Showing results by narrator "Janina Edwards" in All Categories

Salo’s queen has finally accepted his desire to be a mystic despite taboos concerning men’s use of magic. But her acceptance is not support; it is strategy. Under a disguise of the queen’s making, Salo enters Jungle City as a pilgrim to the Red Temple, only to find a magical barrier barring his entrance. Left at the mercy of the warring political factions that run the city, Salo faces a series of obstacles wrought by an unseen hand, knowing he cannot return home without completing his pilgrimage. But Isa, King of the Saire clan, has her own plans for Salo.

The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates.

As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers.

Raising Multiracial Children gives caregivers the tools for exploring race with their children, offering practical guidance on how to initiate conversations; consciously foster racial identity development; discuss issues like microaggressions, intersectionality, and privilege; and intentionally cultivate a sense of belonging.

In the wake of the attack on Pearl Harbor in December 1941, Dorothy Thom, Spelman graduate, librarian and Francophile, joins the Women’s Army Corps wanting to do her part for the war effort. Longing for adventure, she has one question for the recruiter: “Do you think I’ll get to go abroad?” As Dorothy and her sister WACs discover, life in the Army is an adventure filled with unexpected deprivations and culture shock. Women from all levels of society, secretaries, teachers, and sharecroppers, work together to navigate a military segregated by race and gender.

A deadly force has been unleashed into the world. With apocalypse on the horizon, a girl and a god have joined in order to turn back the coming end. Young, brash, and desperate, they are willing to destroy anything and everything that stands between them and their goals. The structures of the Craft are theirs to overturn, with billions of lives in the balance. And it is all Tara Abernathy's fault.

In the second book of this series, a forest monster shows up looking for help with an embarrassing problem, and Zoey is sure it will be a simple fix. But her first two tries at helping him fail, and she has a sobbing monster on her hands! Will Zoey and Sassafras solve the problem in time for Gorp to go to the annual Monster Ball?

There is a Black mental health crisis in our world today, and it is tied to disproportionately high rates of chronic illness, poverty, under-education, unacknowledged and untreated trauma, and structural racism. Depression, anxiety, and suicide were increasing before the global pandemic, but have since escalated even further. Whether you suffer yourself, have a loved one who needs help, or are a mental health professional working with the Black community, this workbook will be your lifeline. This workbook offers a step-by-step, interactive journey toward better mental health.

In Brother Robert, nonagenarian Annye C. Anderson sheds new light on a real-life figure largely obscured by his own legend: her kind and incredibly talented stepbrother, Robert Johnson. This book chronicles Johnson's unconventional path to stardom, from the harrowing story behind his illegitimate birth, to his first strum of the guitar on Anderson's father's knee, to the genre-defining recordings that would one day secure his legacy.

Celie and Shug from The Color Purple subtly shadow the lives of the dozens of astonishing characters in The Temple of My Familiar, all of whom are dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie’s own granddaughter living in modern-day San Francisco, they must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.

Twelve year-old Serenity Noah has never told anyone about her recurring nightmares -- the haunting images of silver butterflies whose flapping wings drive away all sound, leaving only suffocating silence in their wake. Her parents already favor her "perfect" younger brother, Peace, and she doesn't want to be seen as the "problem" child. Instead, Serenity's found a productive way to channel her fears: creating a horror movie as scary as her nightmares. When Peace suddenly becomes afraid of the dark and refuses to sleep alone, their parents take him away for "treatment" on Duppy Island.

In her New York Times best seller White Rage, Carol Anderson laid bare an insidious history of policies that have systematically impeded black progress in America, from 1865 to our combustible present. With One Person, No Vote, she chronicles a related history: the rollbacks to African American participation in the vote since the 2013 Supreme Court decision that eviscerated the Voting Rights Act of 1965. Known as the Shelby ruling, this decision effectively allowed districts with a demonstrated history of racial discrimination to change voting requirements without approval from the Department of Justice.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world. For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth?

A mixed-race orphan, Murray grew up in segregated North Carolina before escaping to New York, where she attended Hunter College and became a labor activist in the 1930s. When she applied to graduate school at the University of North Carolina, where her white great-great-grandfather had been a trustee, she was rejected because of her race. She went on to graduate first in her class at Howard Law School, only to be rejected for graduate study again at Harvard University this time on account of her sex. Undaunted, Murray forged a singular career in the law.

In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation—women on the board of Fortune 500 companies and our first female vice president—women have limited recourse when they experience harassment and discrimination.

Terraform hones the predictive capacity of science fiction and seeks new, vivid, and visceral ways to depict the future we’re hurtling toward, translating the decay and anxiety that surround us into something else, something unexpected, something that burns like a beacon and upends the conventional ideas of where we’ll end up next. Section by section—Watch/Worlds/Burn—the book takes on surveillance, artificial intelligence, and climate collapse. With a potent roster of established names and rising talents, it confronts the issues that orbit our everyday existence.

Born into a "formerly untouchable manual-scavenging family in small-town India," Yashica Dutt was taught from a young age to not appear “Dalit looking.” Although prejudice against Dalits, who compose 25% of the population, has been illegal since 1950, caste-ism in India is alive and well. Blending her personal history with extensive research and reporting, Dutt provides an incriminating analysis of caste’s influence in India over everything from entertainment to judicial systems and how this discrimination has carried over to US institutions.

On the outside, clinical psychologist Dr. Olivia C. Maxwell appears to live a life others only dream about. She has a sexy husband, a big house, luxury cars, and two gorgeous children, and she attends all the see-and-be-seen events. To add to the mix, she is beautiful, tall, fit, and intelligent. But what people can't see is that inside, Olivia is living a nightmare. As the only dark-skinned member of her family, Olivia grew up hating the skin she's in and is desperately searching for acceptance. It's not long before those deep insecurities sabotage everything she loves.

Two world wars, the Civil Rights movement, and a Jheri curl later, Blacks in America continue to have a complex and convoluted relationship with their hair. From the antebellum practice of shaving the head in an attempt to pass as a "free" person to the 2013 uproar over an Ohio school that banned Afro puffs, the issues surrounding Black hair continue to linger as we move through the 21stst century.

The Secret Lives of Church Ladies explores the raw and tender places where Black women and girls dare to follow their desires and pursue a momentary reprieve from being good. The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church's double standards and their own needs and passions.