a famous crime, Rhinannon’s life is normal now that her celebrity has dwindled. By day her job as an editorial assistant is demeaning and unsatisfying. By evening she dutifully listens to her friend’s plans for marriage and babies whilst secretly making a list. A kill list. From the man on the Lidl checkout who always mishandles her apples, to the driver who cuts her off on her way to work, to the people who have got it coming, Rhiannon’s ready to get her revenge. Because the girl everyone overlooks might be able to get away with murder.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.

Recently ghosted and sick of watching her friends fade into the suburbs, thirty-something Hannah finds community in a true-crime forum that’s on a mission to solve the murders of four women in Atlanta. After William, a handsome lawyer, is arrested for the killings, Hannah begins writing him letters. It’s the perfect outlet for her pent-up frustration and rage. The exercise empowers her, and even feels healthy at first. Until William writes back.

Gav isn't really sure how he ended up with a castle full of goblins, or why he has a princess locked in a cell. All he can do is play along with his own evil plan in hopes of getting his memories back before he gets himself killed. But as he realizes that nothing—from the incredibly tasteless cloak adorned with flames to the aforementioned princess—is quite what it seems, Gav must face up to all the things the Dread Lord Gavrax has done. And he'll have to answer the hardest question of all—who does he want to be?

It’s 1965 and teenage Frances Adams is at an English country fair with her two best friends. But Frances’s night takes a hairpin turn when a fortune-teller makes a bone-chilling prediction: One day, Frances will be murdered. Frances spends a lifetime trying to solve a crime that hasn’t happened yet, compiling dirt on every person who crosses her path in an effort to prevent her own demise. For decades, no one takes Frances seriously, until nearly sixty years later, when Frances is found murdered, like she always said she would be.

The worst thing to ever happen on Hemlock Circle occurred in Ethan Marsh’s backyard. One July night, ten-year-old Ethan and his best friend and neighbor, Billy, fell asleep in a tent set up on a manicured lawn in a quiet, quaint New Jersey cul-de-sac. In the morning, Ethan woke up alone. During the night, someone had sliced the tent open with a knife and taken Billy. He was never seen again. Thirty years later, Ethan has reluctantly returned to his childhood home. Plagued by bad dreams and insomnia, he begins to notice strange things happening in the middle of the night.

Who hasn’t wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you’ve probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this “Poison Ivy League” college—its location unknown to even those who study there—is where you might find yourself the practice target of a classmate.

During a midnight journey snaking through the Carpathian Mountains, these are the words whispered to Cath Fenwick. It is the warning she will later wish she'd taken more seriously. When Cath receives her invitation to The Event - a monetised retreat for social media influencers - she can't believe her luck. Irene Jobert is the most famous influencer in the world and now Cath will be one of the five participants chosen to stay with Irene in a renovated Transylvanian monastery.

Katy Sweeney is looking for her sister. A year earlier, just three weeks into a solo vanlife trip, her free-spirited younger sister, Phoebe, vanished without a trace on the remote, achingly beautiful coastal highway in Western Australia. With no witnesses, no leads, and no DNA evidence, the case has gone cold. But Katy refuses to give up on her.

Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.

Most people’s births aren’t immortalized in a police report—but Olivia was born during the infamous Camp Lost Lake murders. Seventeen years later, Olivia’s life looks pretty perfect . . . until she discovers the man she calls dad is not her biological father. Now she wants answers about her bloodline, and the only place she knows to look is Camp Lost Lake. Most people don’t spend their formative years on the run with an alleged murderer—but Reagan did. In the court of public opinion, her mom was found guilty of the deaths at Camp Lost Lake, and both of them have been in hiding ever since.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Alice's journey begins as all good journeys do: hitting on the sales guy at REI. After a tumultuous breakup, a quick career transition, family upheaval, and a sobriety journey that didn't fix her life quite as much as she expected it to, Alice decides that the only way to solve all her problems is to hike the Pacific Crest Trail. But as she begins preparing for the months-long quest, she realizes the answers she's seeking might not be on top of a snow-covered mountain. Especially since she just learned there was snow in California.

