Leila Syed receives a call that cleaves her life in two. Her brother-in-law’s voice is filled with panic. His son’s nursery has called to ask where little Max is. Leila was supposed to drop Max off that morning. But she forgot. Racing to the carpark, she grasps the horror of what she has done. What follows is an explosive, high-profile trial that will tear the family apart. But as the case progresses it becomes clear there’s more to this incident than meets the eye.

Kamran Hadid feels invincible. He attends Hampton school, an elite all-boys boarding school in London, he comes from a wealthy family and he has a place at Oxford next year. The world is at his feet. And then a night of revelry leads to a drunken encounter, and he must ask himself a horrific question. With the help of assault counsellor Zara Kaleel, Kamran reports the incident in the hopes that will be the end of it. But it’s only the beginning....

Salma Khatun is hopeful about Blenheim, the suburban development into which she, her husband, and their son have just moved. The Bangladeshi family needs a fresh start, and Blenheim feels like just the place. Soon after they move in, Salma spots her white neighbor, Tom Hutton, ripping out the anti-racist banner her son put in the front garden. Avoiding confrontation, Salma takes the banner inside and puts it in her window. But the next morning, she wakes up to find her window smeared with paint.

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone’s on to her - Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger.

Soon, Rebecca Gray won't be able to see. Diagnosed in her 20s with a degenerative eye disease, each day her world grows a little darker. She's moved to the suburbs to raise her son, Jackson. In the wake of her husband's death, it should be a quieter, easier way of life.

Simon and Vicky couldn’t seem more normal: a wealthy Chicago couple, he a respected law professor, she an advocate for domestic violence victims. A stable, if unexciting marriage. But one thing’s for sure: absolutely nothing is what it seems. The pair are far from normal, and one of them just may be a killer. When the body of a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon and Vicky’s secrets begin to unravel. A secret whirlwind affair. A twenty-million-dollar trust fund about to come due.

Masterfully blending elements of psychological suspense and true crime, Jessica Knoll—author of the bestselling novel Luckiest Girl Alive and the writer behind the Netflix adaption starring Mila Kunis—delivers a new and exhilarating thriller in Bright Young Women. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including sorority president and key witness, Pamela Schumacher, are forever changed.

Florence Lovelady's career was made when she convicted coffin-maker Larry Grassbrook of a series of child murders 30 years ago in a small village in Lancashire. Like something out of a nightmare, the victims were buried alive. Florence was able to solve the mystery and get a confession out of Larry before more children were murdered, and he spent the rest of his life in prison. But now, decades later, he's dead, and events from the past start to repeat themselves. When her own son goes missing under similar circumstances, the case not only gets reopened...it gets personal.

Two days ago, the Wilson family checked into the imposing, glass-fronted Lodge, surrounded by snow and perched perilously on the edge of a cliff looking out to a gray sea. Not everyone was looking forward to the family get-together. But mother-in-law Angela insisted the winter trip would help heal their rifts....

Set against the backdrop of an eerie island town in the dead of winter, The Wife and the Widow is an unsettling thriller told from two perspectives: Kate, a widow whose grief is compounded by what she learns about her dead husband’s secret life; and Abby, an island local whose world is turned upside when she’s forced to confront the evidence of her husband’s guilt. But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives.

North Carolina, 2018: Morgan Christopher's life has been derailed. Taking the fall for a crime she did not commit, her dream of a career in art is put on hold - until a mysterious visitor makes her an offer that will get her released from prison immediately. Her assignment: restore an old post office mural in a sleepy Southern town. Morgan knows nothing about art restoration, but desperate to be free, she accepts. What she finds under the layers of grime is a painting that tells the story of madness, violence, and a conspiracy of small town secrets.

Grace Holloway keeps to herself. Since narrowly escaping death at the hands of the man who kidnapped her, she’s thrown herself into the small inn she runs in Rock Harbor, Maine. It’s quiet, quaint and, in the off-season, completely isolated—the perfect place for Grace to keep her own secrets. But Grace isn’t the only one with something to hide, and Rock Harbor isn’t just a sleepy vacation town. Someone is taking young women—girls who look an awful lot like Grace did when she was kidnapped so many years ago.

Psychiatrist Dr. Gwen Moore is an expert on killers. She’s spent a decade treating California’s most depraved predators and unlocking their motives - predators much like the notorious Bloody Heart serial killer, whose latest teenage victim escaped and then identified local high school teacher Randall Thompson as his captor. The case against Thompson as the Bloody Heart Killer is damning - and closed, as far as Gwen and the media are concerned. If not for one new development.

Two women. Many aliases. Meg Williams. Maggie Littleton. Melody Wilde. Different names for the same person, depending on the town, depending on the job. She's a con artist who erases herself to become whoever you need her to be—a college student. A life coach. A real estate agent. Nothing about her is real. She slides alongside you and tells you exactly what you need to hear, and by the time she's done, you've likely lost everything.

Nikki Griffin isn't your typical private investigator. In her office above her bookstore’s shelves and stacks, where she luxuriates in books and the comfort they provide, she also tracks certain men. Dangerous men. Men who have hurt the women they claim to love. When a regular PI job tailing Karen, a tech company's disgruntled employee who might be selling secrets, turns ugly and Karen's life is threatened, Nikki has to break cover and intervene.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

Detective Abby Stanfield has worked tirelessly to bring serial killer Billy Ward to justice, but when his case is thrown out of court, Abby loses control and threatens publicly to kill him. Forced to take a leave of absence from her job, Abby heads to a mountain resort where she meets Sarah Murphy. The two women discover love for the first time in their lives, but are soon torn apart.

