Aiden Valentine has a secret: he’s fallen out of love with love. And as the host of Baltimore’s romance hotline, that’s a bit of a problem. But when a young girl calls in to the station asking for dating advice for her mom, the interview goes viral, thrusting Aiden and Heartstrings into the limelight. Lucie Stone thought she was doing just fine. She has a good job; an incredible family; and a smart, slightly devious kid. But when all of Baltimore is suddenly scrutinizing her love life—or lack thereof—she begins to question if she’s as happy as she thought.

Rue Siebert might not have it all, but she has enough: a few friends she can always count on, the financial stability she yearned for as a kid, and a successful career as a biotech engineer at Kline, one of the most promising start-ups in the field of food science. Her world is stable, pleasant, and hard-fought. Until a hostile takeover and its offensively attractive front man threatens to bring it all crumbling down.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Natalie and Rob couldn’t have less in common. Nat’s a messy artist, and Rob’s a rigid academic. The only thing they share is their devotion to their respective best friends—who just got engaged. Still, unexpected chemistry has Natalie cautiously optimistic about being maid of honor to Rob’s best man. Until, minutes before the ceremony, Nat learns that Rob wrote a one-star review of her new novel, which has them both reeling: Nat from imposter syndrome, and Rob over the reason he needed to write it. When the reception ends, these two opposites hope they’ll never meet again.

Evie Jones has dedicated her life and very limited funds working for Southern Service Paws, the company that matched her with the love of her life: Charlie, a service dog trained to assist with her epilepsy. But it’s no secret that the company has been struggling to make ends meet. It’s up to her and her longtime mentor and boss to throw the fundraiser of the century to keep the doors open.

Gus Ryder has a lot on his plate. He doesn’t know what’s harder: taking care of his family’s 8,000 acre ranch, or parenting his spunky six-year-old daughter, who is staying with him for the summer. Gus has always been the dependable one, but when his workload starts to overwhelm him, he has to admit that he can’t manage everything on his own. He needs help. His little sister’s best friend, the woman he can’t stand, is not who he had in mind. But when no one else can step in, Teddy's the only option he’s got.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Ali Morris is a professional organizer whose own life is a mess. Her mom died two years ago, then her husband left, and she hasn’t worn pants with a zipper in longer than she cares to remember. No one is more surprised than Ali when the first time she takes off her wedding ring and puts on pants with hardware—overalls count, right?—she meets someone. Or rather, her dog claims a man for her, in the same way he claimed his favorite of her three children: by peeing on him. Ethan smiles at Ali like her pants are just right—like he likes what he sees.

Daphne Brink doesn’t follow baseball, but watching “America’s Snoozefest” certainly beats sitting at home in the days after she signs her divorce papers. After one too many ballpark beers, she heckles Carolina Battery player Chris Kepler, who quickly proves there might actually be a little crying in baseball. Horrified, Daphne reaches out to Chris on social media to apologize . . . but forgets to identify herself as his heckler in her message.

Emily Walker hates having her carefully crafted world disrupted by anyone, most of all her legendary nemesis, Jack Bennett. He's the opposite of the wonderful heroes she dreams up in her double life as a romance writer, which is why Emily was perfectly happy when Jack left Rome, Kentucky, mid-school year, with his fiancée. The last thing Emily saw coming was Jack’s return at the start of the summer after calling off the wedding and ending his relationship, but he’s here to stay—as her colleague and her neighbor.

Sage Byrd has lived in the coastal town of Spunes, Oregon (not to be confused with Forks, Washington) her entire life. She's learned to love her small world, with the misfit animals on her hobby farm, and her friendships with the town’s inhabitants. But when her 5-year relationship ends and her ex, town-golden-boy Ian, suddenly gets engaged, Sage needs a win—something that will convince everyone to stop pitying her all the time, and to put Ian in his place. The Festival of Spunes, the town’s annual summer competition, would be the perfect opportunity. She just needs a partner.

