Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Rachel is a student working at a bookstore when she meets James, and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them.

Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Maria Bamford is a comedian’s comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it. In Bamford’s “trademark blend of disarming intimacy and dark whimsy” (Publishers Weekly), Sure, I’ll Join Your Cult brings us on a quest to participate in something.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

Maria Griffiths is almost thirty and works at a used bookstore in New York City while trying to stay true to her punk values. She’s in love with her bike but not with her girlfriend, Steph. She takes random pills and drinks, but doesn’t inject anything except, when she remembers, estrogen, because she’s trans. Everything is mostly fine until Maria and Steph break up, sending Maria onto a cross-country trek. She ends up in the backwater town of Star City, Nevada, where she meets James, who is probably but not certainly trans, and who reminds Maria of her younger self.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene’s recipes for her signature scents are a well guarded secret—but it's not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they've needed to keep others out. And now they're worried they're keeping a murderer in. When your existence is a crime, everything you do is criminal, and the gates of Lavender House can’t lock out the real world forever.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

Poppy and Alex. Alex and Poppy. They have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart—she’s in New York City, and he’s in their small hometown—but every summer, for a decade, they have taken one glorious week of vacation together.

Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation - awkward but electrifying - something life changing begins. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another.

Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank’s life is full of all the excesses Cleo’s lacks. He offers her the chance to be happy, the freedom to paint and the opportunity to apply for a green card. But their impulsive marriage irreversibly changes both their lives and the lives of those close to them, in ways they never could’ve predicted.

Julia hasn't had sex in three years. Her roommate has a boyfriend - and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she's treading water in a dead-end job, her know-it-all therapist gives her advice she doesn't ask for, and the men she is surrounded by are, to be polite, subpar.

Frances is a cool-headed and darkly observant young woman vaguely pursuing a career in writing while studying in Dublin. Her best friend and comrade-in-arms is the beautiful and endlessly self-possessed Bobbi. At a local poetry performance one night, Frances and Bobbi catch the eye of Melissa, a well-known photographer, and as the girls are then gradually drawn into Melissa's world, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband, Nick.

In the early hours of a summer morning, a young woman steps into the path of an oncoming bus. A tragic accident? Or suicide? At the center of this puzzle is Adrian Wolfe, a successful architect and grief-stricken widower, who, a year after his third wife's death, begins to investigate the cause. As Adrian looks back on their brief but seemingly happy marriage, disturbing secrets begin to surface. The divorces from his two previous wives had been amicable, or so it seemed; his children, all five of them, were resilient as ever, or so he thought.

Rose and Lily Winters are twins, as close as the bond implies; they feel each other’s emotions, taste what the other is feeling. Like most young women, they’ve struggled with their bodies and food since childhood, and high school finds them turning to food - or not - to battle the waves of insecurity and the yearning for popularity. But their connection can be as destructive as it is supportive, a yin to yang. When Rose stops eating, Lily starts - consuming everything Rose won’t or can’t.

On a beautiful summer night in a charming English suburb, a young woman and her boyfriend disappear after partying at the massive country estate of a new college friend. One year later, a writer moves into a cottage on the edge of the woods that border the same estate. Known locally as the Dark Place, the dense forest is the writer’s favorite place for long walks and it’s on one such walk that she stumbles upon a mysterious note that simply reads, “DIG HERE.”

In 1995, six university students moved into the house at 215 Caldwell Street. Months later, one of them was found dead on the sofa the morning after their end-of-year party. His death was ruled an accident by the police. The remaining five all knew it wasn’t, and though they went on with their lives, the truth of what happened to their sixth housemate couldn’t stay buried forever. Twenty years later, all five of them arrive - lured separately under various pretenses - at Wolfheather House, a crumbling, secluded mansion on the Scottish isle of Doon.

Sasha Adams has it all. Fulfilling career, loving family, great friends, and . . . Who's she kidding? She lives at home with her aging mother, Fleur. She works as a massage therapist, and spends all her time with her best friend, Bobbi. But damn it, she's happy. Well, okay, maybe not happy, but she's content. It's enough. Until the well-meaning but meddlesome women in her life, Fleur and Bobbi, team up and enter Sasha into a writing competition with the potential to change her life.

From the best-selling author of One Day comes a bittersweet and brilliantly funny coming-of-age tale about the heart-stopping thrill of first love - and how just one summer can forever change a life.

In her first weeks at Hawthorne College, Malin is swept up into a tight-knit circle that will stick together through all four years. There’s Gemma, an insecure theater major from London; John, a tall, handsome, wealthy New Englander; Max, John’s cousin, a shy pre-med major; Khaled, a wisecracking prince from Abu Dhabi; and Ruby, a beautiful art history major. But Malin isn’t like the rest of her friends. She’s an expert at hiding her troubled past - all while using her extraordinary insight to detect their deepest vulnerabilities and weaknesses.

Mizuki is a Japanese housewife. She has a hardworking husband, two adorable children, and a beautiful Tokyo apartment. It’s everything a woman could want, yet sometimes she wonders whether she would rather throw herself off the high-rise balcony than spend another evening not talking to her husband and hanging up laundry.

When Bonnie Graham arrives at her boyfriend’s apartment in London, she is horrified to discover a dead body in a pool of blood on the floor. But she doesn’t call the police. Bonnie hides the corpse and then carefully wipes away any evidence she was ever there. Bonnie is a music teacher who spent a long, hot summer in London rehearsing with a band to play at a friend’s wedding. It was supposed to be fun, but the band members find the complicated knots of their friendships - some old, some new - unraveling as the days themselves unwind.