When the most famous toddler in America, Charles Lindbergh, Jr., is kidnapped from his family home in 1932, the case makes international headlines. Already celebrated for his flight across the Atlantic, his father, Charles, Sr., is the country’s golden boy, with his wealthy, lovely wife, Anne Morrow Lindbergh, by his side. But there’s someone else in their household—Betty Gow, a formerly obscure young woman, now known around the world by another name: the Lindbergh Nanny. Betty must find the truth in order to clear her own name—and to find justice for the child she loves.

Max Parkman - autistic and whip-smart, emotionally fragile and aggressive - is perfect in his mother's eyes. Until he's accused of murder. Attorney Danielle Parkman knows her teenage son Max's behavior has been getting worse - using drugs and lashing out. But she can't accept the diagnosis she receives at a top-notch adolescent psychiatric facility that her son is deeply disturbed. Dangerous. Until she finds Max, unconscious and bloodied, beside a patient who has been brutally stabbed to death.

Cat Kinsella overcame a troubled childhood to become a detective constable. When she’s called to the scene of a murder, not far from the pub her estranged father still runs, she discovers that Alice Lapaine is dead. Cat and her team suspect Alice’s husband, until she receives a phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland 18 years earlier. The call raises uneasy memories for Cat. Though she was only a child, Cat knew that her father wasn’t telling the truth when he denied knowing anything about Maryanne or her disappearance.

It happened the day of the Moon Festival. It could have been left behind, they all could have moved on with their lives. But secrets have a habit of rising to the surface, especially in small towns. Two couples, four ironclad friendships, the perfect coastal holiday town. With salt-stung houses perched like lifeguards overlooking the shore, Lago Point is the scene of postcards, not crime scenes. Wife and mother Abbi, town cop Blake, schoolteacher Hannah and local doctor Will are caught in their own tangled webs of deceit.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Kamran Hadid feels invincible. He attends Hampton school, an elite all-boys boarding school in London, he comes from a wealthy family and he has a place at Oxford next year. The world is at his feet. And then a night of revelry leads to a drunken encounter, and he must ask himself a horrific question. With the help of assault counsellor Zara Kaleel, Kamran reports the incident in the hopes that will be the end of it. But it’s only the beginning....

Leila Syed receives a call that cleaves her life in two. Her brother-in-law’s voice is filled with panic. His son’s nursery has called to ask where little Max is. Leila was supposed to drop Max off that morning. But she forgot. Racing to the carpark, she grasps the horror of what she has done. What follows is an explosive, high-profile trial that will tear the family apart. But as the case progresses it becomes clear there’s more to this incident than meets the eye.

Salma Khatun is hopeful about Blenheim, the suburban development into which she, her husband, and their son have just moved. The Bangladeshi family needs a fresh start, and Blenheim feels like just the place. Soon after they move in, Salma spots her white neighbor, Tom Hutton, ripping out the anti-racist banner her son put in the front garden. Avoiding confrontation, Salma takes the banner inside and puts it in her window. But the next morning, she wakes up to find her window smeared with paint.

Salma Khatun is extremely hopeful about Blenheim, the safe suburban development to which she, her husband and their son have just moved. Their family is in desperate need of a fresh start, and Blenheim feels like the place to make that happen. Not long after they move in, Salma spots her neighbour, Tom Hutton, ripping out the anti-racist banner her son put in their front garden. She chooses not to confront Tom because she wants to fit in. It's a small thing, really. No need to make a fuss.

When Alex first began posting unscripted family moments and motivational messages online, she had no intention of becoming an influencer. Overnight it seemed she’d amassed a huge following, and her hobby became a full-time job—one that was impossible to manage without her sharp-as-a-tack personal assistant, AC. But all the good-will of her followers turns toxic when one controversial post goes viral in the worst possible way.

April Clarke-Cliveden was the first person Hannah Jones met at Oxford. Vivacious, bright, occasionally vicious, and the ultimate It girl, she quickly pulled Hannah into her dazzling orbit. Together, they developed a group of devoted and inseparable friends—Will, Hugh, Ryan, and Emily—during their first term. By the end of the year, April was dead.

On a beautiful summer night in a charming English suburb, a young woman and her boyfriend disappear after partying at the massive country estate of a new college friend. One year later, a writer moves into a cottage on the edge of the woods that border the same estate. Known locally as the Dark Place, the dense forest is the writer’s favorite place for long walks and it’s on one such walk that she stumbles upon a mysterious note that simply reads, “DIG HERE.”

One year ago, Isabelle Drake's life changed forever: her toddler son, Mason, was taken out of his crib in the middle of the night while she and her husband were asleep in the next room. With little evidence and few leads for the police to chase, the case quickly went cold. However, Isabelle cannot rest until Mason is returned to her—literally. Except for the occasional catnap or small blackout where she loses track of time, she hasn’t slept in a year. Isabelle's entire existence now revolves around finding him, but she knows she can’t go on this way forever.

Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid. The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek’s father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy.

Mary B. Addison killed a baby. Allegedly. She didn't say much in that first interview with detectives, and the media filled in the only blanks that mattered: a white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary, and the jury made it official. But did she do it?