When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

A great writer knows when to deliver a juicy plot twist. But for one author, the biggest twist of all is her own murder. With twenty hit titles, and a highly anticipated movie tie-in, celebrated novelist Columbia Jones is at the top of her game. Fans around the world adore her. But on the final night of her latest book tour, one face in the crowd makes the author collapse. And by the next morning, she’s lying dead in a pool of blood.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely 15-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from - a place to which she vowed she'd never return.

Frank Szatowski is shocked when his daughter, Maggie, calls him for the first time in three years. He was convinced that their estrangement would become permanent. He’s even more surprised when she invites him to her upcoming wedding in New Hampshire. Frank is ecstatic, and determined to finally make things right. He arrives to find that the wedding is at a private estate—very secluded, very luxurious, very much out of his league. It seems that Maggie failed to mention that she’s marrying Aidan Gardner, the son of a famous tech billionaire.

Maya has returned to Princeton for her college reunion—it’s been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her time there. This visit is special because Maya will also be attending the graduation of her little sister, Naomi. But what should have been a dream weekend becomes Maya’s worst nightmare when she receives the news that Naomi is dead. The police are calling it an accident, but Maya suspects that there is more to the story than they are letting on.

Chief Inspector Armand Gamache of the Surêté du Québec and his team of investigators are called in to the scene of a suspicious death in a rural village south of Montreal. Jane Neal, a local fixture in the tiny hamlet of Three Pines, just north of the U.S. border, has been found dead in the woods. The locals are certain it’s a tragic hunting accident and nothing more, but Gamache smells something foul in these remote woods, and is soon certain that Jane Neal died at the hands of someone much more sinister than a careless bowhunter.

Nora Noone’s father was many things to many people. To the public he was a self-made titan of industry, whose luxury boutique hotels were among the most coveted destinations in the world. To his three ex-wives, he was a loving yet distant family man who managed to keep his finances—and his families—separate. But, to Nora, he was always a mystery—especially after his suspicious death at his cliffside home.

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then...he hears the plot.

When Julie Buckley, a successful mystery writer, suspects her husband of cheating, she turns to her best friend, Darby, for advice. When Darby suggests couples therapy, Julie and Oliver find themselves discussing Oliver’s betrayal with their new therapist, Liza. Liza is competent and reassuring, and her advice and Oliver’s openness to change seem to be helping the couple rebuild their relationship.

The plane is jam-packed. Every seat is taken. So of course the flight is delayed! Flight attendant Allegra Patel likes her job—she’s generally happy with her life, even if she can’t figure out why she hooks up with a man she barely speaks to—but today is her twenty-eighth birthday. She can think of plenty of things she’d rather be doing than placating a bunch of grumpy passengers.

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

Sydney Shaw, like every single woman in New York, has terrible luck with dating. She’s seen it all: men who lie in their dating profile, men who stick her with the dinner bill, and worst of all, men who can't shut up about their mothers. But finally, she hits the jackpot. Her new boyfriend is utterly perfect. He's charming, handsome, and works as a doctor at a local hospital. Sydney is swept off her feet. Then the brutal murder of a young woman—the latest in a string of deaths across the coast—confounds police. The primary suspect? A mystery man who dates his victims before he kills them.

Lyla is in a bit of a rut. Her post-doctoral research has fizzled out, she’s pretty sure they won’t extend her contract, and things with her boyfriend, Nico, an aspiring actor, aren’t going great. When the opportunity arises for Nico to join the cast of a new reality TV show, One Perfect Couple, she agrees to try out with him. A whirlwind audition process later, Lyla finds herself whisked off to a tropical paradise with Nico, where the two of them will compete against four other couples in order to win a cash prize. But not long after they arrive, things start to go wrong.

Everyone in America knows Dylan Read, or at least has heard her music. Since releasing her debut album her senior year of high school, Dylan’s spent fifteen years growing up in the public eye. She’s not only perfected her skills when it comes to lyrics and melody; she’s also learned how to craft a public narrative that satisfies her fans, her label, and the media. In the circles of fame and celebrity in which she now travels, the careful maintenance of Dylan Read pop star is often more important than the songs themselves.

Nina, still grieving from the loss of her father, discovers that she has inherited property in the British Virgin Islands—a vacation home she had no idea existed, until now. The house is extraordinary: state-of-the-art, all glass and marble. How did her sensible father come into enough money for this? Why did he keep it from her? And what else was he hiding?