Rosemary Rabourne is already struggling to pay the bills when her recently orphaned half sister, Wendy, shows up at her door. Rosemary will try anything to provide for the traumatized teenager—including offering her services as a high-end escort. Leo Glass is the billionaire CEO of a revolutionary social app. He wants the “girlfriend experience”—someone contractually obligated to love him—and he thinks he’s found the perfect match in Rosemary.

Jess, a 29-year-old Londoner with a Kate Beckett fringe and a tendency for dramatics, gets taken on a surprise trip by her long-term boyfriend, Pete, to attend her best friend’s last-minute wedding in South Africa. Jess imagines sun, sand, wine and safaris. And returning to London with an ethically mined diamond on her left hand... But this holiday isn’t set to be quite the fairy tale Jess has planned. Suddenly she finds her world tilting on its axis, and things are only set to get worse when Jess returns home....

Tiffy and Leon share an apartment. Tiffy and Leon have never met. After a bad breakup, Tiffy Moore needs a place to live. Fast. And cheap. But the apartments in her budget have her wondering if astonishingly colored mold on the walls counts as art. Desperation makes her open minded, so she answers an ad for a flatshare. Leon, a night shift worker, will take the apartment during the day, and Tiffy can have it nights and weekends. He'll only ever be there when she's at the office. In fact, they'll never even have to meet.

The Snakes exposes the damage wreaked by parents on children as observed by a new member of the family, Dan, a mixed-race man from Peckham who marries Bea, the daughter who refuses to take any of her father’s filthy money. But when Bea’s brother, Alex (who runs a shabby hotel in Paligny, France), dies suddenly in unexplained circumstances, the confusion and suspicion which arise bring other dark family secrets - and violence - to the surface. And none of the family, even the good members, go untouched.

Robin Lindstrom spent her first year as a young widow cocooned in the safe haven of the Minnesota farmhouse she’d once shared with Gabe, the love of her life—the man she thought she’d be with ’til the end. But her world is turned upside down when she receives an email informing her that her late husband has enrolled her in a dating app. The subscription lasts 12 months; use it!, Gabe’s message-from-the-grave reads. I don’t like the thought of you being alone. If you won’t do it for yourself, do it as a favor to me. Please.

A grieving mother calls out to her faraway son. A student forgoes the lurid appeal of dating apps in exchange for a painter’s love. The anonymous voices of queer native men converge amid violent eroticism. A man just out of prison balances the uneasy weight of family and freedom, while a professor returns home to conduct research only to be haunted by a dark specter. The stories and voices in Billy-Ray Belcourt’s debut story collection are buoyed by philosophical undergirding, poetic demand, and the complex relationship between aesthetics and ethics.

Abigail, a wealthy homeowner, decides to throw a lavish birthday in a hillside mansion to raise money for the city’s newest affordable housing project—and prove to her family that she’s made something worthwhile of her life. Sunny, a construction worker who sleeps in a van along the bay’s shore, is in the running for an apartment—but only if enough funds are raised at the party.

Nora November is alive—but she wasn't always. She was once clinically dead, having spent several minutes under water after a terrible surfing accident she doesn't remember. What she does remember from her time in a coma is her grandfather, who passed away over a year ago. And a beautiful garden. And the most delicious tomato she ever tasted. Now that she's awake again her life has been cleaved in two. In the Before, Nora lived like a ghost, drowning under the weight of her parents' expectations. In the After, she's determined to accomplish the things she left undone before she died.

Erin is a plastic girl living in a plastic world. Every day she eats a breakfast of boiled chicken, then conveys her articulated body to Tablet Town, where she sells other figurines Smartbodies: wearable tech that allows full physical immersion in a virtual world, a refuge from real life’s brutal wars, oppressive governmental monitoring, and omnipresent eco-terrorist insurgency. If you cut her, she will not bleed—but she and her fellow figurines can still be cracked or blown apart by gunfire or bombs, or crumble away from nuclear fallout.

Audrey St. Vrain has grown up in the shadow of someone who doesn’t actually exist. Before she was born, her mother, Camilla St. Vrain, wrote the bestselling book Letters to My Someday Daughter, a guide to self-love that advises treating yourself like you would your own hypothetical future daughter. The book made Audrey’s mother a household name, and she built an empire around it. While the world considers Audrey lucky to have Camilla for a mother, the truth is that Audrey knows a different side of being the someday daughter.

Almost a decade ago, Willie Revel gave up her burgeoning journalism career in New York to help run her father’s struggling construction company in Philadelphia. An ambitious single mother, Willie has reluctantly put family first without being able to forget who she might have become. Now, as the president of the United States prepares to pass the Forgiveness Act, a bill that would allow Black families to claim reparations if they can prove they are the descendants of slaves, Willie delves deeper into her family’s history, while also trying to keep the family from going into bankruptcy.

Maren Winter is a world-renowned restaurateur who has built an empire. No one heeds the whispers of her retirement more closely than her three daughters, all in service to their mother’s legacy. On the night of Maren’s annual New Year’s Eve party, a line is crossed, and word of a humiliating family meltdown spreads like a Northern California wildfire through the culinary elite. It’s a golden opportunity for one of them to step into power—and a trigger for a spiraling descent into paranoia and blind ambition.

When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure, and incomprehensible to his grieving family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul sees Julian as his sole intellectual equal — an ally against the conventional world he finds so suffocating.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart. Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms.