Showing results by author "Jamaica Kincaid" in All Categories

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

The Writer in the Garden adds up to a glorious compendium of writing that is amusing, original, and idiosyncratic. Excerpts span not only the beauties of the garden but such far-reaching topics as weeds, the tribulations of gardening in a cold climate, the dangers of rare plant collecting, the delights of weeding, the pitfalls of growing roses, and the place of "tacky" in a garden. The book is impeccably read by a group of professional actors.

A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Donne, their wild, domineering leader, is obsessed with hunting for a mysterious woman and exploiting Indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior—their own hearts of darkness—deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock.

In See Now Then, the brilliant and evocative new novel from Jamaica Kincaid (her first in 10 years), a marriage is revealed in all its joys and agonies. This piercing examination of the manifold ways in which the passing of time operates on the human consciousness unfolds gracefully, and Kincaid inhabits each of her characters - a mother, father, and two children living in a small village in New England - as they move, in their own minds, between the present, the past, and the future.

En la apacible isla tropical de Antigua, Annie John vive su infancia en un entorno paradisiaco, al amparo de sus padres y educada en un buen colegio. Pero, como en la mayoría de los paraísos, en algún oscuro rincón acecha la serpiente. A medida que Annie deja atrás la niñez, las inevitables transformaciones físicas y emocionales anuncian otra etapa, marcada por la rebeldía, el cuestionamiento de su pequeño universo y, para su disgusto, los cambios en su progenitora, quien de pronto sustituye su amor incondicional por una desconcertante rivalidad femenina.

In this witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them.

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. At first glance Lewis and Mariah are a blessed couple—handsome, rich and seemingly happy. Almost at once, however, Lucy begins to notice cracks in their beautiful facade. With a mixture of anger and compassion, Lucy scrutinizes the privileged, facile world of her employers while comparing it to the vivid realities of her home in the Caribbean.

Jamaica Kincaid's first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. As Mr. Potter's narrative unfolds in linked vignettes, his story becomes the story of a vital, damaged community.

Life Is Short - Art Is Shorter is not just the first anthology gathering both mini-essays and short-short stories. Listeners, writers, and teachers will get an anthology; a course’s worth of writing exercises; a rally for compression, concision, and velocity in an increasingly digital post-religious age; and a meditation on the brevity of human existence.

An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl’s existence. Loved and cherished, Annie grows and thrives within her mother’s shadow. When she turns twelve, however, Annie’s life changes, in ways that are often mysterious to her.

An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl’s existence. Loved and cherished, Annie grows and thrives within her mother’s shadow. When she turns twelve, however, Annie’s life changes, in ways that are often mysterious to her.

The author of Annie John, Lucy, and The Autobiography of My Mother delves into her long-awaited new novel about a complicated modern family, featuring Mr. and Mrs. Sweet and their two children, Heracles and Persephone, who live in the Shirley Jackson house in Vermont. Kincaid discusses her novel with her old friend Ian Frazier ( The Cursing Mommy's Book of Days).

Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal ‘Girl’, these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother–daughter relationships, the intangible beauty of the natural world and the striving for independence in a colonial landscape.

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. At first glance Lewis and Mariah are a blessed couple—handsome, rich and seemingly happy. Almost at once, however, Lucy begins to notice cracks in their beautiful facade. With a mixture of anger and compassion, Lucy scrutinizes the privileged, facile world of her employers while comparing it to the vivid realities of her home in the Caribbean.

Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal ‘Girl’, these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother–daughter relationships, the intangible beauty of the natural world and the striving for independence in a colonial landscape.

Xuela’s vivid, visceral recollections of the lonely, unsettled life that follows the trauma of her arrival include that of her distant father, who sends her away to another household at the earliest opportunity; of her passion for the stevedore Roland, who fulfils her sexually but not intellectually; and of her husband, who provides her with status and a wealthy lifestyle but whom she is incapable of loving.

The island of Antigua comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who took her own life, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters.

A piercing examination of the manifold ways in which the passing of time operates on the human consciousness. Kincaid inhabits each of her characters – a mother, a father, and their two children, living in a small village in New England – as they move, in their own minds, between the present, the past, and the future. Her characters, constrained by the world, despair in their domestic situations. But their minds wander, trying to make linear sense of what is, in fact, non-linear.

Xuela’s vivid, visceral recollections of the lonely, unsettled life that follows the trauma of her arrival include that of her distant father, who sends her away to another household at the earliest opportunity; of her passion for the stevedore Roland, who fulfils her sexually but not intellectually; and of her husband, who provides her with status and a wealthy lifestyle but whom she is incapable of loving.

The island of Antigua comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who took her own life, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters.