Have you ever walked home at night, keys in hand, ready to throw a punch in self-defence? That’s how it all started. The killing spree, I mean. I sort of tripped into this role. Literally. The first one was following me. That guy from the nightclub who wouldn’t leave me alone. I pushed him, he stumbled, and fell onto his own broken wine bottle. Oops. It was such a waste of a good house white. But now I can’t seem to stop and nor do I want to, I’ve got a taste for revenge and quite frankly, I’m killing it.

This is not how she imagined it, any of it. Taylor Quinn arrives at her honeymoon suite in the City of Love alone, sans suitcase, but with wads of stolen cash. When she catches a glimpse of newlyweds Cassie and Olivier enjoying their happily ever, she can't tear her eyes away. And Cassie makes their antics easy to follow as she reveals every detail of their picture-perfect trip on social media. Taylor's obsession builds as she tracks their every move. This was the kind of life she was supposed to be living, this was the marriage she should have had, this was the honeymoon she dreamed of.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

Something bad happened last night. My best friend Posey is dead. The police think it was a tragic accident. I know she was murdered. But I can’t remember a thing. I’ve woken up with the hangover from hell, a stranger in my bed, and I’ve gone viral for the worst reasons. There’s only thing stopping me from dying of shame. I need to find a killer.

After the unexpected death of her father, college student Jane Sharp longs for a distraction from her grief. She becomes obsessed with true crime, befriending armchair detectives who teach her how to hunt killers from afar. In this morbid internet underground, Jane finds friendship, purpose, and even glory . . .So when news of the shocking deaths of three college girls in Delphine, Idaho, takes the world by storm, and sleuths everywhere race to solve the crimes, Jane and her friends are determined to beat them.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

When renowned anonymous author J. R. Alastor hires former aspiring writer Mila del Angél to host a writing retreat at his private manor off the coast of Maine, she jumps at the chance—particularly since she has an axe to grind with one of the invitees. The guest list? Six thriller authors, all masters of deceit, misdirection, and mayhem. Alastor and Mila have masterminded a week of games, trope-fueled riddles, and maybe a jump scare or two—the perfect cover for Mila to plot a murder of her own.

Murder is not her department. It’s not like it used to be. Modern-day grim reapers wear business casual, not black cloaks, and they don’t carry scythes, they work for S. C. Y. T. H. E. (Secure Collection, Yielding, and Transportation of Human Essences), where the Department of Natural Causes is the least exciting gig. And that’s how Kathy Valence likes it: boring and predictable. She has enough stress in her personal life; she’s mid-divorce, pregnant, and terrified she doesn’t have what it takes to be a good mom. Then, she goes to pick up a new client and finds his soul is missing.

Gwen Turner has made a bloody mess of her life. She recently broke up with the best man she’s ever known for reasons even she can’t admit to herself and quit a lucrative job to open her own coffee shop. To top it all off, her best friend is getting married and leaving her behind in singlehood.

It's 1974 and Ellison Russell's life revolves around her daughter and her art. She's long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper's death. The murder forces Ellison to confront her husband's proclivities and his crimes - kinky sex, petty cruelties, and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer.

I used to enjoy my job. I was good at it and felt fulfilled. I also used to enjoy spending time with the people I worked with. They say you spend more time with your work colleagues than you do with your family members, but that was fine by me because I made two very good friends at the office. I also allowed myself to get a little too close to my boss, but I soon realized that was a mistake. Unfortunately, it was too late by then, and as my personal and professional lives quickly blurred into one, that was when everything changed.

I am on my way home, thinking only of the quiet, happy evening to come, when I see something completely impossible, and my heart stops dead. I would recognise those gorgeous pale blue eyes anywhere. It’s him. The high-school boyfriend I adored… Until the day he vanished without a trace. I run towards him, my pulse racing. He turns, politely, a puzzled look on that familiar face. ‘I’m sorry,’ he says. ‘Do I know you?’ I need answers. I’m certain he’s lying. I just have to prove it.

Sloane Caraway is a liar. Harmless lies, mostly, to make her self-proclaimed sad, little life a bit more interesting. So when Sloane sees a young girl in tears at a park one afternoon, she can't help herself—she tells the girl’s (very attractive) dad she’s a nurse and helps him pull a bee stinger from the girl’s foot. With this lie, and chance encounter, Sloane becomes the nanny for the wealthy, and privileged Jay and Violet Lockhart. The perfect New York couple, with a brownstone, a daughter in private school, and summers on Block Island.

For all of Kat’s life, it’s just been her and her mother, Jamie—except for the forty-eight hours when Jamie was married and Kat had a stepbrother, Liam. That all ended in an epic divorce, and Kat and Liam haven’t spoken since. Now Jamie is a jewel thief trying to go straight, but she has one last job—at billionaire Ross Sutherland’s birthday party. And Kat has figured out a way to tag along. What Kat doesn’t know, though, is that there are two surprise guests at the dazzling Sutherland compound that weekend. The last two people she wants to run into.

Former stand-up comic Juno Mulligan has been suffering a serious sense-of-humour failure. Not only has she lost the love of her life, but she’s having to relocate to the (admittedly idyllic) village of Inkbury to watch out for her elderly mother, who she’s genuinely worried might be marrying a wife-killer. She hopes that her old friend, disgraced-journalist-turned-novelist Phoebe Fredericks can help her crack the case of whether her mother’s perma-tanned, iceberg-smiled, three-times-a-widower fiancé is hiding a murderous past.

