Showing titles in Humorous

After much searching, Amber and Stevie find the perfect house - a bit shabby but with potential - in Grimaldi Square. Just the two of them; a place where they can start their lives together. Recently married, they want to begin a family (with the help of their gay best friend, Jack). Despite the rundown pub across the way, the overgrown garden and a decidedly nosy neighbour, it's the house of their dreams. But they are not alone in this dream.

When Mona Ramsey married Lord Teddy Roughton to secure his visa—allowing him to remain in San Francisco to fulfill his wildest dreams—she never imagined she would, by age 48, be the sole owner of Easley House, Teddy’s grand, romantic country manor in the UK. She also didn't imagine that she’d need to open the manor’s doors to paying guests to afford the electric bill and repair the leaking roof. Yet somehow she and her young friend Wilfred--whom guests assume is serving as Easley’s charming-but-clumsy butler--and the loopy old gardener Mr. Hargis, are making it work.

For almost four decades Armistead Maupin's Tales of the City has blazed its own trail through popular culture - from a groundbreaking newspaper serial to a classic novel, to a television event that entranced millions around the world. The first of nine novels about the denizens of the mythic apartment house at 28 Barbary Lane, Tales is both a sparkling comedy of manners and an indelible portrait of an era that changed forever the way we live.

Devastatingly handsome and insanely rich, Farrell Covington is capable of anything and impossible to resist. He’s a clear-eyed romantic, an aesthete but not a snob, self-indulgent yet wildly generous. As the son of one of the country’s most powerful and deeply conservative families, the world could be his. But when he falls for Nate Reminger, an aspiring writer from a nice Jewish family in Piscataway, New Jersey, the results are passionate and catastrophic. Together, the two embark on a unique romance that spans half a century.

The Beidermeier might be several rungs lower on the ladder than the real-life Barbizon, but its residents manage to occupy one another nonetheless. There’s Katherine, the first-floor manager, lightly cynical and more than lightly suggestible. There’s Lucianne, a workshy party girl caught between the love of comfort and an instinctive bridling at convention, Kitty the sponger, Ruth the failed hairdresser, and Pauline the typesetter. And there’s Stephen, the daytime elevator operator and part-time Cooper Union student.

Kasey Nottingham needs a splashy idea at her company where they find and develop the next big thing for investors—her job depends on it. Impulsively, she pitches Mags’ Desserts, a beloved small-town business run by her grandma Mags and live-in “best friend” Celia, two women who overcame deadbeat husbands and financial ruin to build a word-of-mouth clientele. Kasey expects her boss to say no. Instead, he sends her home to North Carolina to land the deal…and now she has a problem.

Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet. It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.

Barrington Jedidiah Walker is 74 and leads a double life. Born and bred in Antigua, he's lived in Hackney, London, for years. A flamboyant character with a fondness for William Shakespeare, Barrington is a husband, father, grandfather - and also secretly gay. His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away?

Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades, and every day begins with 20 minutes of contemplative silence in the Meetinghouse. It is during one of those meetings that an airplane hits the Twin Towers. For two Idlewild outcasts, 9/11 serves as the first day of an intense 18-month friendship. Fay is prickly, aloof, and obsessed with gay men; Nell is shy, sensitive, and obsessed with Fay. The two of them bond and spend all their waking hours giddily parsing their environment for homoerotic subtext.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

Noah desperately needs a new job that involves less blood and piss than his current one. So, when he spots an ad for a newspaper with "No experience preferred," he puts on his good shirt and marches down to their average-looking office to unknowingly sign his life away. Malachia is the only human left in the City of Silence and she spends her time wandering its empty, bone-filled streets. Until one day she finds a lone figure hunched over a typewriter, his fingers enmeshed with the keys. Could he be the answer to finding her lost love?

In the final year of the nineteenth century, Peter Winceworth is toiling away at the letter S for Swansby’s multivolume Encyclopaedic Dictionary. But his disaffection with his colleagues compels him to assert some individual purpose and artistic freedom, and he begins inserting unauthorized, fictitious entries.

Enid is obsessed with space. She can tell you all about black holes and their ability to spaghettify you without batting an eye in fear. Her one major phobia? Bald men. But she tries to keep that one under wraps. When she’s not listening to her favorite true crime podcasts on a loop, she’s serially dating a rotation of women from dating apps. At the same time, she’s trying to forge a new relationship with her estranged half-sisters after the death of her absent father.

One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo's wife - and the only person Jessa's ever been in love with - walks out without a word.

Who says you can't run away from your problems? You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes—it would be too awkward—and you can't say no—it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all. What would possibly go wrong?

Damani is tired. Her father just died on the job at a fast-food joint, and now she lives paycheck to paycheck in a basement, caring for her mom and driving for an app that is constantly cutting her take. The city is roiling in protests—everybody's in solidarity with somebody—but while she keeps hearing that they’re fighting for change on behalf of people like her, she literally can’t afford to pay attention.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or twelve and nurse a broken heart, shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances’s bed and never left. Now, faced with mounting pressure from her drug dealer, Dom (and his goon, Betty), Frances comes up with a terrible idea: She asks Elaine to move in with her for real.

Julia Rosenberg loves her brother. Really loves him. Enough to: Be the "best woman" at his wedding; leave behind her hard-won New York life, brilliant best friends, and drag brunches for Boca Raton, Florida; entertain the uptight bride-to-be and her vicious cronies; try (and fail) to dodge the hometown hookup buddy she can’t resist; and navigate the tricky dynamics with her divorced parents. She’s not that nervous. She has a supportive family that stood by her when she came out as a woman a few years ago.

Julia hasn't had sex in three years. Her roommate has a boyfriend - and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she's treading water in a dead-end job, her know-it-all therapist gives her advice she doesn't ask for, and the men she is surrounded by are, to be polite, subpar.

Henry is a lawyer, an old-fashioned man, gay, successful, and lonely. Thalia, his stepdaughter from a misbegotten marriage, is now twenty-nine, an actress, hopeful and estranged from her newly widowed crackpot mother. Hoping it will lead to better things for her career, Thalia poses as the girlfriend of a former sitcom star and current horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love.