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When Sally kills her husband with a cast-iron skillet, she’s more fearful of losing her kids than of disposing of a fresh corpse. That just wouldn’t be fair—not after twenty years of marriage to a truly terrible man. But Sally isn’t the only woman in town reaching the brink. Soon, Sally finds herself leading an extremely unusual self-help group, and among them there are four bodies to hide. Can they all figure out the perfect way to bury their husbands . . . and get away with it?

In the world of Gnomon, citizens are constantly observed and democracy has reached a pinnacle of "transparency". Every action is seen, every word is recorded, and the System has access to its citizens' thoughts and memories - all in the name of providing the safest society in history. When suspected dissident Diana Hunter dies in government custody, it marks the first time a citizen has been killed during an interrogation. The System doesn't make mistakes, but something isn't right about the circumstances surrounding Hunter's death.

When Laura Costello moves to Los Angeles, trying to escape an overprotective family and the haunting memories of a terrible accident, she doesn’t expect to be homeless after a week. (She’s pretty sure she didn’t start that fire—right?) She also doesn't expect to find herself adopted by a rogue bookseller, installed in a lovely but completely illegal boardinghouse, or challenged to save a losing trivia team from ignominy…but that’s what happens.

On a summer's night in 1994, 16-year-old Flora Powell vanished from her sleepy seaside town without a trace. Their hearts shattered, Flora’s mother, her sister Heather, and Heather’s best friend Jess had to somehow carry on not knowing what happened. Twenty-five years later, tragedy strikes again when Heather walks into a stranger's house and allegedly kills two people in cold blood. Why would this loving wife and doting new mother commit such a heinous crime? Jess, now a reporter, returns to the hometown she left behind to cover the case and dig for answers.

Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.

Nobody has a “normal” family, but Vesper Wright’s is truly...something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn’t return. But then an envelope arrives on her doorstep.

Hannah's a witch, but not the kind you're thinking of. She's an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, MA, her magic is a secret she has to keep to herself. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans. Then evidence of dark magic begins to appear all over Salem, and Hannah's sure it's the work of a deadly Blood Witch.

A seemingly open-and-shut police case with a clear-cut hero and villain turns out to be anything but simple. Late one night in the quiet Hudson Valley town of Havenkill, a distraught woman stumbles into the police station - and lives are changed forever. Aimee En, once a darling of the '80s pop music scene, claims that a teenage boy stole her car, then ran over another young man who'd rushed to help. As Liam Miller's life hangs in the balance, the events of that fateful night begin to come into focus. But is everything as it seems?

When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, “There are no female serial killers.”

PhD candidate Phoebe Walsh has always been obsessed with true crime. She's even analyzing the genre in her dissertation—if she can manage to finish writing it. It's hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn't had a relationship with for years.

Jane Charlotte has been arrested for murder. She tells police that she is a member of a secret organization devoted to fighting evil; her division is called the Department for the Final Disposition of Irredeemable Persons - "Bad Monkeys" for short. This confession earns Jane a trip to the jail’s psychiatric wing, where a doctor attempts to determine whether she is lying, crazy, or playing a different game altogether.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended. She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.

As seekers and practitioners reclaim and restore magic to its rightful place among powerful forces for social, personal, and political transformation, more people than ever are claiming the identity of "witch". But our knowledge of witchcraft and magic has been marred by erasure, sensationalism, and sterilization, the true stories of history's witches left untold. Through meditations, stories, and practices, authors Risa Dickens and Amy Torok offer an intersectional, contemporary lens for uncovering and reconnecting with feminist witch history.

Sir Hereward: the only male child of an ancient society of witches. Knight, artillerist, swordsman. Mercenary for hire. Ill-starred lover. Mister Fitz: puppet, sorcerer, loremaster. Practitioner of arcane arts and wielder of sorcerous needles. Sir Hereward and Mister Fitz: godslayers. Agents of the Council of the Treaty for the Safety of the World, charged with the location and removal of listed extra-dimensional entities, more commonly known as gods. Together, they are relentless travelers in a treacherous world of magic, gunpowder, and adventure.