Have you ever walked home at night, keys in hand, ready to throw a punch in self-defence? That’s how it all started. The killing spree, I mean. I sort of tripped into this role. Literally. The first one was following me. That guy from the nightclub who wouldn’t leave me alone. I pushed him, he stumbled, and fell onto his own broken wine bottle. Oops. It was such a waste of a good house white. But now I can’t seem to stop and nor do I want to, I’ve got a taste for revenge and quite frankly, I’m killing it.

Something bad happened last night. My best friend Posey is dead. The police think it was a tragic accident. I know she was murdered. But I can’t remember a thing. I’ve woken up with the hangover from hell, a stranger in my bed, and I’ve gone viral for the worst reasons. There’s only thing stopping me from dying of shame. I need to find a killer.

The Chester Square Cookery School in the heart of London offers students a refined setting in which to master the fine art of choux pastry and hone their hollandaise. True, the ornate mansion doesn’t quite sparkle the way it used to—afeeling chef Paul Delamare is familiar with these days. Worn out and newly broke, he’d be tempted to turn down the request to fill in as teacher for a week-long residential course, if anyone other than Christian Wagner were asking.

Dawn Decker is an American everywoman and the salt to her husband Wyatt’s sweet, media-friendly charm on their Tennessee-based home renovation reality TV show, The Perfect Home. While Dawn bristles at the trappings of their D-list celebrity status, Wyatt hungers for greater fame. The couple also faces infertility issues stemming from Wyatt’s low sperm count. He secretly orders experimental fertility drugs, and they conceive, but his personality takes a dark turn—he becomes moody, withdrawn, and even cruel.

There's a serial killer targeting the streets of Newcastle, seemingly picking his victims at random but subjecting them all to the same torturous end. When the Chief Inspector on the case goes missing, it falls on DCI Ryan to track down the man who is brutally murdering women and goading the police to 'catch me if you can'. As everyone becomes a suspect, Ryan and his team get drawn further and further into the case, but for Ryan the nightmare gets closer to home than he could ever have imagined.

Ashley Bowers is shocked by the sudden death of her sister, whom she hasn't seen or heard from in years. Grieving for the bond they once shared and wallowing in the knowledge that any chance of reconciliation is gone forever is one thing. Welcoming her sister's thirteen-year-old daughter—a girl Ashley has never even met—into the home she shares with her husband and two children is another.

Sage and her sister won’t make it home from school today. Neither will the other children on Bus 315. But that’s only the beginning of the nightmare. New bus driver Jessa blames herself for what happened. She couldn’t protect the kids she was supposed to deliver to daycare, just like she couldn’t protect her own daughter three years ago. But this time, everything will be different. It has to be.

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

When Theodora Scott met Connor—wealthy, charming, and a member of the powerful Dalton family—she fell in love in an instant. Six months later, he’s brought her to Idlewood, his family’s isolated winter retreat, to win over his skeptical relatives. Stay away from Connor Dalton.Theo has tried to ignore the threatening messages on her phone, but she can’t ignore the footprints in the snow outside the cabin window or the strange sense of familiarity she has about this place. Then, in a disused cabin, Theo finds something impossible: a photo of herself as a child. A photo taken at Idlewood.

August 1939: London is dismal under the weight of impending war with Germany as Hitler’s forces continue to sweep across Europe. Into this uncertain maelstrom steps Grace Bennett, young and ready for a fresh start in the bustling city streets she’s always dreamed of - and miles away from her troubled past in the countryside. With aspirations of working at a department store, Grace never imagined she’d wind up employed at Primrose Hill, an offbeat bookshop nestled in the heart of the city - after all, she’s never been much of a reader.

When renowned anonymous author J. R. Alastor hires former aspiring writer Mila del Angél to host a writing retreat at his private manor off the coast of Maine, she jumps at the chance—particularly since she has an axe to grind with one of the invitees. The guest list? Six thriller authors, all masters of deceit, misdirection, and mayhem. Alastor and Mila have masterminded a week of games, trope-fueled riddles, and maybe a jump scare or two—the perfect cover for Mila to plot a murder of her own.

Hollywood, 1955. As head costume designer for Lux Pictures, Lena Taylor hears startling confessions from the biggest movie stars. She knows how to keep their secrets—after all, none of their scandals can match her own. Lena was once Elsie Gruner, the daughter of an Ohio dressmaker. Her gift for fashion design helped her win a coveted spot at an art academy in Rome. While in Italy, she became enthralled by the charismatic Julia, who drew her into a shadowy world of jazz clubs, code words, and mysterious deliveries.

The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Aimless after getting dumped by her boyfriend and dropping out of college, Vi works at the front desk of a hotel where she greets guests, refills cucumber water samovars, and tries to evade her bubbly blond coworker, Rachel. Little does Vi know her life is about to be permanently transformed when she agrees to a night out with Rachel. In the alley outside the bar, Vi discovers a strange blob—a small living creature with beady black eyes.

For 18 years, Jude Farraday has put her children’s needs above her own, and it shows - her twins, Mia and Zach, are bright and happy teenagers. When Lexi Baill moves into their small, close-knit community, no one is more welcoming than Jude. Lexi, a former foster child with a dark past, quickly becomes Mia’s best friend. Then Zach falls in love with Lexi and the three become inseparable. Jude does everything to keep her kids on track for college and out of harm’s way. It has always been easy - until senior year of high school. Suddenly she is at a loss.