With a shiny new design degree but no job in sight, Cindy moves back in with her stepmother, Erica Tremaine, the executive producer of the world’s biggest dating reality show. When a contestant on Before Midnight bows out at the last minute, Cindy is thrust into the spotlight. Showcasing her killer shoe collection on network TV seems like a great way to jump-start her career. And, while she’s at it, why not go on a few lavish dates with an eligible suitor?

Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance.

In this highly anticipated sequel to the New York Times bestselling Better than the Movies, Wes and Liz struggle to balance their feelings for each other with the growing pains of being a college student.

It is 1997, and Amber Young has received a life-changing call. It’s a chance thousands of girls would die for: the opportunity to join girl group Cloud9 in Los Angeles and escape her small town. She quickly finds herself in the orbits of fellow rising stars Gwen Morris, a driven singer-dancer, and Wes Kingston, a member of the biggest boy band in the world, ETA. As Amber embarks on her solo career and her fame intensifies, her rich interior life is frequently reduced.

Eight years ago I fell into a secret summer fling with my best friend’s little sister before our lives went in different directions. Now, I’m the grumpy to Juliet’s sunshine on a popular dating podcast we host, and when a wealthy fan gives us a charming coastal cottage as the biggest thank you ever, we head to the town where I grew up to give it a makeover. And find the house has only one bed. Located under a mirrored ceiling.

Romance can be a little complicated when you get sucked into a wormhole. Just ask high school English teacher June Flint. One little solar flare happens and suddenly you find yourself 85 years in the future. Eighty-five years from your dream job. Your ailing mother whose only companion in this world is you. Your favorite stuffed-crust pizza from DeLucia’s on Sunday nights. But when June’s cell phone inexplicably picks up a signal, she’s able to call back to the present—more specifically, four weeks before she accidentally time traveled.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Jane Austen fan Amelia Bennett sneaks away from a dull tour of an English country manor, only to run into a man more dashing than Mr. Darcy himself. About to lose his ancestral home to family debts, charming aristocrat Tom Calder invites his American guest to join him in drinking his way through the estate’s priceless wine collection. But when they wake in his bed the next morning, they’re convinced that in their drunken haze they witnessed a murder. Problem is, the body has vanished and no one believes them.

Iris Nightingale is more than okay. She has her life planned out to a perfect schedule. Work, run, sleep, repeat. She spends her quiet Friday nights sitting alone on a bench in the park, trying to push back the memories that no amount of running can help her escape. But one evening, there’s someone else on her bench - Hunter. Tall, wry and infuriating: everything about him gets under Iris’s skin. Little does she know that he's about to upset more than just her routines...

With a shiny new design degree but no job in sight, Cindy moves back in with her stepmother, Erica Tremaine, the executive producer of the world’s biggest dating reality show. When a contestant on Before Midnight bows out at the last minute, Cindy is thrust into the spotlight. Showcasing her killer shoe collection on network TV seems like a great way to jump-start her career. And, while she’s at it, why not go on a few lavish dates with an eligible suitor?

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Ali Morris is a professional organizer whose own life is a mess. Her mom died two years ago, then her husband left, and she hasn’t worn pants with a zipper in longer than she cares to remember. No one is more surprised than Ali when the first time she takes off her wedding ring and puts on pants with hardware—overalls count, right?—she meets someone. Or rather, her dog claims a man for her, in the same way he claimed his favorite of her three children: by peeing on him. Ethan smiles at Ali like her pants are just right—like he likes what he sees.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Natalie and Rob couldn’t have less in common. Nat’s a messy artist, and Rob’s a rigid academic. The only thing they share is their devotion to their respective best friends—who just got engaged. Still, unexpected chemistry has Natalie cautiously optimistic about being maid of honor to Rob’s best man. Until, minutes before the ceremony, Nat learns that Rob wrote a one-star review of her new novel, which has them both reeling: Nat from imposter syndrome, and Rob over the reason he needed to write it. When the reception ends, these two opposites hope they’ll never meet again.

