Showing titles in Latino American

Soy Maya Vidal, diecinueve años, sexo femenino, soltera, sin un enamorado, por falta de oportunidades y no por quisquillosa, nacida en Berkeley, California, pasaporte estadounidense, temporalmente refugiada en una isla al sur del mundo. Me pusieron Maya porque a mi Nini le atrae la India y a mis padres no se les ocurrió otro nombre, aunque tuvieron nueve meses para pensarlo. En hindi, maya significa "hechizo, ilusión, sueño".

Lala Reyes' grandmother is descended from a family of renowned rebozo, or shawl makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala's possession. The novel opens with the Reyes' annual car trip, a caravan overflowing with children, laughter, and quarrels, from Chicago to "the other side": Mexico City.

A collection of stories, whose characters give voice to the vibrant and varied life on both sides of the Mexican border. The women in these stories offer tales of pure discovery, filled with moments of infinite and intimate wisdom.

Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.

La máscara, el maquillaje que reformula las identidades: José Donoso ha buscado siempre en sus relatos, obsesivamente, ese otro rostro posible de los seres y las cosas. El lugar sin límites (novela que llevó al cine el mexicano Arturo Ripstein) juega eficazmente con el engañoso espejo de los sexos en un prostíbulo de pueblo, especie de infierno anodino donde confluyen no sólo las pasiones eróticas, sino además los sórdidos juegos de poder y dominación que suelen marcar los territorios degradados.

La vida nunca ha sido fácil para Óscar Wao, un dominicano dulce, obeso y desastroso que vive con su madre y su hermana disfuncional en un gueto de Nueva Jersey. Óscar sueña con convertirse en un J. R. R. Tolkien dominicano y, por encima de todo, sueña con encontrar el amor de su vida. Pero puede que Óscar nunca alcance sus metas debido a una extraña maldición que ha estado en su familia por generaciones, enviando a los Wao a prisión, predisponiéndolos a accidentes trágicos y, ante todo, al desamor.

Sebastián lived a childhood of privilege in Mexico City. Now in his twenties, he has a degree from Yale, an American girlfriend, and a slot in the University of Iowa's MFA program. But Sebastián's life is shaken by the Trump administration's restrictions on immigrants, his mother's terminal cancer, the cracks in his relationship, and his father's forced resignation at the hands of Mexico's new president. As he struggles through the Trump and Lopez Obrador years, Sebastián must confront his father's role in the Mexican drug war and navigate his whiteness in Mexican contexts.

El profesor de simbología en Harvard Robert Langdon despierta en un hospital a media noche. Desorientado y con una herida en la cabeza, no recuerda nada de las últimas treinta y seis horas, incluyendo como llegó allí o el origen de ese macabro objeto que los médicos han descubierto entre sus pertenencias.

Cuando Héctor Abad Faciolince, autor de El olvido que seremos, leyó esta primera novela, decidió publicarla de inmediato; muy poco después Lumen se sumaría a su entusiasmo. Tras el éxito en Colombia y mientras Francia prepara su traducción, Cómo maté a mi padre llega a los lectores de ambos lados del océano como una de las revelaciones literarias de los últimos tiempos.

When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father's recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his 20-year high school reunion, where he runs into the long-lost characters of his youth.

Hidden in the heart of the old city of Barcelona is the 'cemetery of lost books', a labyrinthine library of obscure and forgotten titles that have long gone out of print. To this library, a man brings his 10-year-old son, Daniel, one cold morning in 1945. Daniel is allowed to choose one book from the shelves and pulls out La Sombra del Viento by Julian Carax. But as he grows up, several people seem inordinately interested in his find.

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows.

Fashion-obsessed Samara finally has the life she’s always dreamed of: A high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota’s fashion line. But it’s not long before Samara’s dream life begins to turn into a living nightmare as Mota’s big fashion show approaches and the pressure on her turns crushing. Perhaps that’s why she begins hearing voices in her room at night.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

Estamos en pleno siglo XXI, en una Nicaragua en la que se están viviendo unas revueltas populares que son reprimidas brutalmente por el gobierno, apoyado en el siniestro brazo ejecutor del jefe de los servicios secretos. El inspector Dolores Morales debe enfrentarse en la distancia con ese ser terrible apodado Tongolele, responsable último de su exilio en Honduras, quemueve con frialdad y cinismo, en parte gracias a los consejos adivinatorios de su madre, muchos hilos de la desquiciada política del país.

When the story opens, the eponymous hero of Rudolfo Anaya's novel is in an ambulance en route to a hospital for crippled children in the New Mexican desert. A poor boy from Albuquerque, 16-year-old Tortuga takes his name from the odd, turtle-shaped mountain that is rumored to possess miraculous curative powers. Tortuga is paralyzed, and not even his mother's fervent prayers can heal him. But under the mountain's watchful gaze, with the support of fellow patients, he begins the Herculean task of breaking out of his shell and becoming whole again.

Marianela era una muchachita huérfana, que vivía en las minas de un lugar llamado Socartes. Estaba debilucha y fea. Se había acostumbrado al rechazo de todos; incluso creía que “no servía para nada”, hasta que se convirtió en el lazarillo de un gallardo joven llamado Pablo, quien le hizo saber que su bondad y ternura la convertían en una persona hermosa.

Rookie cop Ivan Vargas blames small-town accountant Julia Morrison for his brother’s suicide, as claimed in the note. When Julia is attacked, Ivan wonders if she’s right about the suicide being staged. He’s determined to find his brother’s killer and keep Julia safe but reluctant to lose his heart to the stubborn beauty who's known to break them… Hurt in the past, Julia has avoided letting men too close. But she needs Ivan’s help to uncover traumatic secrets someone would kill to keep hidden. Can she stay alive long enough to learn to love and trust again? What readers say about...

Abandonando la tensión política de la República Dominicana de los explosivos años 70, las cuatro hermanas García acompañadas de sus padres se autoexilian en el Bronx Neoyorquino, arribando a un ambiente totalmente desconocido y en extremo liberal para sus conservadores padres. La excelente narrativa de Julia Alvarez nos lleva de la mano por el recorrido de las dinámicas hermanas García, por caminos deliciosamente divertidos y también plagados de conflictos generacionales.

The first ever collection of short stories by Jaime Cortez, Gordo is set in a migrant workers camp near Watsonville, California, in the 1970s.