Going Home is a sparkling, funny, bighearted story of family and what happens when three men—all of whom are completely ill-suited for fatherhood—take charge of a toddler following an unexpected loss.

Provence, 1347. Eleanore (Elea) Blanchet is a young midwife and herbalist with remarkable skills. But as she learned the day her mother died, the most dangerous thing a woman can do is draw attention to herself. She attends patients in her home city of Avignon, spends time with her father and twin sister, gathers herbs in the surrounding woods, and dreams of the freedom to pursue her calling without fear.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

Beth and her gentle, kind husband Frank are happily married, but their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.

On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away. On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way.

At the turn of the twenty-first century, three young people come of age in Tanzania. Karim returns to his sleepy hometown after university with new swagger and ambition. Fauzia glimpses in him a chance at escape from a smothering upbringing. The two of them offer a haven to Badar, a poor boy still unsure if the future holds anything for him at all. As tourism, technology, and unexpected opportunities and perils reach their quiet corner of the world, bringing, each arrives at a different understanding of what it means to take your fate into your own hands.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he is still here, he watches his girlfriend, Hannah, lost in grief in the apartment they shared and begins to realize how much of her life was invisible to him. In the weeks and months before Max’s death, Hannah was haunted by the secrets she left Australia to escape. A relationship with Max seemed to offer the potential of a fresh new chapter, but the past refused to stay hidden.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

In 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations.

1957: Jean Swinney is a feature writer on a local paper in the southeast suburbs of London. Clever but with limited career opportunities and on the brink of forty, Jean lives a dreary existence that includes caring for her demanding widowed mother, who rarely leaves the house. It’s a small life with little joy and no likelihood of escape.

Alice McDermott's masterful new novel is a vivd portrait of an American family caught at the crossroads of the tumultuous middle decades of the 20th century. Witty, compassionate, and wry, After This evokes the social, political, and spiritual upheavals of its time through the experiences of a working-class couple, John and Mary Keane, their four children, and the changes radiating through their Catholic community on Long Island.

If you haven’t had the misfortune of dating a George, you know someone who has. He’s a young man brimming with potential but incapable of following through; sweet yet noncommittal to his long-suffering girlfriend; distant from but still reliant on his mother; charmingly funny one minute, sullenly brooding the next. Here, Kate Greathead paints one particular, unforgettable George in a series of droll and surprisingly poignant snapshots of his life over two decades.

One of Spain’s richest men is dying. But as he prepares his estate, his family is shocked to discover he is making plans to give away his wealth to a young woman they have never even heard of. Who is she and what hold does she have over him? Charlotte Fairfax is asked to travel to the troubled family’s home in Spain to get to the bottom of the mysterious bequest. It’s the week before her wedding but she is confident she has time - there’s only one reason an older man leaves his money to a beautiful woman, isn’t there?

1908, Long Island: For Millie Turner, the young wife of a powerful New York stockbroker, Rose Briar Hall—a gleaming edifice of white marble on the North Shore—is more than a home. Every detail speaks of Charles Turner's wealth, and its interior is testament to Millie's sophistication. All that's left is to prove her worthiness to be his bride. What better way than to throw a grand party for New York's social elite? After painstaking planning, the night of the event arrives and all is perfection—until Millie wakes to a cold, eerily quiet house, and a gray cloud where her memory should be.

London, 1952. Seven years after the chaotic aftermath of World War II, London has is coming alive again, with jazz clubs and flickering cinema awnings lighting up the night sky. But for widowed Helen ‘Dexie’ Dexter, she’s still a woman in a man’s world. She longs to prove herself as an officer in the London Metropolitan Police, yet she’s stuck intervening in domestics and making tea for her male colleagues. Then Harri Schroder arrives, seconded from Hamburg to the Met.

Standing in the remote windswept moors of Northern England, Coldwell Hall is the perfect place to hide. For the past five years, Kate Furniss has maintained her professional mask so carefully that she almost believes she is the character she has created: Coldwell’s respectable housekeeper. It is the summer of 1911 that brings new faces above and below the stairs of Coldwell Hall—including the handsome and mysterious new footman, Jem Arden. Just as the house’s shuttered rooms open, so does Kate’s guarded heart to a love affair that is as intense as it is forbidden.

When Evelyn Seaton and her mother are ejected by the bailiffs from their Yorkshire manor house, the blame lies squarely with Evelyn’s father, a gambler and chancer who has left them destitute. Seeking refuge with an elderly aunt in an unfashionable corner of York, their predicament is intensified by the spiteful Lady Violet. Realising that only an income will save them, Evelyn secretly answers an advertisement for a bookshop assistant at the dusty and shambling Lamplighter’s Bookshop. But she is not the only candidate …

Lila De is on the verge of a career breakthrough when she gets a call from her mother in Kolkata, informing her that she’s inherited her family’s sprawling estate–so she returns home after a decade with no contact. Her extended family isn’t so easy to win over, and to make matters worse, Lila is caught between her old boyfriend and her occasional lover–her star author–who suddenly wants to define the relationship. As Lila come to terms with both past and present, suppressed family secrets emerge, culminating in a shocking act of violence. Lila has no choice but to finally address her family.

Provence, 1347. Eleanore (Elea) Blanchet is a young midwife and herbalist with remarkable skills. But as she learned the day her mother died, the most dangerous thing a woman can do is draw attention to herself. She attends patients in her home city of Avignon, spends time with her father and twin sister, gathers herbs in the surrounding woods, and dreams of the freedom to pursue her calling without fear.

The First Phone Call from Heaven tells the story of a small town on Lake Michigan that gets worldwide attention when its citizens start receiving phone calls from the afterlife. Is it the greatest miracle ever or a massive hoax? Sully Harding, a grief-stricken single father, is determined to find out. An allegory about the power of belief - and a page-turner that will touch your soul - Albom's masterful storytelling has never been so moving and unexpected.

Charlotte, a commercial airline pilot, attends an auction with her boyfriend Henri at Hotel Drouot, now the oldest auction house in Paris. Successfully bidding on a box of wine saved from the German occupation during the Second World War, Henri gives Charlotte a seemingly inferior bottle he finds inside the box. Cleaning the label, Charlotte makes a shocking discovery that sends her on a quest to find the origins of this unusual—and very valuable—bottle of wine, a quest that will take her back fifty years into the past.

A beautiful discovery outside the window of her underwater home prompts the reclusive E. to begin a correspondence with renowned scholar Henerey Clel. The letters they share are filled with passion, at first for their mutual interests, and then, inevitably, for each other. Together, they uncover a mystery from the unknown depths, destined to transform the underwater world they both equally fear and love. But by no mere coincidence, a seaquake destroys E.'s home, and she and Henerey vanish.

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he is still here, he watches his girlfriend, Hannah, lost in grief in the apartment they shared and begins to realize how much of her life was invisible to him. In the weeks and months before Max’s death, Hannah was haunted by the secrets she left Australia to escape. A relationship with Max seemed to offer the potential of a fresh new chapter, but the past refused to stay hidden.

When Stella met Adam, she thought she had finally found a nice, normal guy—a welcome change from her previous boyfriend and her precarious jetsetter lifestyle with him. But her secure world comes crashing down when Adam goes missing after an explosion in the city square. Unable to reach him, she panics. As the French police investigate, it’s revealed that Adam was on their radar as a dealer of rare and stolen antiquities with a long roster of criminal clients. Reeling from this news, Stella is determined not to leave Paris until she has the full story.