Daphne McFadden already knows that as a female author, the cards are stacked against her. Now she knows just how much. Because her sudden whim to pose as an “outdoorsy hunk of masculinity” male author for her new book just resulted in the unthinkable: a bidding war, a huge book deal, and the kind of fame every author dreams of. Now she’s in big trouble. Because she needs to convince the world that Zane Remington actually exists...but how? By hiring an actor, of course.

Dumped by her cheating ex, fired from her dream job, and about to lose her flat: Clementine Monroe is not having a good day. So when her sisters get her drunk and suggest reviving a childhood ritual called the Breakup Spell, she doesn’t see the harm in it. But now Clemmie has accidentally ruined a funeral, had her first one-night stand, and she’s stuck with a new job she definitely doesn’t want—spending six weeks alone with the gorgeous and very-off-limits rock star, Theo Eliott.

Rue Siebert might not have it all, but she has enough: a few friends she can always count on, the financial stability she yearned for as a kid, and a successful career as a biotech engineer at Kline, one of the most promising start-ups in the field of food science. Her world is stable, pleasant, and hard-fought. Until a hostile takeover and its offensively attractive front man threatens to bring it all crumbling down.

Recently ghosted and sick of watching her friends fade into the suburbs, thirty-something Hannah finds community in a true-crime forum that’s on a mission to solve the murders of four women in Atlanta. After William, a handsome lawyer, is arrested for the killings, Hannah begins writing him letters. It’s the perfect outlet for her pent-up frustration and rage. The exercise empowers her, and even feels healthy at first. Until William writes back.

New England, 2022. Three years ago, single mother Mallory Dunne received the telephone call every parent dreads—her ten-year-old son, Sam, had been airlifted from summer camp with acute poisoning from a toxic death cap mushroom, leaving him fighting for his life. Now, searching for the donor kidney that will give her son a chance for a normal life, Mallory’s forced to confront two harrowing secrets from her past: her mother’s adoption from an infamous Irish orphanage in 1952, and her own all-consuming summer romance fourteen years earlier with her childhood best friend, Monk Adams.

Daphne Brink doesn’t follow baseball, but watching “America’s Snoozefest” certainly beats sitting at home in the days after she signs her divorce papers. After one too many ballpark beers, she heckles Carolina Battery player Chris Kepler, who quickly proves there might actually be a little crying in baseball. Horrified, Daphne reaches out to Chris on social media to apologize . . . but forgets to identify herself as his heckler in her message.

Clementine forms a plan to keep her heart safe: work hard, find someone decent to love, and try to remember to chase the moon. The last one is silly and obviously metaphorical, but her aunt always told her that you needed at least one big dream to keep going. And for the last year, that plan has gone off without a hitch. Mostly. The love part is hard because she doesn’t want to get too close to anyone—she isn’t sure her heart can take it. And then she finds a strange man standing in the kitchen of her late aunt’s apartment.

Georgia Woodward lives by her lists, none more so than the one about her ex, Eli Mora. It’s full of the ironclad dos and don’ts they’ve been following since she returned to the Bay Area after their cataclysmic breakup five years ago. With the wedding of their mutual best friend, Adam, looming, and them about to step into their roles as best woman and man, Georgia’s never needed it more. She refuses to threaten their tight-knit friend group with her messy—and still very present—feelings. The rules on that list will keep her cool, calm, and compartmentalized.

A pasture of dead trees, a hostile takeover of the Santa barn by a family of raccoons, and shipments that have mysteriously gone missing—Lovelight Farms is not the magical winter wonderland of Stella Bloom’s dreams. In an effort to save the Christmas tree farm she’s loved since she was a kid, she enters a contest with instafamous influencer Evelyn St. James. With the added publicity and the $100,000 cash prize, she might just be able to save the farm from its financial woes. There’s just one problem.

Molly Marks writes Hollywood rom-coms for a living—which is how she knows “romance” is a racket. The one and only time she was naive enough to fall in love was with her high school boyfriend, Seth—who she ghosted on the eve of graduation and hasn’t seen in fifteen years.