Showing results by narrator "Julienne Irons" in All Categories

A much-needed guide to this increasingly popular divination system written by a Lenormand master and teacher.

High school is supposed to be about studying, socializing, and marching-band practice. Not fighting vampires. Then one night flipped my world inside out-now, my life sucks. But it isn't all bad. I'm at a slayer academy, learning things like the real origin of vamps and how to make serious weapons out of thin air. Every last one of them will pay for what they did. I'm doing great. Until I come face-to-face with the actual vampire prince.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

The companions are caught in the destructive path of a nihilistic doomsday cult devoted to killing anyone over the age of twenty-one, even their own people. Ricky falls under the spell of their charismatic leader when his allies are imprisoned and scheduled for a showy execution. Someone needs to argue the case for his allies, but it’s an argument that will require some very special persuasion... of the 9 mm caliber variety!

Junior year has come for the remaining students of Melbrook Hall, and it promises to be the most difficult one yet. With one of their own gone and another under serious investigation, none of the former Powereds knows how many days remain for them in the Hero Certification Program.

During the recent presidential election, "media literacy" became a buzzword that signified the threat media manipulation posed to democratic processes. Meanwhile, statistical research has shown that eight- to eighteen-year-olds pack more than eleven hours with some form of media into each day by "media multitasking." Young people are not only eager and interested to learn about and discuss the realities of media ownership, production, and distribution, they also deserve to understand differential power structures in how media influences our culture.

Raised to be the ultimate scam artist, April has been many women to many people. She seduces, extracts fortunes, then vanishes without a trace. And now she's finally living her dream of having two perfect—separate—lives. That means two mad-successful identities, and two unsuspecting husbands. But a mysterious package has just arrived—and its contents threaten to expose April's every scandalous secret . . .

Reproductive Justice is a first-of-its-kind primer that provides a comprehensive yet succinct description of the field. Written by two legendary scholar-activists, Reproductive Justice introduces students to an intersectional analysis of race, class, and gender politics. Loretta J. Ross and Rickie Solinger put the lives and lived experience of women of color at the center of the book and use a human rights analysis to show how the discussion around reproductive justice differs significantly from the pro-choice/anti-abortion debates that have long dominated the headlines.

Romantic love has been one of the most essential elements of storytelling for centuries. But for Black people in the United States and across the diaspora, it hasn't often been easy to find Black romance joyfully showcased in entertainment media. In this collection, revered authors and sparkling newcomers, librarians and academicians, and avid fans and reviewers consider the mirrors and windows into Black love as it is depicted in the novels, television shows, and films that have shaped their own stories.

Immortality sucks. Just ask Imogen Gray: Over two-hundred thousand years old and teetering on the edge of total insanity. Strong as a shifter, faster than a vampire, Imogen's walked the earth forever, always alone, never growing, never changing. Never learning, either. Her smart mouth and quick temper get her into trouble far too often. When that happens, she gets hurt—and it can take a long time to heal from severed limbs and disembowelment. She's so tired of it all.

Carmine Luedke, a shy, narcoleptic bookkeeper hides from the world and comforts himself by reciting arcane mathematical equations and proofs. Unable to stay awake during the day, he works through the night balancing the books. But suddenly, the numbers aren’t adding up….One fateful night, an unexpected and shocking reunion with a long-lost friend he believed to be dead sends shockwaves through Carmine's carefully crafted routine. She arrives with an urgent plea and vanishes into thin air, leaving him with more questions than answers.

True to Our Native Land is a pioneering commentary on the New Testament that sets biblical interpretation firmly in the context of African American experience and concern. In this second edition, the scholarship is cutting-edge, updated, and expanded to be in tune with African American culture, education, and churches.

Imogen's got some answers about her origins, and a promise from Rafael that he'll help to cure her immortality. But there's a few brand-new problems standing in her way . . . A vicious pack of disenfranchised Alphas are on their way to Backman's shifter school, coming to try and reclaim what they think is rightfully theirs. A stunning vampire princess with a ring on her finger arrives at the country club to stir up the worst kind of trouble for Rafael. And Leroy's got a girlfriend. She's the worst.

Our narrator is a gifted photographer, an uncertain wife, an infertile mother, a biracial woman in an America that's coming undone. As she grapples with a lifetime of ambivalence about motherhood, yet another act of police brutality makes headlines, and this time the victim is Noah, a boy in her photography class. Unmoored by the grief of a recent, devastating miscarriage and Noah's fight for his life, she worries she can no longer chase the hope of having a child, no longer wants to bring a Black body into the world.

Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot

Our narrator is a gifted photographer, an uncertain wife, an infertile mother, a biracial woman in an unraveling America. As she grapples with a lifetime of ambivalence about motherhood, yet another act of police brutality makes headlines, and this time the victim is Noah, a boy in her photography class. Unmoored by the grief of a recent devastating miscarriage and Noah's fight for his life, she worries she can no longer chase the hope of having a child, no longer wants to bring a Black body into the world.

War between the island states of Kattaka and Mazemoor has left no one unscathed. Meka's nomadic people, the Ba'Suon, were driven from their homeland by the Kattakans. Those who remained were forced to live under the Kattakan yoke, to serve their greed for gold alongside the dragons with whom the Ba'Suon share an empathic connection. A decade later and under a fragile truce, Meka returns home from her exile for an ancient, necessary rite: gathering a king dragon of the Crown Mountains to maintain balance in the wild country.

Blocked creative ideas. Everybody has one, an inner critic that tells you that others have more talent, you’re just faking it, and that you’ll never have those great creative ideas that seem just out of reach. This inner critic is a subconscious deterrent that stands between the seeds of great creative ideas and the fruits of achievement. It afflicts us with a mental block as deadlines approach, makes us so afraid of being judged that we hold ourselves back and don’t share our expertise, and forces us to question our ability to learn ideas and technologies quickly.

Monsters of the Upside Down, beware! Travis Langley (author of the acclaimed Batman and Psychology) returns with a group of expert contributors to explore these and other questions to shine a light on true human nature through the Netflix series and cultural phenomenon Stranger Things.

Taking up that challenge and drawing from Baldwin's fiction, nonfiction, poetry, and interviews, You Mean It or You Don't will spur today's progressives from conviction to action. It is not enough, authors Hollowell and McGhee urge us, to hold progressive views on racial justice, LGBTQ+ identity, and economic inequality. True and lasting change demands a response to Baldwin's radical challenge for moral commitment. Called to move from dreams of justice to living it out in communities, churches, and neighborhoods, we can show that we truly mean it.