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely 15-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from - a place to which she vowed she'd never return.

A great writer knows when to deliver a juicy plot twist. But for one author, the biggest twist of all is her own murder. With twenty hit titles, and a highly anticipated movie tie-in, celebrated novelist Columbia Jones is at the top of her game. Fans around the world adore her. But on the final night of her latest book tour, one face in the crowd makes the author collapse. And by the next morning, she’s lying dead in a pool of blood.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely 15-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from - a place to which she vowed she'd never return.

Frank Szatowski is shocked when his daughter, Maggie, calls him for the first time in three years. He was convinced that their estrangement would become permanent. He’s even more surprised when she invites him to her upcoming wedding in New Hampshire. Frank is ecstatic, and determined to finally make things right. He arrives to find that the wedding is at a private estate—very secluded, very luxurious, very much out of his league. It seems that Maggie failed to mention that she’s marrying Aidan Gardner, the son of a famous tech billionaire.

Maya has returned to Princeton for her college reunion—it’s been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her time there. This visit is special because Maya will also be attending the graduation of her little sister, Naomi. But what should have been a dream weekend becomes Maya’s worst nightmare when she receives the news that Naomi is dead. The police are calling it an accident, but Maya suspects that there is more to the story than they are letting on.

Detroit, 1960. Lila Pereira is two years old when her angry, abusive father has her mother committed to an asylum. Lila never sees her mother again. Three decades later, having mustered everything she has—brains, charm, talent, blond hair—Lila rises to the pinnacle of American media as the powerful, brilliant executive editor of The Washington Globe. Lila unapologetically prioritizes her career, leaving the rearing of her daughters to her generous husband, Joe. He doesn’t mind—until he does.

18-year-old Janie has the world and her bright future ahead of her. She's about to leave behind the small seaside town she's known all her life to embark on a career in London in book publishing and couldn't be more excited. She'll miss home—especially her dad. They've only had each other since her mother died years earlier. But she's about to start her life and she can't wait. She's on her way home after her last early dawn swim in the bay when the peaceful stillness of the quiet Tuesday morning is suddenly shattered.

Chief Inspector Armand Gamache of the Surêté du Québec and his team of investigators are called in to the scene of a suspicious death in a rural village south of Montreal. Jane Neal, a local fixture in the tiny hamlet of Three Pines, just north of the U.S. border, has been found dead in the woods. The locals are certain it’s a tragic hunting accident and nothing more, but Gamache smells something foul in these remote woods, and is soon certain that Jane Neal died at the hands of someone much more sinister than a careless bowhunter.

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then...he hears the plot.

Quiet Funke is happy in Nigeria. She loves her art teacher mother, her professor father, and even her annoying little brother (most of the time). But when tragedy strikes, she’s sent to England, a place she knows only from her mother’s stories. To her dismay, she finds the much-lauded estate dilapidated, the food tasteless, the weather grey. Worse still, her mother’s family are cold and distant. With one exception: her cousin Liv.

The chill of a San Francisco summer can be deadly. No one knows this better than Capri Sanzio, who makes her living giving serial killer tours of the city. Capri has been interested in the topic since she was a kid, when she discovered she’s the granddaughter of serial killer William "Overkill Bill" Sanzio. She’s always believed in his innocence. But now an Overkill Bill copycat has struck in San Francisco. And Capri’s former mother-in-law, Sylvia, just cut off Capri’s daughter’s tuition payments. Needing cash, Capri wonders if this is the time to exonerate her grandfather.

The London suburb of Croydon, 1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor. One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist.

Ruth-Ann Baker is a college dropout, a bartender—and an amateur detective who just can’t stay away from true crime. Nineteen years ago, her childhood friend was murdered by suspected serial killer Ethan Oswald. Still tormented by the case, Ruth can’t help but think of the long-dead Oswald when another young girl goes missing from the same town. And when she uncovers startling new evidence that suggests Oswald did not act alone, she is determined to find his deadly partner in crime.

Five days ago, the epidemic of rage began. Four days ago, the rash of senseless murders swept the nation. Three days ago, the president addressed the country and begged for peace—even as the murders increased tenfold. Two days ago, the killers began to mobilize. One day ago, the power went out. And tonight, the killers are reading the names of those to be killed over the Emergency Broadcast System.