When Alex invites new to the neighborhood Cleo Baird to join her tight-knit playgroup, Cleo can’t believe her luck and knows she has just the “in” she’s been hoping for. But it isn’t just luck. As the women grow closer and Alex shares more secrets, she doesn’t realize Cleo is keeping secrets of her own. It’s no coincidence that Cleo and her daughter moved to Oak Valley. Cleo came to town with a specific goal in mind: to destroy Alex’s enviable and seemingly perfect life.

Thomas Tallis, inspector of provenance, has just arrived in Edinburgh, Scotland, to authenticate The Goldenacre, a masterpiece by iconic Scottish architect and painter Charles Rennie Mackintosh. Still dealing with a miserable divorce and the fallout from a disastrous job in London, Tallis is eager to sign off on the painting and leave. It should be simple, as the painting has been owned by one noble family since the ’20s. But then a horrifying parcel arrives on Tallis’ desk, and the threatening message is clear: Someone doesn’t want him inspecting the painting.

When single mom Jo Dykstra was at her lowest—jobless and penniless—her childhood friend Dana McFarlane helped her out big-time by securing her a teaching job and thus an opportunity for a new life in the affluent Pacific Northwest town of Glebes Bay. So, when Jo gets a frantic late-night call from Dana, sobbing and desperate for help, it feels like a chance to help her friend in return.

When you return from a work trip to find your husband dead in the pond, it’s best not to call him a liar and a cheat in front of the cops. Especially when you’ve spent the last few years telling anyone who’ll listen that you sometimes fantasize about killing him. It makes you look kind of, well, guilty.

We all have that friend—the one who doesn't quite belong. Dinah Marshall is that person and knows it. After someone drops out, she's invited to spend the weekend at a luxury holiday home with women she's known since university. However, the gulf between them has widened since then, and Dinah is conscious of being the only one with no money, career, partner or children. Feeling like an outsider, she takes to snooping around the house.

The night of their senior picnic, Scarlett Russo and her best friend Pepper were involved in a car accident that left two of their classmates dead. Afterward, they lied to the police, protecting each other from the consequences. Then Pepper left town and Scarlett never heard from her again.

When two young sisters disappear from a strip mall parking lot in a small Pennsylvania town, their devastated mother hires an enigmatic bounty hunter, Alice Vega, to help find the girls. Immediately shut out by a local police department already stretched thin by budget cuts and the growing OxyContin and meth epidemic, Vega enlists the help of a disgraced former cop, Max Caplan. Cap is a man trying to put the scandal of his past behind him and move on, but Vega needs his help to find the girls, and she will not be denied.

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe’s new neighbors: glamorous influencer Jemma Spengler and Jemma’s husband, Adam, a renowned surgeon. They’re attractive, wealthy, and in a house of open windows, so exposed.

Beth Ralston, a paralegal in Portland, Oregon, would rather be racking up billable hours than mingling at an office party—especially when her sister Lindsay, aka her plus one, is a no-show. After making her obligatory rounds, Beth returns to her office to find that her boss, who she'd talked with moments before, has been murdered. She sees a woman fleeing the scene. Wait—was that Lindsay? Unable to catch up to her in time, Beth waits for the police to arrive and notices that Lindsay has left her phone behind with an unsent text message to Beth displayed on the screen.

A young nanny who plunged to her death, or was she pushed? A nine-year-old girl who collects sharp objects and refuses to speak. A lawyer whose job it is to uncover who in the family is a victim and who is a murderer. But how can you find out the truth when everyone here is lying? Rose Barclay is a nine-year-old girl who witnessed the possible murder of her nanny—in the midst of her parent's bitter divorce—and immediately stopped speaking.

Camille Prescott has it all. A doting husband, two children, a charming home in a seaside enclave, and a beautiful, fixed smile that exudes normalcy. But behind her polished mask lurks a much different Camille—one with a padlocked vault of secrets. Raised by a vindictive and psychotic woman, Camille has gone to great lengths to bury her past and for good reason: if her mother ever finds her, she will kill her.

The Precipice is a legendary family-owned hotel on the rocky coast of Maine. With the recent passing of their father, the Bishop sisters—Iris, Vicki, and Faith—have come for the weekend to claim it. But with a hurricane looming and each of the Bishop sisters harboring dangerous secrets, there's murder in the air—and not everyone who checks into the Precipice will be checking out. Each sister wants what is rightfully hers, and in the mix is the Precipe's nineteen-year-old chambermaid Charley Kelley: smart, resilient, older than her years, and in desperate straits.

When Julie Buckley, a successful mystery writer, suspects her husband of cheating, she turns to her best friend, Darby, for advice. When Darby suggests couples therapy, Julie and Oliver find themselves discussing Oliver’s betrayal with their new therapist, Liza. Liza is competent and reassuring, and her advice and Oliver’s openness to change seem to be helping the couple rebuild their relationship.

A gifted new suspense writer makes her sizzling debut with this serpentine tale exploring all the ways in which men enact violence on women, how women try to reclaim their own sense of self, and the lingering effects on their children’s lives. Filled with shocking twists and turns, this is a book that both asks what it means for a woman to be in control of her life while also highlighting the impact of small daily violences upon women, and the connection between physical and psychological harm.

