Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

On a small island in a remote corner of northwest Scotland lies Maundrell castle, owned by its wealthy namesake family for centuries—until now. Edwina Nunn is shocked to learn a relative she never heard of has bequeathed the castle and its land to her. What awaits Edie and her teenage daughter, Neve, is even more startling, for the castle is home to a multitude of ghosts. Yet there's a strange beauty in the austere architecture and the eerie, bloody waters of Loch na Scáthanna, the Lake of Shadows.

The stories in Fifty Beasts to Break Your Heart are about the abomination that resides within us all. That churning, clawing, ravenous yearning: the hunger to be held, and seen, and known. And the terror, too: to be loved too well, or not enough, or for long enough. To be laid bare before your sweetheart, to their horror. To be recognized as the monstrous thing you are. In these lush, strange stories, GennaRose Nethercott explores human longing in all its diamond-dark facets to create a collection that will redefine what you see as a beast, and make you beg to have your heart broken.

Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store. Then, one evening, the Jamaican water deity River Mumma appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb. Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart.

Zara Jones believes in magic because the alternative is too painful to consider—that her murdered sister is gone forever and there is nothing she can do about it. Rather than grieving and moving on, Zara decides she will do whatever it takes to claw her sister back from the grave—even trading in the occult.

Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

A virus is spreading across America, transforming the infected and making them feral with lust. Sophie, a good Catholic girl, must traverse the hellscape of the midwest to try to find her family while the world around her burns. Along the way she discovers there are far worse fates than dying a virgin… The end times are coming.

Lorelei Kaskel, a folklorist with a quick temper and an even quicker wit, is on an expedition with six eccentric nobles in search of a fabled spring. The magical spring promises untold power, which the king wants to harness in order to secure his reign over the embattled country of Brunnestaad. Lorelei is determined to use this opportunity to prove herself and make her wildest, most impossible dream come true: to become a naturalist, able to travel freely to lands she’s only read about.

In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived—but at Camp Resolution, everybody leaves a different person. Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late. The fate of the world depends on it.

The 1850s are a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary is keen to make her name in this world of science alongside her geologist husband, Henry—but despite her sharp mind and sharper tongue, without wealth and connections their options are limited.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.

On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river. The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has spent the past two years behind bars. When he learns that someone is co-opting his grisly signature - the arrangement of victims’ limbs in puzzle-piece shapes - he decides to take matters into his own hands.

Something is very wrong with the Fitzwilliam estate. It was supposed to be a regular seance job. But from the minute I met an angry ghost in the hall, I knew there wasn't going to be anything ordinary about this house or its dead residents. First of all, there were way too many of them. Second, some of them had been helped along from living to dead. Third, my attempt to figure out what was going on got a bit sidetracked when I met the gardener. He was tall, dark green, and handsome. And really, really smart. So I hired him to help me figure out what was going on.

On the day of Alec Salter’s fiftieth birthday party, his wife, Charlotte, vanishes. Most of the small English village of Glensted is at the party for hours before anyone realizes she is missing. While Alec brushes off her disappearance, their four children—especially fifteen-year-old Etty—grow increasingly anxious as the cold winter hours become days and she doesn’t return. Then Etty and her friend Morgan find the body of Morgan’s father—and the Salters’ neighbor— Duncan Ackerley, floating in the river.

When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Since she was a little girl, Hellevir has been able to raise the dead. Every creature can be saved for a price, a price demanded by the shrouded figure who rules the afterlife, who takes a little more from Hellevir with each soul she resurrects. Such a gift can rarely remain a secret. When Princess Sullivain, sole heir to the kingdom’s throne, is assassinated, the Queen summons Hellevir to demand she bring her granddaughter back to life. But once is not enough; the killers might strike again. The Princess’s death would cause a civil war, so the Queen commands that Hellevir remain by her side.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

A gifted new suspense writer makes her sizzling debut with this serpentine tale exploring all the ways in which men enact violence on women, how women try to reclaim their own sense of self, and the lingering effects on their children’s lives. Filled with shocking twists and turns, this is a book that both asks what it means for a woman to be in control of her life while also highlighting the impact of small daily violences upon women, and the connection between physical and psychological harm.

On a small island in a remote corner of northwest Scotland lies Maundrell castle, owned by its wealthy namesake family for centuries—until now. Edwina Nunn is shocked to learn a relative she never heard of has bequeathed the castle and its land to her. What awaits Edie and her teenage daughter, Neve, is even more startling, for the castle is home to a multitude of ghosts. Yet there's a strange beauty in the austere architecture and the eerie, bloody waters of Loch na Scáthanna, the Lake of Shadows.

Florrie Butterfield—eighty-seven, one-legged, and of cheerful disposition—believes there can't be any more adventures or surprises in life to experience. Yet one midsummer’s evening, there’s an accident at Babbington Hall—the adult residence where she lives—so shocking and strange that Florrie is suspicious; is this really an accident?

Twenty years ago, a nine-year-old boy was swept away by powerful waves on a remote Oregon beach, his body lost to the sea. Only a stone memorial remains to mark his tragic death. For most of her life, Amanda Dufresne had no idea she had an older brother named Dennis Owens, or that he had died. Adopted as a baby, she learned about him while looking into her late birth mother, and is curious to know more about this lost sibling. A solitary young woman, Amanda has always felt distanced from the world around her. Her brain works differently from others, leaving her feeling set apart.

In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. It was a beautiful thing once, a little oasis in a bustling city for neighbors by day and the local foxes at twilight. Now it’s overgrown and neglected, an empty patch of greenery lost to time.

Saffy Huntley-Oliver is an intelligent and glamorous socialite; she also happens to be a proficient serial killer. For the past fifteen years, she’s hunted down and dispatched rapists, murderers, domestic abusers—bad men all. But leading a double life has left her lonely—dating’s tough when your boyfriend might turn out to be your next victim. Saffy thinks she’s finally found a truly good man in Jonathan Desrosiers, a true-crime podcaster who’s amassed legions of diehard fans for cracking cold cases and bringing justice to victims.

After arriving on Block Island to find her birth mother, Blake Bronson becomes convinced she’s the heroine of a gothic novel—the kind that allowed her intermittent escape from a traumatic childhood. How else to explain the torrential rain, the salt-worn mansion known as White Hall, and the restless ghost purported to haunt its halls? But before Blake can discern the novel’s ending, she’s found dead, murdered in a claw-foot tub. The proprietress of White Hall stands accused.

Emily Henry meets Fleabag...and The Bachelor! An irresistibly sharp and sexy dramedy about a cynical romance novelist who goes on a Bachelor-like reality show to revive her flagging career, only to discover that while she may have just met the love of her life, the producers have turned her into the show’s villain.

Hope Chen and her husband are raising her nine-year-old nephew, Luca, in the wake of his troubled mother’s death. Luca finally has a safe home in a neighborhood where kids play in the streets and nobody locks their doors. Then one day, Luca and his dog disappear without a trace. Guilt-ridden, fearing the worst but praying for the best, Hope finds her imagination running wild.

Calvin finally owns the bakery of his dreams, in an idyllic village in the Lake District. After reluctantly following his wife Vicky’s advice to promote it on social media, he’s thrilled when a viral clip makes him a legend overnight. But then the creepy DMs start flooding in—all from a stranger who claims she’s his biggest fan. Meanwhile, a local recluse is found on a nearby beach, buried to his neck and left to drown, and the community goes into shock.

The stories in Fifty Beasts to Break Your Heart are about the abomination that resides within us all. That churning, clawing, ravenous yearning: the hunger to be held, and seen, and known. And the terror, too: to be loved too well, or not enough, or for long enough. To be laid bare before your sweetheart, to their horror. To be recognized as the monstrous thing you are. In these lush, strange stories, GennaRose Nethercott explores human longing in all its diamond-dark facets to create a collection that will redefine what you see as a beast, and make you beg to have your heart broken.

Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to a deathless pirate lord, Mary offers her skills to his arch-rival in exchange for protection—and, more importantly, his help in sending the pirate to a watery grave. But Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships.

Trunks packed with potions and cures, Jane Aire sets out on a crisp, clear morning in October to face the greatest challenge of her sheltered girls’-school existence. A shadow lies over Thornfield Hall and its reclusive master, Edward Rochester. And he’s hired her only as a last resort. Jane stumbles again and again as she tries to establish a rapport with her prickly new employer, but he becomes the least of her worries as a mysterious force seems to work against her.