Twenty-five years ago, a young girl left home to walk to school. Her younger sister soon followed. But one of them arrived, and one of them didn’t. Her sister’s disappearance has defined Willa’s life. Everyone thinks her sister is dead, but Willa knows she isn’t. Because there are some things that only sisters know about each other—and some bonds only sisters can break. When Willa is invited to a party thrown by her first love, she has no reason to expect it will be anything other than an ordinary evening But nothing about Willa’s life has been ordinary since the day her sister disappeared.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Thomas Tallis, inspector of provenance, has just arrived in Edinburgh, Scotland, to authenticate The Goldenacre, a masterpiece by iconic Scottish architect and painter Charles Rennie Mackintosh. Still dealing with a miserable divorce and the fallout from a disastrous job in London, Tallis is eager to sign off on the painting and leave. It should be simple, as the painting has been owned by one noble family since the ’20s. But then a horrifying parcel arrives on Tallis’ desk, and the threatening message is clear: Someone doesn’t want him inspecting the painting.

The discovery of a suspicious death at a famous Swiss physics laboratory sparks a mystery that merges science, philosophy, and the high-stakes race to unlock the fundamental nature of our universe in this thrilling new novel from the Edgar Award-nominated author of the “hugely entertaining” (The Wall Street Journal) The Last Equation of Isaac Severy.

Los Angeles, 1916: Photographer Bill Ogden has opened a portrait studio in the seedy noir world of early Hollywood, where he is joined by his granddaughter, Flavia—a woman in need of a fresh start after bludgeoning her abusive husband to death in Wichita. Though his business is mainly legit, Bill finds himself brushing up against the “blue movie” porn industry growing in the shadows of the motion picture mainstream. When a series of grisly murders take place across the city, Bill and his capable granddaughter are pulled into events as tricky and tangled as anything this side of The Big Sleep.

August 30, 1975: The day 15-year-old Nola Kellergan is glimpsed fleeing through the woods before she disappears; the day Somerset, New Hampshire, lost its innocence. Thirty-three years later, Marcus Goldman, a successful young novelist, visits Somerset to see his mentor, Harry Quebert, one of America’s most respected writers, and to find a cure for his writer’s block as his publisher's deadline looms.

When two young sisters disappear from a strip mall parking lot in a small Pennsylvania town, their devastated mother hires an enigmatic bounty hunter, Alice Vega, to help find the girls. Immediately shut out by a local police department already stretched thin by budget cuts and the growing OxyContin and meth epidemic, Vega enlists the help of a disgraced former cop, Max Caplan. Cap is a man trying to put the scandal of his past behind him and move on, but Vega needs his help to find the girls, and she will not be denied.

When Alex invites new to the neighborhood Cleo Baird to join her tight-knit playgroup, Cleo can’t believe her luck and knows she has just the “in” she’s been hoping for. But it isn’t just luck. As the women grow closer and Alex shares more secrets, she doesn’t realize Cleo is keeping secrets of her own. It’s no coincidence that Cleo and her daughter moved to Oak Valley. Cleo came to town with a specific goal in mind: to destroy Alex’s enviable and seemingly perfect life.

The incomparable Booker Prize winner’s next great crime novel - the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home. Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family.

Twenty-five years ago, a young girl left home to walk to school. Her younger sister soon followed. But one of them arrived, and one of them didn’t. Her sister’s disappearance has defined Willa’s life. Everyone thinks her sister is dead, but Willa knows she isn’t. Because there are some things that only sisters know about each other—and some bonds only sisters can break. When Willa is invited to a party thrown by her first love, she has no reason to expect it will be anything other than an ordinary evening But nothing about Willa’s life has been ordinary since the day her sister disappeared.

Martha Ratliff conceded long ago that she’d likely spend her life alone. She was fine with it, happy with her solo existence, stimulated by her work as a librarian in Maine. But then she met Alan, a charming and sweet-natured salesman whose job took him on the road for half the year. When he asked her to marry him, she said yes, even though he still felt a little bit like a stranger.

Conor O’Toole has never been anywhere like Cutters Neck, a gated community near Cape Cod. It’s a sweet deal for the summer: in exchange for tennis lessons, he receives free lodging in a luxurious guest cottage, far from the cramped Yonkers apartment he shares with his diabetic mother.

We all have that friend—the one who doesn't quite belong. Dinah Marshall is that person and knows it. After someone drops out, she's invited to spend the weekend at a luxury holiday home with women she's known since university. However, the gulf between them has widened since then, and Dinah is conscious of being the only one with no money, career, partner or children. Feeling like an outsider, she takes to snooping around the house.

When Hannah and Jasper move to Silverbanks, a luxury gated neighbourhood, it’s a dream come true. This house, with its floor-to-ceiling glass doors, direct access to the sandy beach, and close-knit, caring community, will be the perfect place to raise their precious daughter, Pia. And then Hannah meets her next-door neighbour. The flicker of recognition in his eyes only lasts for a second, but it’s enough. Suddenly, her safe haven has become the most dangerous place she could be. Unless she does something about it.

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical economist husband; their twins; and even the authors he edits and publishes.

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then...he hears the plot.

Annie never much believed in love. That is, until meeting Mark. After crossing paths on morning commutes, they connect at a group counseling session for trauma survivors. Each recognizes something in the other, though both hide their own troubled pasts. It’s a whirlwind romance that propels Annie through their courtship, all the way to her wedding day—a day she couldn’t have predicted for herself once upon a time yet now feels surer about than anything in her life.